Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Directed by: George Miller
Cinematography by: John Seale
Edited by: Margaret Sixel
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Blackmagic Cinema Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Olympus E-P5 Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed MKII Lenses
Editing System: Avid Editing System
Directed by: Wayne Blair
Cinematography by: Warwick Thornton
Edited by: Dany Cooper
Directed by: Scott Hicks
Cinematography by: Greig Fraser
Edited by: Scott Gray
Directed by: Elissa Down
Cinematography by: Denson Baker
Edited by: Veronika Jenet
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Directed by: Jeff Balsmeyer
Cinematography by: Martin McGrath
Edited by: Suresh Ayyar
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Directed by: Jane Campion
Cinematography by: Dion Beebe
Edited by: Veronika Jenet
Directed by: George Miller
Cinematography by: Andrew Lesnie
Cinematography by: David Connell
Edited by: Sue Blainey, Richard Bracken, Tod Scott Brody, Gregg Featherman, Keith Reamer, Kevin Stitt, David Zieff
Directed by: Gillian Armstrong
Cinematography by: Geoffrey Simpson
Edited by: Nicholas Beauman
Cameras: Panavision Panaflex Gold II Camera
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Directed by: Chris Noonan
Cinematography by: Andrew Lesnie
Cameras: Panavision Cameras
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: Richard Francis-Bruce
Directed by: Gillian Armstrong
Cinematography by: Russell Boyd
Edited by: Nicholas Beauman