Directed by: Tim Burton
Cinematography by: Bruno Delbonnel
Edited by: JC Bond
Editing System: Avid Editing System
Directed by: Sofia Coppola
Edited by: Sarah Flack
Cameras: Red Epic Camera
Directed by: John Hillcoat
Cinematography by: Benoît Delhomme
Edited by: Dylan Tichenor
Cameras: ARRI ALEXA Camera
Directed by: David Koepp
Cinematography by: Mitchell Amundsen
Directed by: Catherine Hardwicke
Cinematography by: Mandy Walker
Directed by: Rod Lurie
Cinematography by: Alik Sakharov
Edited by: Sarah Boyd
Directed by: Curtis Hanson
Cinematography by: Kramer Morgenthau
Directed by: Joe Carnahan
Cinematography by: Masanobu Takayanagi
Directed by: Harald Zwart
Cinematography by: Roger Pratt
Edited by: Joel Negron
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Cooke S4 Lenses
Directed by: James L. Brooks
Cinematography by: Janusz Kaminski
Cameras: Panavision Panaflex Platinum Camera
Directed by: Sofia Coppola
Cinematography by: Harris Savides
Edited by: Sarah Flack
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: Ruben Fleischer
Cinematography by: Michael Bonvillain
Edited by: Alan Baumgarten
Directed by: Steven Brill
Cinematography by: Fred Murphy
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Edward Zwick
Cinematography by: Eduardo Serra
Edited by: Steven Rosenblum
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Elliot Graham
Directed by: Rob Reiner
Cinematography by: John Schwartzman
Edited by: Robert Leighton
Cameras: Panavision Cameras
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Cinematography by: Charles Minsky
Directed by: Peyton Reed
Cinematography by: Eric Alan Edwards
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Directed by: Scott Marshall
Cinematography by: Charles Minsky
Edited by: Tara Timpone
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Directed by: Karyn Kusama
Cinematography by: Stuart Dryburgh
Directed by: Lasse Hallström
Cinematography by: Oliver Stapleton
Edited by: Andrew Mondshein
Directed by: Lawrence Guterman
Cinematography by: Greg Gardiner
Directed by: M. Night Shyamalan
Cinematography by: Roger Deakins
Edited by: Christopher Tellefsen
Lenses: Cooke S4 Lenses
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Directed by: Jay Russell
Cinematography by: James L. Carter
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Directed by: Tom Shadyac
Cinematography by: Dean Semler
Edited by: Scott Hill
Lenses: Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
Editing System: Lightworks Editing System
Directed by: John Singleton
Cinematography by: Matthew F. Leonetti
Lenses: Cooke S4 Lenses
Directed by: John Stockwell
Cinematography by: David Hennings
Edited by: Emma E. Hickox
Directed by: Doug Liman
Cinematography by: Oliver Wood
Edited by: Saar Klein
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Directed by: Simon Wells
Cinematography by: Donald McAlpine
Edited by: Wayne Wahrman
Cameras: Panavision Panaflex Camera
Editing System: Avid Editing System
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Directed by: Adrian Lyne
Cinematography by: Peter Biziou
Edited by: Anne V. Coates
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Jim Gillespie
Cinematography by: Dean Semler
Directed by: Rob Cohen
Cinematography by: Dean Semler
Directed by: Stuart Baird
Cinematography by: Jeffrey L. Kimball
Edited by: Dallas Puett
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Directed by: Rob Cohen
Cinematography by: Ericson Core
Edited by: Peter Honess
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Cinematography by: Peter Deming
Directed by: Sam Raimi
Cinematography by: Jamie Anderson
Directed by: Gus Van Sant
Cinematography by: Harris Savides
Edited by: Valdís Óskarsdóttir
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Wayne Wahrman
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Cooke S4 Lenses, Nikon - Nikkor Lenses
