Directed by: Aaron Schneider
Cinematography by: Shelly Johnson
Cameras: Panavision Millennium DXL Camera
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Directed by: S. Craig Zahler
Cinematography by: Benji Bakshi
Edited by: Greg D'Auria
Cameras: Red Helium (Weapon) 8K
Lenses: Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 28 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens
Directed by: Julian Schnabel
Cinematography by: Benoît Delhomme
Cameras: Red Helium (Weapon) 8K
Directed by: Spike Lee
Cinematography by: Chayse Irvin
Edited by: Barry Alexander Brown
Edited by: Bob Eisenhardt
Directed by: Gary Ross
Cinematography by: Eigil Bryld
Edited by: Juliette Welfling
Directed by: Akiva Goldsman
Cinematography by: Caleb Deschanel
Cameras: ARRI ALEXA Plus 4:3 Camera
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Cameras: ARRI ALEXA Studio Camera
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Directed by: Spike Lee
Cinematography by: Kerwin DeVonish
Edited by: Hye Mee Na
Cameras: Sony PMW-F3 Camera
Directed by: Paul Weitz
Cinematography by: Declan Quinn
Edited by: Joan Sobel
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Simon Curtis
Cinematography by: Ben Smithard
Edited by: Adam Recht
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Directed by: Nicole Kassell
Cinematography by: Russell Carpenter
Edited by: Stephen A. Rotter
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Directed by: Malcolm Venville
Cinematography by: Paul Cameron
Edited by: Curtiss Clayton
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Directed by: Jon Turteltaub
Cinematography by: Bojan Bazelli
Edited by: William Goldenberg
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Directed by: Lasse Hallström
Cinematography by: Terry Stacey
Edited by: Kristina Boden
Cameras: Panavision Panaflex Platinum Camera
Directed by: Andy Tennant
Cinematography by: Oliver Bokelberg
Edited by: Troy Takaki
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Directed by: Mira Nair
Cinematography by: Stuart Dryburgh
Directed by: Sam Mendes
Cinematography by: Ellen Kuras
Edited by: Sarah Flack
Directed by: Jim Jarmusch
Cinematography by: Christopher Doyle
Edited by: Jay Rabinowitz
Directed by: Hoyt Yeatman
Cinematography by: Bojan Bazelli
Directed by: Spike Jonze
Cinematography by: Lance Acord
Editing System: Final Cut Pro Editing System
Directed by: George LaVoo
Cinematography by: Frederick Elmes
Cameras: ARRI Cameras
Directed by: Nora Ephron
Cinematography by: Stephen Goldblatt
Edited by: Richard Marks
Directed by: Matt Aselton
Cinematography by: Peter Donahue
Edited by: Beatrice Sisul
Directed by: Nolan Lebovitz
Cinematography by: Steven Bernstein
Edited by: Robert K. Lambert
Directed by: Austin Chick
Cinematography by: Andrij Parekh
Edited by: Pete Beaudreau
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cinematography by: Brian Rigney Hubbard
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Directed by: Stephen Daldry
Edited by: Claire Simpson
Lenses: Zeiss Master Prime Lenses
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Directed by: John Sayles
Cinematography by: Dick Pope
Edited by: John Sayles
Cinematography by: Matthew F. Leonetti
Directed by: Helen Hunt
Cinematography by: Peter Donahue
Edited by: Pam Wise
Directed by: Ben Affleck
Cinematography by: John Toll
Edited by: William Goldenberg
Directed by: Ira Sachs
Cinematography by: Peter Deming
Edited by: Affonso Gonçalves
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Schroeder
Cinematography by: Dana Gonzales
Edited by: Terry Cafaro
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Directed by: Zach Helm
Cinematography by: Roman Osin
Directed by: Lajos Koltai
Cinematography by: Gyula Pados
Edited by: Allyson C. Johnson
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cinematography by: Terry Stacey
Edited by: Robert Pulcini
Directed by: Steven Shainberg
Cinematography by: Bill Pope
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Directed by: Spike Lee
Cinematography by: Matthew Libatique
Edited by: Barry Alexander Brown
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Walter Murch
Lenses: Cooke S4 Lenses
Editing System: Final Cut Pro Editing System
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Directed by: Susan Stroman
Edited by: Steven Weisberg
Directed by: Richard Eyre
Cinematography by: Andrew Dunn
Edited by: Tariq Anwar
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Joshua Marston
Cinematography by: Jim Denault
Lenses: Cooke S4 Lenses
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Directed by: John Waters
Cinematography by: Steve Gainer
Edited by: Jeffrey Wolf
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Jay Rabinowitz
Directed by: Peter Hewitt
Cinematography by: Dean Cundey
Cameras: Panavision Cameras
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Julie Monroe
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Editing System: Avid Editing System
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Directed by: Mark Waters
Cinematography by: Oliver Wood
Edited by: Bruce Green
Directed by: Roger Donaldson
Cinematography by: Stuart Dryburgh
Edited by: David Rosenbloom
Directed by: Robert Benton
Cinematography by: Jean-Yves Escoffier
Edited by: Christopher Tellefsen
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Jim Page
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Martin Walsh
