Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Directed by: Kari Skogland
Cinematography by: Nigel Willoughby
Edited by: Christopher Donaldson
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Aaron Marshall
Directed by: Brian Kirk
Cinematography by: P.J. Dillon
Edited by: Geoff Ashenhurst
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Aaron Marshall
Directed by: Damon Thomas
Cinematography by: John Conroy
Edited by: Christopher Donaldson
Directed by: Brian Kirk
Cinematography by: Nigel Willoughby
Edited by: Geoff Ashenhurst
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Directed by: Dearbhla Walsh
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Directed by: Coky Giedroyc
Cinematography by: P.J. Dillon
Edited by: Christopher Donaldson
Directed by: Coky Giedroyc
Cinematography by: P.J. Dillon
Edited by: Michele Conroy
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Gareth C. Scales
Directed by: James Hawes
Cinematography by: Owen McPolin
Edited by: Michele Conroy
Directed by: Dearbhla Walsh
Cinematography by: Owen McPolin
Edited by: Aaron Marshall
Directed by: J.A. Bayona
Cinematography by: Xavi Giménez
Directed by: J.A. Bayona
Cinematography by: Xavi Giménez
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Directed by: Damon Thomas, James Hawes, Brian Kirk, Paco Cabezas, J.A. Bayona, Coky Giedroyc, Dearbhla Walsh, Kari Skogland, Toa Fraser
Edited by: Michele Conroy, Christopher Donaldson, Geoff Ashenhurst, Aaron Marshall, Jaume Martí, Bernat Vilaplana, Gareth C. Scales
Cameras: ARRI ALEXA Camera
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Directed by: Mike Newell
Cinematography by: Affonso Beato
Edited by: Mick Audsley
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Directed by: Wolfgang Petersen
Cinematography by: Roger Pratt
Edited by: Peter Honess
Lenses: Cooke S4 Lenses
Directed by: Chris Columbus
Cinematography by: Roger Pratt
Edited by: Peter Honess
Directed by: Chris Columbus
Cinematography by: John Seale
Edited by: Richard Francis-Bruce
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: Nick Willing
Cinematography by: Sergei Kozlov
Edited by: Sean Barton
Directed by: George Lucas
Cinematography by: David Tattersall
Lenses: Hawk C-Series Lenses
Directed by: Roger Michell
Cinematography by: Michael Coulter
Edited by: Nick Moore
Cameras: Moviecam Cameras
Editing System: Lightworks Editing System
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Stephen Frears
Cinematography by: Philippe Rousselot
Edited by: Lesley Walker
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Richard Attenborough
Cinematography by: Roger Pratt
Edited by: Lesley Walker
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Directed by: Russell Mulcahy
Cinematography by: Phil Meheux
Directed by: Michael Caton-Jones
Cinematography by: David Watkin
Edited by: Jim Clark
Directed by: Kenneth Branagh
Cinematography by: Kenneth MacMillan
Edited by: Michael Bradsell
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Directed by: Roland Joffé
Cinematography by: Chris Menges
Edited by: Jim Clark
Cameras: ARRIFLEX 35 BL Camera
Lenses: Cooke Xtal Express Lenses
Directed by: Hugh Hudson
Cinematography by: John Alcott
Edited by: Anne V. Coates
Directed by: Tony Scott
Cinematography by: Stephen Goldblatt
Edited by: Pamela Power
Directed by: Alan Parker
Cinematography by: Peter Biziou
Edited by: Gerry Hambling
Directed by: Warren Beatty
Cinematography by: Vittorio Storaro
Cameras: Technovision Cameras
Lenses: Technovision Lenses
Directed by: Andrew V. McLaglen
Cinematography by: Tony Imi
Edited by: John Glen