Directed by: Jon Turteltaub
Cinematography by: Tom Stern
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Directed by: Taika Waititi
Cinematography by: Javier Aguirresarobe
Cinematography by: Paul Cameron
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Directed by: Mel Gibson
Cinematography by: Simon Duggan
Edited by: John Gilbert
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera, Red One MX Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: GoPro HD Hero3 Camera, Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jabez Olssen
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Andrew Adamson
Cinematography by: Brett Turnbull
Cameras: Sony HDC-1500 Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: Panavision Cameras
Editing System: Avid Editing System
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Cameras: Sony CineAlta F23 Camera
Editing System: Avid Editing System
Directed by: Garth Maxwell
Cinematography by: Donald Duncan
Edited by: Gary Hunt
Directed by: Andrew Merrifield
Cinematography by: Donald Duncan
Edited by: Gary Hunt
Directed by: Michael Hurst
Directed by: Michael Hurst
Cinematography by: Aaron Morton
Edited by: Eric De Beus
Directed by: Michael Hurst
Cinematography by: Donald Duncan
Directed by: Jonathan Brough
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Garth Maxwell
Cinematography by: Donald Duncan
Directed by: Mark Beesley
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Jonathan Brough
Cinematography by: Donald Duncan
Edited by: Eric De Beus
Directed by: Chris Martin-Jones
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Garth Maxwell
Cinematography by: Aaron Morton
Directed by: Andrew Merrifield
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Mark Beesley
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Garth Maxwell
Cinematography by: Aaron Morton
Edited by: Gary Hunt
Directed by: Michael Hurst
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Mark Beesley
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Patrick Tatopoulos
Cinematography by: Ross Emery
Cameras: Panavision Genesis Camera, Red One Camera
Directed by: Charlie Haskell
Cinematography by: Aaron Morton
Directed by: John Schultz
Cinematography by: Don Burgess
Edited by: John Pace
Directed by: Mark Beesley
Cinematography by: Aaron Morton
Edited by: Eric De Beus
Directed by: Jonathan Brough
Cinematography by: Kevin Riley
Edited by: Gary Hunt
Directed by: Jesse Warn
Cinematography by: Aaron Morton
Edited by: Eric De Beus
Directed by: Mark Beesley
Cinematography by: Aaron Morton
Edited by: Gary Hunt
Directed by: Mark Beesley, Garth Maxwell, Michael Hurst, Jonathan Brough, Chris Martin-Jones, Jesse Warn, Andrew Merrifield, Charlie Haskell, Geoffrey Cawthorn, Mike Smith
Cameras: Panavision Cameras, Panavision Genesis Camera
Lenses: Panavision Lenses
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Directed by: David Slade
Cinematography by: Jo Willems
Edited by: Art Jones
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Directed by: Stephen Kay
Cinematography by: Bobby Bukowski
Edited by: John Axelrad
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX 535 B Camera, Mitchell Cameras, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Michael Horton
Lenses: Angenieux Lenses, Zeiss Ultra Prime Lenses
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: John Gilbert
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System