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Lightworks Editing System
Directed by: Harold Ramis
Cinematography by: Ellen Kuras
Edited by: Andrew Mondshein
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Directed by: Roger Michell
Cinematography by: Salvatore Totino
Edited by: Christopher Tellefsen
Directed by: Daniel Algrant
Cinematography by: Peter Deming
Edited by: Suzy Elmiger
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Edited by: Naomi Geraghty
Editing System: Avid Editing System
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Cameras: Panavision Panaflex Platinum Camera
Directed by: Scott Hicks
Cinematography by: Piotr Sobocinski
Edited by: Pip Karmel
Directed by: Hal Hartley
Cinematography by: Michael Spiller
Edited by: Steve Hamilton
Directed by: Tony Goldwyn
Cinematography by: Anthony B. Richmond
Edited by: Dana Congdon
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: James Mangold
Cinematography by: Stuart Dryburgh
Edited by: David Brenner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Janusz Kaminski
Cinematography by: Mauro Fiore
Directed by: Ang Lee
Cinematography by: Peter Pau
Edited by: Tim Squyres
Cameras: ARRIFLEX 435 ES Camera
Lenses: Zeiss Lenses
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: William Kerr
Directed by: Maggie Greenwald
Cinematography by: Enrique Chediak
Edited by: Keith Reamer
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Directed by: Ed Harris
Cinematography by: Lisa Rinzler
Edited by: Kathryn Himoff
Directed by: Steve Buscemi
Cinematography by: Phil Parmet
Edited by: Kate Williams
Directed by: Jay Roach
Cinematography by: Peter James
Cameras: Panavision Panaflex Platinum Camera
Directed by: Lasse Hallström
Cinematography by: Roger Pratt
Edited by: Andrew Mondshein
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Andrew Mondshein
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Lisa Zeno Churgin
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: Tim Burton
Cinematography by: Emmanuel Lubezki
Cameras: Panavision Panaflex Platinum Camera
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Edited by: James Haygood
Cameras: Panavision Panaflex Platinum Camera
Cinematography by: Richard Crudo
Edited by: Priscilla Nedd-Friendly
Directed by: Harold Ramis
Cinematography by: Stuart Dryburgh
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Directed by: Wes Craven
Cinematography by: Peter Deming
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Kari Skogland
Cinematography by: Richard Clabaugh
Edited by: Troy Takaki
Cameras: ARRIFLEX 35 BL4s Camera
Directed by: Ted Demme
Cinematography by: Geoffrey Simpson
Edited by: Jeffrey Wolf
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Directed by: Peter Yates
Cinematography by: Sven Nykvist
Edited by: Hughes Winborne
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Directed by: John Frankenheimer
Cinematography by: Robert Fraisse
Edited by: Antony Gibbs
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Bill Pankow
Lenses: Panavision C Series Anamorphic Lenses, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens
Editing System: Avid Editing System
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Directed by: Alan Wade
Cinematography by: Bernd Heinl
Edited by: Jeffrey Wolf
Directed by: Paul Schrader
Cinematography by: Paul Sarossy
Edited by: Jay Rabinowitz
Cameras: Panavision Panaflex Gold II Camera
Directed by: Ang Lee
Cinematography by: Frederick Elmes
Edited by: Tim Squyres
Directed by: David Mamet
Cinematography by: Gabriel Beristain
Edited by: Barbara Tulliver
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Spike Lee
Cinematography by: Elliot Davis
Edited by: Leander T. Sales
Cameras: Aaton XTR Camera, Krasnogorsk-3 Camera
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Samuel D. Pollard
Directed by: Barry Levinson
Cinematography by: Michael Ballhaus
Edited by: Stu Linder
Directed by: Peter Jackson
Edited by: Jamie Selkirk
Directed by: Tom Hanks
Cinematography by: Tak Fujimoto
Edited by: Richard Chew
Directed by: Neil Jordan
Cinematography by: Chris Menges
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Directed by: Charles Shyer
Directed by: Arne Glimcher
Cinematography by: Lajos Koltai
Directed by: Spike Lee
Cinematography by: Malik Hassan Sayeed
Edited by: Sam Pollard
Cameras: ARRIFLEX 535 Camera, Moviecam Compact Camera
Directed by: Norman Jewison
Cinematography by: Sven Nykvist
Edited by: Stephen E. Rivkin
Directed by: Robert Allan Ackerman
Cinematography by: Ralf D. Bode
Edited by: Rick Shaine
Directed by: David Mamet
Cinematography by: Andrzej Sekula
Edited by: Barbara Tulliver
Directed by: Boaz Yakin
Cinematography by: Adam Holender
Edited by: Dorian Harris
Directed by: James Lapine
Cinematography by: Rob Hahn
Edited by: Robert Leighton
Directed by: Warren Leight
Cinematography by: John Thomas
Edited by: Camilla Toniolo
Cameras: Panavision Cameras
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: Spike Lee
Cinematography by: Ernest R. Dickerson
Edited by: Samuel D. Pollard
Directed by: Damian Harris
Cinematography by: Jack N. Green
Edited by: Neil Travis
Directed by: Andrew Bergman
Cinematography by: William A. Fraker
Edited by: Barry Malkin
Directed by: George Armitage
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: ARRI Cameras
Directed by: Joyce Chopra
Cinematography by: Bobby Byrne