Directed by: Shane Black
Cinematography by: Philippe Rousselot
Edited by: Joel Negron
Cameras: ARRI ALEXA XT Camera
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Directed by: Josh Boone
Cinematography by: Ben Richardson
Edited by: Robb Sullivan
Cameras: ARRI ALEXA XT Camera
Directed by: Todd Graff
Cinematography by: David Boyd
Edited by: Kathryn Himoff
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Directed by: Michael Patrick King
Cinematography by: John Thomas
Edited by: Michael Berenbaum
Cameras: Panavision Panaflex Platinum Camera
Directed by: Tim Burton
Cinematography by: Dariusz Wolski
Edited by: Chris Lebenzon
Cameras: Dalsa Evolution Camera, Panavision Genesis Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera
Editing System: Avid Editing System
Directed by: James Cameron
Cinematography by: Mauro Fiore
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Edited by: Christian Wagner
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Directed by: Lee Tamahori
Cinematography by: David Tattersall
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Directed by: Robert Zemeckis
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Tom Dey
Cinematography by: Thomas Kloss
Edited by: Billy Weber
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Directed by: Ulu Grosbard
Cinematography by: Stephen Goldblatt
Edited by: John Bloom
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Pietro Scalia
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Directed by: Ridley Scott
Cinematography by: Hugh Johnson
Edited by: Gerry Hambling
Directed by: Frank Oz
Cinematography by: Russell Carpenter
Edited by: Ian Crafford
Directed by: Penny Marshall
Cinematography by: Adam Greenberg
Directed by: Alan Rudolph
Cinematography by: Jan Kiesser
Edited by: Suzy Elmiger
Directed by: Robert Altman
Cinematography by: Walt Lloyd
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Directed by: Albert Brooks
Cinematography by: Allen Daviau
Edited by: David Finfer
Directed by: Ridley Scott
Cinematography by: Adrian Biddle
Edited by: Thom Noble
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Ridley Scott
Cinematography by: Jan de Bont
Edited by: Tom Rolf
Cameras: Beaulieu Cameras, Panavision Cameras
Lenses: Panavision Lenses
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Directed by: Walter Hill
Cinematography by: Matthew F. Leonetti
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Directed by: Penny Marshall
Cinematography by: Matthew F. Leonetti
Edited by: Mark Goldblatt
Directed by: Richard Pryor
Cinematography by: John A. Alonzo
Edited by: Donn Cambern
Cameras: Panavision Cameras
Directed by: Walter Hill
Cinematography by: Ric Waite
Directed by: John Hughes
Cinematography by: Matthew F. Leonetti
Directed by: Walter Hill
Cinematography by: Andrew Laszlo
Directed by: Lewis John Carlino
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Directed by: Robert Altman
Cinematography by: Pierre Mignot
Edited by: Jason Rosenfield
Directed by: Walter Hill
Cinematography by: Ric Waite
Directed by: Alan Rudolph
Cinematography by: Paul Lohmann
Edited by: Tom Walls
Directed by: Paul Schrader
Cinematography by: John Bailey
Directed by: Alan Rudolph
Cinematography by: David Myers
Edited by: Tom Walls
Directed by: Robert Altman
Cinematography by: Edmond L. Koons
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Directed by: Robert Altman
Cinematography by: Jean Boffety
Edited by: Dennis M. Hill
Directed by: Robert Altman
Cinematography by: Charles Rosher Jr.
Edited by: Tony Lombardo
Cameras: Panavision Cameras
Lenses: Panavision Lenses