Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony PMW-F55 Camera
Cinematography by: Bruno Delbonnel
Cameras: ARRICAM Lite (LT) Camera
Editing System: Adobe Premiere Editing System, Final Cut Pro Editing System
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Directed by: David O. Russell
Cinematography by: Masanobu Takayanagi
Directed by: Will Gluck
Cinematography by: Michael Grady
Edited by: Tia Nolan
Cameras: Sony CineAlta F35 Camera, Sony Other Camera
Directed by: Stephen Daldry
Cinematography by: Chris Menges
Edited by: Claire Simpson
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Directed by: Tony Scott
Cinematography by: Tobias A. Schliessler
Edited by: Chris Lebenzon
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Tariq Anwar
Lenses: Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Cinematography by: Emmanuel Lubezki
Cameras: ARRICAM Lite (LT) Camera
Editing System: Final Cut Pro Editing System
Directed by: John Patrick Shanley
Cinematography by: Roger Deakins
Edited by: Dylan Tichenor
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Directed by: Kirsten Sheridan
Cinematography by: John Mathieson
Edited by: William Steinkamp
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Directed by: M. Night Shyamalan
Cinematography by: Christopher Doyle
Edited by: Barbara Tulliver
Directed by: Todd Phillips
Cinematography by: Jonathan Brown
Directed by: Joe Roth
Cinematography by: Anastas N. Michos
Edited by: Nick Moore
Directed by: Thomas Bezucha
Cinematography by: Jonathan Brown
Edited by: Jeffrey Ford
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Cameras: Panavision Panaflex Platinum Camera
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Directed by: Richard Linklater
Cinematography by: Rogier Stoffers
Edited by: Sandra Adair
Directed by: Peter Segal
Cinematography by: Donald McAlpine
Edited by: Jeff Gourson
Directed by: Marc Lawrence
Cinematography by: László Kovács
Edited by: Susan E. Morse
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: James Lyons
Cameras: Moviecam Compact Camera
Directed by: Constantine Makris
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Directed by: James Quinn
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Directed by: Richard Dobbs
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Directed by: Arthur W. Forney
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Richard Dobbs
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Directed by: Jud Taylor
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Directed by: David Platt
Cinematography by: Geoffrey Erb
Directed by: Steve Shill
Cinematography by: George Pattison
Directed by: Ron Howard
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera
Editing System: Avid Editing System
Directed by: Edwin Sherin
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: James Gray
Cinematography by: Harris Savides
Edited by: Jeffrey Ford
Directed by: Michael Fields
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: Stephen Wertimer
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: Rick Rosenthal
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: Constantine Makris
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: David Platt
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Richard Dobbs
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Jud Taylor
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Alexander Cassini
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: Michael Zinberg
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: Richard Dobbs
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: Ted Kotcheff
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Michael Fields
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Directed by: Elodie Keene
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Directed by: Jud Taylor
Cinematography by: Geoffrey Erb
Edited by: Douglas Ibold
Directed by: Jean de Segonzac
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: Juan José Campanella
Cinematography by: Geoffrey Erb
Edited by: Karen I. Stern
Directed by: Jean de Segonzac
Cinematography by: Geoffrey Erb
Edited by: Scott Boyd