Directed by: Rob Cohen
Cinematography by: Shane Hurlbut
Edited by: Peter Amundson
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Directed by: Chris Columbus
Cinematography by: Phil Meheux
Cameras: Panavision Panaflex Gold II Camera
Directed by: Tim Hill
Cinematography by: Alan Caso
Directed by: Jonathan Kaplan
Cinematography by: Newton Thomas Sigel
Directed by: Hugh Wilson
Cinematography by: Donald E. Thorin
Edited by: Don Brochu
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
Directed by: Kevin Hooks
Cinematography by: Buzz Feitshans IV
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Directed by: Gus Van Sant
Cinematography by: Christopher Doyle
Edited by: Amy E. Duddleston
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Thom Noble
Lenses: Cooke Lenses
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Zeiss Lenses
Directed by: Rob Cohen
Cinematography by: David Eggby
Edited by: Peter Amundson
Directed by: Edward Zwick
Cinematography by: Roger Deakins
Edited by: Steven Rosenblum
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: John W. Wheeler
Directed by: Mike Nichols
Cinematography by: Emmanuel Lubezki
Edited by: Arthur Schmidt
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Christopher Menaul
Cinematography by: Peter Sova
Edited by: Tariq Anwar
Directed by: Ron Underwood
Cinematography by: Donald Peterman
Edited by: Richard Francis-Bruce
Directed by: Russell Mulcahy
Cinematography by: Stephen H. Burum
Edited by: Peter Honess
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Directed by: Nick Castle
Cinematography by: Thomas E. Ackerman
Edited by: Alan Heim
Directed by: Barry Sonnenfeld
Cinematography by: Donald Peterman
Directed by: Mel Brooks
Cinematography by: Michael D. O'Shea
Edited by: Stephen E. Rivkin
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Directed by: Richard Attenborough
Cinematography by: Sven Nykvist
Edited by: Anne V. Coates
Directed by: Barry Sonnenfeld
Cinematography by: Owen Roizman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Mark Rydell
Cinematography by: Stephen Goldblatt
Directed by: Stewart Raffill
Cinematography by: Larry Pizer
Directed by: Joseph Ruben
Cinematography by: John Lindley
Edited by: George Bowers
Directed by: Ralph S. Singleton
Cinematography by: Peter Stein
Directed by: Edward Zwick
Cinematography by: Freddie Francis
Edited by: Steven Rosenblum
Cameras: Panavision Panaflex Gold II Camera
Directed by: Michael Anderson
Cinematography by: Rene Ohashi
Edited by: Ron Wisman
Directed by: Joe Johnston
Cinematography by: Hiro Narita
Edited by: Michael A. Stevenson
Directed by: John Landis
Cinematography by: Woody Omens
Cameras: Panavision Panaflex Gold Camera
Directed by: Mel Brooks
Cinematography by: Nick McLean
Edited by: Conrad Buff IV
Directed by: Paul Michael Glaser
Cinematography by: Thomas Del Ruth
Directed by: Tom Mankiewicz
Cinematography by: Matthew F. Leonetti
Directed by: Anthony Perkins
Cinematography by: Bruce Surtees
Edited by: David E. Blewitt
Directed by: John G. Avildsen
Cinematography by: James Crabe
Directed by: Jonathan Lynn
Cinematography by: Victor J. Kemper
Directed by: Sydney Pollack
Cinematography by: David Watkin
Cameras: ARRIFLEX 35 BL Camera
Lenses: Zeiss Super Speed Lenses
Directed by: Mark Rydell
Cinematography by: Vilmos Zsigmond
Edited by: Sidney Levin
Directed by: David Lynch
Cinematography by: Freddie Francis
Edited by: Antony Gibbs
Directed by: Paul Schrader
Cinematography by: John Bailey
Directed by: Ridley Scott
Cinematography by: Jordan Cronenweth
Directed by: John Irvin
Cinematography by: Jack Cardiff
Edited by: Tom Rolf
Directed by: John Landis
Cinematography by: Stephen M. Katz
Edited by: George Folsey Jr.
Directed by: Sidney Lumet
Cinematography by: Oswald Morris
Edited by: Dede Allen
Directed by: Joseph Sargent
Cinematography by: Mario Tosi
Edited by: George Jay Nicholson