bla bla bla by PUTOCHINOMARICÓN

We’ve finally got it. “pasadas de moda” is the second album from the PUTOCHINOMARICÓN project called “Segundos Minutos Horas Días” – a project that questions the nature, esthetic and consumption of music in an era where everything is fleeting and consumed without reflection. It is a critique of current music consumption, which has moved toward ephemeral interaction on networks and away from genuinely enjoying physical format or streaming platforms. It is an imaginary album by the artist dadá, a product of nepotism, which serves as a vehicle to criticize the artist as a content creator, like a house pet that wants to please instead of challenge. At the same time, it’s an opportunity to review some of the musical movements from the beginning of the century, like blog house, indie sleaze and electroclash, although not as an exercise in nostalgia but instead as a way to update the sound, criticizing the elitism and exclusiveness. This provokes a surprising change in Chenta’s sound, making it more accessible, pure, more spacious, and letting the album show off their more pop spirit, throwing names in the mix like LE TIGRE, TINGS TINGS, FISCHERSPOONER, MISS KITTIN’, TIGA and many more. This simplification aims to return to the essence of pop: music made for dancing, having fun and feeling absolutely carefree”. Is that why we love “pasadas de moda” so much? Are we trapped in that empty hedonism? Is this album a trick we can’t help fall for? Our heads are spinning. These are the side effects of such intense exposure to PUTCHINOMARICÓN’s universe.

Genre

Electronic