Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRI ALEXA XT Series Cameras
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Cinematography by: Brandon Trost
Edited by: Zene Baker
Cameras: Panavision Cameras, Red Epic Camera
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Cinematography by: Gil Zimmerman
Directed by: Henry Selick
Cinematography by: Pete Kozachik
Editing System: Avid Editing System
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Mark Waters
Cinematography by: Caleb Deschanel
Edited by: Michael Kahn
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Directed by: Chris Weitz
Cinematography by: Henry Braham
Directed by: Jay Russell
Cinematography by: Oliver Stapleton
Edited by: Mark Warner
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Directed by: David Zucker
Cinematography by: Thomas E. Ackerman
Cameras: Panavision Genesis Camera
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Directed by: Tony Bill
Cinematography by: Henry Braham
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cinematography by: Pete Kozachik
Lenses: Zeiss Ultra Prime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Tim Burton
Cinematography by: Philippe Rousselot
Edited by: Chris Lebenzon
Directed by: Jonathan Frakes
Cinematography by: Brendan Galvin
Edited by: Martin Walsh
Directed by: Don Mancini
Cinematography by: Vernon Layton
Edited by: Chris Dickens
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Cameras: ARRI Cameras
Directed by: Brad Bird
Edited by: Stephen Schaffer
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Joe Dante
Cinematography by: Dean Cundey
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Directed by: Spike Lee
Cinematography by: Rodrigo Prieto
Edited by: Barry Alexander Brown
Lenses: Zeiss Ultra Prime Lenses
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Edited by: Sim Evan-Jones
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Directed by: Simon West
Cinematography by: Peter Menzies Jr.
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Cinematography by: Simon Jacobs, Andy MacCormack, Tristan Oliver, Frank Passingham, Dave Alex Riddett, Paul Smith
Directed by: James Wong
Cinematography by: Robert McLachlan
Edited by: James Coblentz
Directed by: Phillip Noyce
Cinematography by: Dean Semler
Edited by: William Hoy
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Stephen Sommers
Cinematography by: Adrian Biddle
Edited by: Bob Ducsay
Cameras: Panavision Panaflex Platinum Camera
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Directed by: Spike Lee
Cinematography by: Ellen Kuras
Edited by: Barry Alexander Brown
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Directed by: Michael Apted
Cinematography by: Adrian Biddle
Edited by: Jim Clark
Directed by: Stephen Frears
Cinematography by: Oliver Stapleton
Edited by: Masahiro Hirakubo
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
Directed by: Ronny Yu
Cinematography by: Peter Pau
Directed by: David Leland
Cinematography by: Henry Braham
Edited by: Nick Moore
Edited by: Michael Kelly
Cinematography by: Sharon Calahan
Edited by: Lee Unkrich
Directed by: Tony Kaye
Cinematography by: Tony Kaye
Cameras: Panavision Panaflex Series Cameras
Lenses: Panavision Lenses
Directed by: Joe Dante
Cinematography by: Jamie Anderson
Directed by: Roger Spottiswoode
Cinematography by: Robert Elswit
Cameras: Panavision Panaflex Gold II Camera
Cinematography by: Rasoul Azadani
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Lenses: Zeiss Lenses
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Cameras: Moviecam Cameras
Lenses: Cooke Lenses
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Cameras: Panavision Panaflex Platinum Camera