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Avengers: Endgame | ShotOnWhat?

Executive Producer Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

Executive Producer Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Captain America: The Winter Soldier | ShotOnWhat?

Executive Producer Captain America: The Winter Soldier (2014)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens

The Amazing Spider-Man | ShotOnWhat?

Executive Producer The Amazing Spider-Man (2012)

Directed by: Marc Webb

Cinematography by: John Schwartzman

Edited by: Alan Edward Bell, Michael McCusker, Pietro Scalia

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Green Hornet | ShotOnWhat?

Executive Producer, Unit Production Manager The Green Hornet (2011)

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

The Uninvited | ShotOnWhat?

Executive Producer, Production Manager The Uninvited (2009)

Directed by: Charles Guard, Thomas Guard

Cinematography by: Daniel Landin

Edited by: Jim Page, Christian Wagner

Cameras: Panavision Cameras

The Terminal | ShotOnWhat?

Head Of Feature Production The Terminal (2004)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Anchorman: The Legend of Ron Burgundy | ShotOnWhat?

Head Of Feature Production Anchorman: The Legend of Ron Burgundy (2004)

Directed by: Adam McKay

Cinematography by: Thomas E. Ackerman

Edited by: Brent White

Head of State | ShotOnWhat?

Head Of Feature Production Head of State (2003)

Directed by: Chris Rock

Cinematography by: Donald E. Thorin

Edited by: Stephen A. Rotter

Catch Me If You Can | ShotOnWhat?

Head Of Feature Production Catch Me If You Can (2002)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Ring | ShotOnWhat?

Head Of Feature Production The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Road to Perdition | ShotOnWhat?

Head Of Feature Production Road to Perdition (2002)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Lightworks Editing System

Gladiator | ShotOnWhat?

Head Of Feature Production Gladiator (2000)

Directed by: Ridley Scott

Cinematography by: John Mathieson

Edited by: Pietro Scalia

Cameras: Aaton 35-III Camera, Pan-Arri III Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision SLZ11 24-275 mm T2.8 Lens, Panavision SLZ3 135-420 mm T2.8 Lens

Cast Away | ShotOnWhat?

Head Of Feature Production Cast Away (2000)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Classic Spherical Lenses

American Beauty | ShotOnWhat?

Head Of Feature Production American Beauty (1999)

Directed by: Sam Mendes

Cinematography by: Conrad L. Hall

Edited by: Tariq Anwar, Christopher Greenbury

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Saving Private Ryan | ShotOnWhat?

Head Of Feature Production Saving Private Ryan (1998)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Aaton 35-III Camera, Moviecam Superlight Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera

Lenses: Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Editing System: Moviola Editing System

The Peacemaker | ShotOnWhat?

Executive Producer The Peacemaker (1997)

Directed by: Mimi Leder

Cinematography by: Dietrich Lohmann

Edited by: David Rosenbloom

The Trigger Effect | ShotOnWhat?

Producer, Unit Production Manager The Trigger Effect (1996)

Directed by: David Koepp

Cinematography by: Newton Thomas Sigel

Edited by: Jill Savitt

Wyatt Earp | ShotOnWhat?

Executive Producer, Unit Production Manager Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

In the Line of Fire | ShotOnWhat?

First Assistant Director: Campaign Unit In the Line of Fire (1993)

Directed by: Wolfgang Petersen

Cinematography by: John Bailey

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex-X Camera

Lenses: Panavision Primo Anamorphic Lenses

Grand Canyon | ShotOnWhat?

First Assistant Director, Producer Grand Canyon (1991)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera

Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Defending Your Life | ShotOnWhat?

First Assistant Director, Producer Defending Your Life (1991)

Directed by: Albert Brooks

Cinematography by: Allen Daviau

Edited by: David Finfer

I Love You to Death | ShotOnWhat?

Executive Producer, First Assistant Director I Love You to Death (1990)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Anne V. Coates

Cameras: Panavision Panaflex Camera

Lenses: Panavision Lenses

The Accidental Tourist | ShotOnWhat?

First Assistant Director, Producer The Accidental Tourist (1988)

Directed by: Lawrence Kasdan

Cinematography by: John Bailey

Edited by: Carol Littleton

Silverado | ShotOnWhat?

Executive Producer, First Assistant Director Silverado (1985)

Directed by: Lawrence Kasdan

Cinematography by: John Bailey

Edited by: Carol Littleton

The Woman in Red | ShotOnWhat?

Co-associate Producer, First Assistant Director The Woman in Red (1984)

Directed by: Gene Wilder

Cinematography by: Fred Schuler

Edited by: Christopher Greenbury

Thief of Hearts | ShotOnWhat?

First Assistant Director, Unit Production Manager Thief of Hearts (1984)

Directed by: Douglas Day Stewart

Cinematography by: Andrew Laszlo

Edited by: Tom Rolf

Cameras: Panavision Cameras

The Man with Two Brains | ShotOnWhat?

First Assistant Director The Man with Two Brains (1983)

Directed by: Carl Reiner

Cinematography by: Michael Chapman

Edited by: Bud Molin

The Big Chill | ShotOnWhat?

First Assistant Director The Big Chill (1983)

Directed by: Lawrence Kasdan

Cinematography by: John Bailey

Edited by: Carol Littleton

Young Doctors in Love | ShotOnWhat?

First Assistant Director Young Doctors in Love (1982)

Directed by: Garry Marshall

Cinematography by: Donald Peterman

Edited by: Dov Hoenig

Cat People | ShotOnWhat?

First Assistant Director Cat People (1982)

Directed by: Paul Schrader

Cinematography by: John Bailey

Edited by: Jacqueline Cambas, Jere Huggins, Ned Humphreys

Body Heat | ShotOnWhat?

First Assistant Director Body Heat (1981)

Directed by: Lawrence Kasdan

Cinematography by: Richard H. Kline

Edited by: Carol Littleton

Inside Moves | ShotOnWhat?

First Assistant Director / Second Unit Director Inside Moves (1980)

Directed by: Richard Donner

Cinematography by: László Kovács

Edited by: Frank Morriss

Cameras: Panavision Cameras

Heaven's Gate | ShotOnWhat?

Assistant Director Heaven's Gate (1980)

Directed by: Michael Cimino

Cinematography by: Vilmos Zsigmond

Edited by: Lisa Fruchtman, Gerald B. Greenberg, William Reynolds, Tom Rolf

The Deer Hunter | ShotOnWhat?

Second Assistant Director The Deer Hunter (1978)

Directed by: Michael Cimino

Cinematography by: Vilmos Zsigmond

Edited by: Peter Zinner

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Lenses

New York, New York | ShotOnWhat?

Second Assistant Director New York, New York (1977)

Directed by: Martin Scorsese

Cinematography by: László Kovács

Edited by: Bert Lovitt, David Ramirez, Tom Rolf

Cameras: Panavision Cameras

Fun with Dick and Jane | ShotOnWhat?

Second Assistant Director Fun with Dick and Jane (1977)

Directed by: Ted Kotcheff

Cinematography by: Fred J. Koenekamp

Edited by: Danford B. Greene

Snowbeast | ShotOnWhat?

Assistant Director Snowbeast (1977)

Television Movie

Directed by: Herb Wallerstein

Cinematography by: Frank Stanley

Edited by: Dennis Mosher, Carroll Sax, Neil Travis

The Towering Inferno | ShotOnWhat?

Assistant Director: Trainee The Towering Inferno (1974)

Directed by: John Guillermin

Cinematography by: Fred J. Koenekamp

Edited by: Carl Kress, Harold F. Kress

Cameras: Panavision Silent Reflex PSR Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

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