Directed by: Ryan Coogler
Cinematography by: Autumn Durald Arkapaw
Cameras: Sony CineAlta VENICE Camera
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Richard Pearson
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Directed by: Ang Lee
Cinematography by: Dion Beebe
Edited by: Tim Squyres
Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera
Lenses: Leitz Summilux-C Series Lenses
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Directed by: Ryan Coogler
Cinematography by: Rachel Morrison
Directed by: F. Gary Gray
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera, Vision Research Phantom 65 Camera
Editing System: Avid Editing System
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Directed by: Oliver Stone
Cinematography by: Dan Mindel
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Directed by: Tony Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Canon EOS-5D Mark II Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Guy Ferland
Cinematography by: Paul Maibaum
Edited by: Paul Fontaine
Directed by: Paris Barclay
Cinematography by: Paul Maibaum
Edited by: Etienne Des Lauriers
Directed by: Billy Gierhart
Cinematography by: Paul Maibaum
Edited by: Lauren Pendergrass
Directed by: Karen Gaviola
Cinematography by: Paul Maibaum
Edited by: Etienne Des Lauriers
Directed by: Peter Weller
Cinematography by: Paul Maibaum
Edited by: Paul Fontaine
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Stephen Kay
Cinematography by: Paul Maibaum
Edited by: Etienne Des Lauriers
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Directed by: Paris Barclay, Guy Ferland, Gwyneth Horder-Payton, Peter Weller, Billy Gierhart, Kurt Sutter, Stephen Kay, Adam Arkin, Terrence O'Hara, Paul Maibaum, Phil Abraham, Allen Coulter, Michael Dinner, Charles Haid, Tim Hunter, Seith Mann, Mario Van Peebles, Karen Gaviola, Charles Murray, Craig Yahata
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: D.J. Caruso
Cinematography by: Dariusz Wolski
Edited by: Jim Page
Directed by: Kurt Sutter
Cinematography by: Paul Maibaum
Edited by: Hunter M. Via
Directed by: Terrence O'Hara
Cinematography by: Paul Maibaum
Edited by: Jacques Gravett
Directed by: Stephen Kay
Cinematography by: Paul Maibaum
Edited by: Jordan Goldman
Directed by: Mario Van Peebles
Cinematography by: Paul Maibaum
Edited by: Hunter M. Via
Directed by: Guy Ferland
Cinematography by: Paul Maibaum
Edited by: Jordan Goldman
Directed by: Billy Gierhart
Cinematography by: Paul Maibaum
Edited by: Jacques Gravett
Directed by: Sean Penn
Cinematography by: Eric Gautier
Edited by: Jay Cassidy
Lenses: Canon Lenses, Zeiss Ultra Prime Lenses
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Edited by: Michael McCusker
Editing System: Avid Editing System
Directed by: Brian Robbins
Cinematography by: Gabriel Beristain
Edited by: Ned Bastille
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Directed by: James L. Brooks
Cinematography by: John Seale
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Directed by: Michelle MacLaren
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: John Shiban
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Directed by: Dwight H. Little
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Directed by: Cliff Bole
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Directed by: David Duchovny
Cinematography by: Bill Roe
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Jeff Cahn
Directed by: Kim Manners
Cinematography by: Bill Roe
Directed by: Henry Selick
Cinematography by: Andrew Dunn
Directed by: Terrence O'Hara
Cinematography by: Bill Roe
Edited by: Michael Kewley
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Michael Kewley
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Regis Kimble
Directed by: Barry K. Thomas
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Regis Kimble
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Directed by: Frank Spotnitz
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Scott J. Wallace
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Christopher Cooke
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Rob Bowman
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: Cliff Bole
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Gillian Anderson
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: David Duchovny
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Paul Shapiro
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Vince Gilligan
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Chris Carter
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Rod Hardy
Cinematography by: Bill Roe
Edited by: Chris G. Willingham
Directed by: Richard Compton
Cinematography by: Bill Roe
Edited by: Michael Kewley
Directed by: Peter Markle
Cinematography by: Bill Roe
Directed by: Tony Wharmby
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Harry Winer
Cinematography by: Donald M. Morgan
Edited by: Andrew London
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: Michael W. Watkins
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Kim Manners
Cinematography by: Bill Roe
Edited by: Heather MacDougall
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Robert Lieberman
Cinematography by: Bill Roe
Edited by: Louise Innes
Directed by: Thomas J. Wright
Cinematography by: Bill Roe
Edited by: Lynne Willingham
Directed by: Penelope Spheeris
Cinematography by: Robert Brinkmann
Edited by: Ross Albert
Cameras: ARRIFLEX 535 B Camera
Directed by: Philip Kaufman
Cinematography by: Michael Chapman
Directed by: Kim Manners, Rob Bowman, David Nutter, Chris Carter, R.W. Goodwin, Tony Wharmby, Michael W. Watkins, Daniel Sackheim, Michael Lange, James Wong, Jim Charleston, Cliff Bole, William A. Graham, Peter Markle, David Duchovny, Thomas J. Wright, Rod Hardy, Glen Morgan, Jerrold Freedman, Joe Napolitano, Larry Shaw, Tucker Gates, Vince Gilligan, Richard Compton, Frank Spotnitz, Darin Morgan, Fred Gerber, Michael Katleman, Harry Longstreet, Robert Mandel, Win Phelps, Stephen Surjik, James A. Contner, Nick Marck, Michael Vejar, James Whitmore Jr., Brett Dowler, Allen Coulter, Ralph Hemecker, Robert Lieberman, Bryan Spicer, Gillian Anderson, Paul Shapiro, Terrence O'Hara, Barry K. Thomas, Dwight H. Little, Michelle MacLaren, John Shiban, Carol Banker, Holly Dale, Kevin Hooks
Cinematography by: Bill Roe, John S. Bartley, Joel Ransom, Jon Joffin, Craig Wrobleski, Ron Stannett, Thomas Del Ruth
Edited by: Heather MacDougall, Lynne Willingham, Stephen Mark, Jim Gross, James Coblentz, Louise Innes, Michael Stern, Chris G. Willingham, Scott J. Wallace, Casey O. Rohrs, Christopher Cooke, Michael Kewley, Robert Komatsu, Eleanor Infante, Regis Kimble, J. Kathleen Gibson, Kevin D. Ross, Leon Carrere, Jeff Cahn
Lenses: Panavision Lenses
Directed by: Joel Schumacher
Cinematography by: Juan Ruiz Anchía
Directed by: Richard Benjamin
Cinematography by: Richard H. Kline
Directed by: John McTiernan
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Gold Camera
Lenses: Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses
Directed by: Greg Beeman
Cinematography by: Bruce Surtees