Directed by: Joe Berlinger
Cinematography by: Brandon Trost
Edited by: Josh Schaeffer
Cameras: ARRI ALEXA Mini Camera
Edited by: Robert Fisher Jr.
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: M. Night Shyamalan
Cinematography by: Peter Suschitzky
Edited by: Steven Rosenblum
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Directed by: Steve Franks
Cinematography by: Scott Williams
Edited by: Dexter N. Adriano
Directed by: James Roday
Cinematography by: Scott Williams
Edited by: Eric Jenkins
Directed by: Timothy Busfield
Cinematography by: Scott Williams
Edited by: Eric Jenkins
Directed by: Jennifer Lynch
Cinematography by: Scott Williams
Edited by: David Crabtree
Directed by: David Crabtree
Cinematography by: Scott Williams
Edited by: David Grecu
Directed by: Reginald Hudlin
Cinematography by: Scott Williams
Edited by: Eric Jenkins
Directed by: Jay Chandrasekhar
Cinematography by: Scott Williams
Edited by: Dexter N. Adriano
Directed by: Luke Greenfield
Cinematography by: Charles Minsky
Edited by: John Axelrad
Directed by: Mark Waters
Cinematography by: Florian Ballhaus
Edited by: Bruce Green
Cameras: ARRI ALEXA Camera
Directed by: Thor Freudenthal
Cinematography by: Jack N. Green
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Directed by: Thor Freudenthal
Cinematography by: Michael Grady
Edited by: Sheldon Kahn
Directed by: Nolan Lebovitz
Cinematography by: Steven Bernstein
Edited by: Robert K. Lambert
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Pablo Zumárraga
Cameras: Red One Camera
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Directed by: Mark Steven Johnson
Cinematography by: Russell Boyd
Edited by: Richard Francis-Bruce
Cameras: Panavision Cameras
Directed by: Bobby Moresco
Cinematography by: Alex Nepomniaschy
Edited by: Harvey Rosenstock
Directed by: Mel Damski, Steve Franks, James Roday, Stephen Surjik, John Badham, Matt Shakman, David Crabtree, Jay Chandrasekhar, Andrew Bernstein, Andy Berman, Michael Zinberg, Tim Matheson, John Landis, Brad Turner, Jennifer Lynch, Joanna Kerns, Eric Laneuville, Michael McMurray, Tawnia McKiernan, Reginald Hudlin, Richard Coleman, Michael Engler, John Fortenberry, John T. Kretchmer, Michael Lange, Jeff Melman, James L. Conway, Paul Lazarus, Arlene Sanford, Oz Scott, Lev L. Spiro, Jason Ensler, Steve Miner, Martha Coolidge, Timothy Busfield, Saladin K. Patterson, Fred Mendes, Kirsten Nelson
Directed by: Ronny Yu
Cinematography by: Hang-Sang Poon
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Directed by: Bille Woodruff
Cinematography by: Theo van de Sande
Edited by: Michael Jablow
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Directed by: Hideo Nakata
Cinematography by: Gabriel Beristain
Edited by: Michael N. Knue
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Directed by: Adam McKay
Cinematography by: Thomas E. Ackerman
Edited by: Brent White
Directed by: Paul Abascal
Cinematography by: Daryn Okada
Edited by: Robin Russell
Directed by: Ed Solomon
Cinematography by: Roger Deakins
Edited by: Pietro Scalia
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: David Brenner
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Directed by: Rob Minkoff
Cinematography by: Steven Poster
Edited by: Priscilla Nedd-Friendly
Directed by: Kurt Wimmer
Cinematography by: Dion Beebe
Lenses: Panavision Lenses
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Paul C. Warschilka
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Directed by: Jon Turteltaub
Cinematography by: Peter Menzies Jr.
Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Directed by: Rupert Wainwright
Cinematography by: Jeffrey L. Kimball
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Directed by: Howard Franklin
Cinematography by: Elliot Davis
Edited by: Sidney Levin
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Directed by: Ron Howard
Cinematography by: Dean Cundey
Directed by: John Carpenter
Cinematography by: Gary B. Kibbe
Edited by: Edward A. Warschilka
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Directed by: Jan de Bont
Cinematography by: Andrzej Bartkowiak
Edited by: John Wright
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Directed by: Stephen Surjik
Cinematography by: Francis Kenny
Edited by: Malcolm Campbell
Directed by: Paul Verhoeven
Cinematography by: Jan de Bont
Edited by: Frank J. Urioste
Cameras: Panavision Panaflex Camera
Directed by: Kathryn Bigelow
Cinematography by: Donald Peterman
Edited by: Howard E. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Robert Harmon
Cinematography by: Theo van de Sande
Directed by: Irvin Kershner
Cinematography by: Mark Irwin
Directed by: Ron Underwood
Cinematography by: Alexander Gruszynski
Edited by: O. Nicholas Brown
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Cameras: ARRIFLEX Camera
Lenses: Zeiss Lenses
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Directed by: Roland Joffé
Cinematography by: Vilmos Zsigmond
Edited by: Françoise Bonnot
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Edited by: Ian Crafford
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: Rod Daniel
Cinematography by: Dean Semler
Edited by: Lois Freeman-Fox
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Directed by: Roger Vadim
Cinematography by: Stephen M. Katz
Edited by: Suzanne Pettit
Directed by: Paul Verhoeven
Edited by: Frank J. Urioste
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Directed by: William Dear
Cinematography by: Allen Daviau
Edited by: Donn Cambern
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Directed by: Walter Hill
Cinematography by: Ric Waite
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Cinematography by: Scott Miller
Edited by: Barbara Pokras
Cameras: Panavision Cameras