Directed by: José Padilha
Cinematography by: Lula Carvalho
Cameras: ARRI ALEXA Camera, Red Epic Camera
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Directed by: Michael Sucsy
Cinematography by: Rogier Stoffers
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Sarah Polley
Cinematography by: Luc Montpellier
Edited by: Christopher Donaldson
Directed by: Jim Sheridan
Cinematography by: Caleb Deschanel
Directed by: Edgar Wright
Cinematography by: Bill Pope
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Directed by: John Moore
Cinematography by: Jonathan Sela
Edited by: Dan Zimmerman
Cameras: ARRIFLEX 435 Camera, Phantom HD Camera
Lenses: Cooke S4 Lenses
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Michael Tronick
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Directed by: Walter Salles
Cinematography by: Affonso Beato
Edited by: Daniel Rezende
Directed by: Charles S. Dutton
Cinematography by: Jack N. Green
Edited by: Eric L. Beason
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Directed by: Peter Chelsom
Cinematography by: John de Borman
Edited by: Christopher Greenbury
Directed by: Gary Fleder
Cinematography by: Amir Mokri
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Directed by: Martin Bell
Cinematography by: James R. Bagdonas
Edited by: Nancy Baker