Directed by: David Platt, Jean de Segonzac, Peter Leto, Alex Chapple, Juan José Campanella, Constantine Makris, Norberto Barba, Arthur W. Forney, Martha Mitchell, Michael Pressman, Steve Shill, Michael Slovis, Alex Zakrzewski, Helen Shaver, Michael Smith, Jonathan Kaplan, Mariska Hargitay, Ted Kotcheff, Fred Berner, Jonathan Herron, Richard Dobbs, Jud Taylor, Holly Dale, Adam Bernstein, Batan Silva, Michael Fields, Rick Wallace, Jim McKay, Donna Deitch, Aaron Lipstadt, Stephanie A. Marquardt, Jono Oliver, Christopher Misiano, Leslie Hope, Lesli Linka Glatter, Rick Rosenthal, Stephen Wertimer, James Quinn, Ed Bianchi, Matt Earl Beesley, George Pattison, Eriq La Salle, Kate Woods, Christopher Zalla, Tom DiCillo, Courtney Hunt, Rosemary Rodriguez, Peter Werner, Laura Belsey, Jennifer Getzinger, Nick Gomez, Sharat Raju, Timothy Busfield, Bethany Rooney, Oscar Rene Lozoya II, Clark Johnson, David Hugh Jones, Peter Medak, Alexander Cassini, Elodie Keene, Alan Metzger, Edwin Sherin, Michael Zinberg, Henry Bronchtein, Gloria Muzio, Joyce Chopra, Darnell Martin, Guy Norman Bee, Chad Lowe, Daniel Sackheim, Félix Enríquez Alcalá, Marita Grabiak, James Hayman, Michelle MacLaren, Paul McCrane, Yelena Lanskaya, Chris Eyre, Paul Black, Amy Redford, Patrick Creadon, Kevin Bray, Alik Sakharov, Jonathan Starch, Tricia Brock, Monica Raymund, Lucy Liu, Ray McKinnon, Laurie Collyer, John Behring, David Grossman, Mary Lambert, Pratibha Parmar, Patricia Riggen
Cinematography by: Michael Green, Geoffrey Erb, George Pattison, Tom Weston, Tony C. Jannelli, Jonathan Herron, Phil Oetiker, Feliks Parnell, Peter Reniers, Michael Parmelee
Edited by: Karen I. Stern, Leon Ortiz-Gil, Jim Stewart, Nancy Forner, Douglas Ibold, Oscar Rene Lozoya II, Bonnie Koehler, Scott Boyd, Steve Polivka, Jon Koslowsky, Matthew Cassel, Geoffrey Rowland, Pietro Cecchini, Devon Greene, Daniel J. Simmons, Risa Blewitt, Maja Vrvilo
Cameras: ARRI ALEXA Series Cameras
Lenses: ARRI Lenses, Panavision Lenses
Directed by: Constantine Makris
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Directed by: Jean de Segonzac
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Peter Medak
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: Michael Fields
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: Clark Johnson
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Lesli Linka Glatter
Cinematography by: Tony C. Jannelli
Edited by: Karen I. Stern
Directed by: David Hugh Jones
Cinematography by: Tony C. Jannelli
Edited by: Douglas Ibold
Directed by: Rick Rosenthal
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: Richard Dobbs
Cinematography by: Tony C. Jannelli
Edited by: Scott Boyd
Directed by: Carl Franklin
Cinematography by: Declan Quinn
Edited by: Carole Kravetz Aykanian
Cameras: Moviecam Compact Camera, Panavision Cameras
Lenses: Panavision Lenses
Directed by: Richard LaGravenese
Cinematography by: John Bailey
Cameras: Panavision Cameras
Directed by: Frank Oz
Cinematography by: Rob Hahn
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Betty Thomas
Cinematography by: Walt Lloyd
Edited by: Peter Teschner
Directed by: Bryan Spicer
Cinematography by: Buzz Feitshans IV
Edited by: Russell Denove
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Directed by: John McTiernan
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Directed by: Tim Robbins
Cinematography by: Roger Deakins
Cameras: ARRI Cameras
Directed by: Herbert Ross
Cinematography by: Donald E. Thorin
Edited by: Michael R. Miller
Cameras: Panavision Cameras
Cinematography by: Lisa Rinzler
Edited by: Dan Lebental
Cameras: Panavision Panaflex Gold II Camera
Directed by: Gregg Champion
Cinematography by: Dean Semler
Edited by: Michael Tronick
Directed by: Frank Darabont
Cinematography by: Roger Deakins
Edited by: Richard Francis-Bruce
Lenses: ARRI / Zeiss Lenses
Cinematography by: Roger Deakins
Edited by: Thom Noble
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Directed by: James Foley
Cinematography by: Juan Ruiz Anchía
Directed by: John Badham
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Directed by: Susan Seidelman
Cinematography by: Oliver Stapleton
Edited by: Craig McKay
Cameras: Panavision Cameras
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Directed by: Martin Brest
Cinematography by: Donald E. Thorin
Directed by: Peter Yates
Cinematography by: Michael Ballhaus
Edited by: Ray Lovejoy
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Sam O'Steen
Cameras: ARRIFLEX 35 BL4 Camera
Lenses: Zeiss Lenses
Directed by: John Hughes
Cinematography by: Donald Peterman
Edited by: Paul Hirsch
Cameras: Panavision Cameras
Directed by: Frank Oz
Cinematography by: Robert Paynter
Edited by: Evan A. Lottman