Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Carl Franklin
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: Andrew Dominik
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Carl Franklin
Cinematography by: Erik Messerschmidt
Edited by: Grant Surmi
Directed by: Marielle Heller
Cinematography by: Jody Lee Lipes
Edited by: Anne McCabe
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Andrew Douglas
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Tobias Lindholm
Cinematography by: Erik Messerschmidt
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: Asif Kapadia
Cinematography by: Erik Messerschmidt
Edited by: Tyler Nelson
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Erik Messerschmidt
Edited by: Kirk Baxter
Directed by: David Fincher
Cinematography by: Christopher Probst
Edited by: Kirk Baxter
Directed by: David Fincher, Carl Franklin, Andrew Douglas, Asif Kapadia, Tobias Lindholm, Andrew Dominik
Cameras: Red Xenomorph Camera
Lenses: Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Fujinon Premier Lenses, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Editing System: Adobe Premiere Editing System
Directed by: Elliott Lester
Cinematography by: Pieter Vermeer
Edited by: Nicholas Wayman-Harris
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Directed by: Bennett Miller
Cinematography by: Greig Fraser
Editing System: Avid Editing System
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Directed by: Paul Greengrass
Cinematography by: Barry Ackroyd
Edited by: Christopher Rouse
Directed by: Daniel Barnz
Cinematography by: Roman Osin
Edited by: Kristina Boden
Cameras: ARRICAM Lite (LT) Camera
Directed by: Gus Van Sant
Cinematography by: Linus Sandgren
Edited by: Billy Rich
Lenses: Hawk V-Lite Lenses
Directed by: Christopher McQuarrie
Cinematography by: Caleb Deschanel
Edited by: Kevin Stitt
Directed by: D.J. Caruso
Cinematography by: Guillermo Navarro
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Directed by: John Singleton
Cinematography by: Peter Menzies Jr.
Edited by: Bruce Cannon
Directed by: Gavin O'Connor
Cinematography by: Masanobu Takayanagi
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Editing System: Avid Editing System
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Directed by: Edward Zwick
Cinematography by: Steven Fierberg
Edited by: Steven Rosenblum
Directed by: Jim Field Smith
Cinematography by: Jim Denault
Edited by: Dan Schalk
Directed by: Morgan J. Freeman
Edited by: Keith Reamer
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Cameras: Red One Camera, Silicon Imaging SI-2K Camera
Directed by: Rawson Marshall Thurber
Cinematography by: Michael Barrett
Edited by: Barbara Tulliver
Directed by: Noam Murro
Cinematography by: Toby Irwin
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision Lenses
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Dede Allen
Directed by: Kevin Smith
Cinematography by: Robert D. Yeoman
Directed by: Jeremiah S. Chechik
Cinematography by: Peter James
Edited by: Carol Littleton
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Directed by: Randall Miller
Cinematography by: Jerzy Zielinski
Edited by: Eric A. Sears
Directed by: Rowdy Herrington
Cinematography by: Mac Ahlberg
Directed by: Danny DeVito
Cinematography by: Stephen H. Burum
Directed by: Stephen Gyllenhaal
Cinematography by: Robert Elswit
Edited by: Lesley Walker
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Edited by: Craig McKay
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: Paul Wendkos
Cinematography by: Chuck Arnold
Edited by: Richard Bracken
Directed by: Adrian Lyne
Cinematography by: Donald Peterman