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Maestro | ShotOnWhat?

Second Assistant Director Uk Maestro (2023)

Directed by: Bradley Cooper

Cinematography by: Matthew Libatique

Edited by: Michelle Tesoro

Cameras: Panavision Panaflex Lightweight II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision PVintage Prime Lenses

Napoleon | ShotOnWhat?

Second Assistant Director Napoleon (2023)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Sam Restivo, Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses, Panavision Lenses, Panavision Primo Zooms Spherical Lenses

The Last Duel | ShotOnWhat?

Second Assistant Director The Last Duel (2021)

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA Mini LF Camera

Lenses: Angenieux Type EZ-1 S35 30-90 mm T3.0 Lens, Angenieux Type EZ-2 S35 15-40 mm T2.0 Lens, Panavision 65 Vintage Series Lenses

Avengers: Endgame | ShotOnWhat?

Key Second Assistant Director: Uk, Key Second Assistant Director: UK Crew Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Pokémon Detective Pikachu | ShotOnWhat?

Key Second Assistant Director Pokémon: Detective Pikachu (2019)

Directed by: Rob Letterman

Cinematography by: John Mathieson

Edited by: Mark Sanger, James Thomas

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Avengers: Infinity War | ShotOnWhat?

Key Second Assistant Director: Uk Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

All the Money in the World | ShotOnWhat?

Key Second Assistant Director - UK All the Money in the World (2017)

Movie

Directed by: Ridley Scott

Cinematography by: Dariusz Wolski

Edited by: Claire Simpson

Cameras: ARRI ALEXA XT Series Cameras

Lenses: Panavision Super Speed Lenses

Thor: Ragnarok | ShotOnWhat?

Key Second Assistant Director Thor: Ragnarok (2017)

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

Eddie the Eagle | ShotOnWhat?

Second Assistant Director: Additional Photography Eddie the Eagle (2015)

Directed by: Dexter Fletcher

Cinematography by: George Richmond

Edited by: Martin Walsh

Cameras: ARRI ALEXA XT Camera, IO Industries Flare 2KSDI Camera, Red Epic Dragon Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Kingsman: The Secret Service | ShotOnWhat?

Key Second Assistant Director Kingsman: The Secret Service (2014)

Directed by: Matthew Vaughn

Cinematography by: George Richmond

Edited by: Eddie Hamilton, Jon Harris

Cameras: ARRI ALEXA XT Plus Camera, Blackmagic Production 4K Camera, Phantom Flex Camera

Lenses: Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Editing System: Avid Editing System

Vampire Academy | ShotOnWhat?

Key Second Assistant Director Vampire Academy (2014)

Directed by: Mark Waters

Cinematography by: Tony Pierce-Roberts

Edited by: Chris Gill

Cameras: ARRI ALEXA Camera

Jack Ryan: Shadow Recruit | ShotOnWhat?

Second Assistant Director: Second Unit Jack Ryan: Shadow Recruit (2014)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Martin Walsh

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Camera

Lenses: Angenieux HR Zoom Lenses, Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

The World's End | ShotOnWhat?

Second Assistant Director: Additional Photography The World's End (2013)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Paul Machliss

Cameras: ARRIFLEX 16SR3 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Zooms Spherical Lenses

World War Z | ShotOnWhat?

Second Assistant Director: Base World War Z (2013)

Directed by: Marc Forster

Cinematography by: Ben Seresin, Robert Richardson

Edited by: Roger Barton, Matt Chesse

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Studio Camera, ARRIFLEX 435 Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses

X: First Class | ShotOnWhat?

Second Assistant Director: Second Unit X: First Class (2011)

Directed by: Matthew Vaughn

Cinematography by: John Mathieson

Edited by: Eddie Hamilton, Lee Smith

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Gulliver's Travels | ShotOnWhat?

Additional Assistant Director Gulliver's Travels (2010)

Directed by: Rob Letterman

Cinematography by: David Tattersall

Edited by: Alan Edward Bell, Nicolas De Toth, Dean Zimmerman

Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Vampire Killers | ShotOnWhat?

Second Assistant Director Vampire Killers (2009)

Directed by: Phil Claydon

Cinematography by: David Higgs

Edited by: James Herbert

Cameras: Red One Camera

From Time to Time | ShotOnWhat?

Second Assistant Director From Time to Time (2009)

Directed by: Julian Fellowes

Cinematography by: Alan Almond

Edited by: John Wilson

Inkheart | ShotOnWhat?

Second Assistant Director: Additional Photography Inkheart (2008)

Directed by: Iain Softley

Cinematography by: Roger Pratt

Edited by: Martin Walsh

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

National Treasure: Book of Secrets | ShotOnWhat?

Second Assistant Director: Second Unit, UK National Treasure: Book of Secrets (2007)

Directed by: Jon Turteltaub

Cinematography by: Amir Mokri, John Schwartzman

Edited by: William Goldenberg, David Rennie

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

St. Trinian's | ShotOnWhat?

Second Assistant Director St. Trinian's (2007)

Directed by: Oliver Parker, Barnaby Thompson

Cinematography by: Gavin Finney

Edited by: Alex Mackie

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

The Golden Compass | ShotOnWhat?

Second Assistant Director: Second Unit The Golden Compass (2007)

Directed by: Chris Weitz

Cinematography by: Henry Braham

Edited by: Anne V. Coates, Peter Honess, Kevin Tent

Cameras: Panavision Cameras, Panavision Genesis Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

De-Lovely | ShotOnWhat?

Second Assistant Director De-Lovely (2004)

Directed by: Irwin Winkler

Cinematography by: Tony Pierce-Roberts

Edited by: Julie Monroe

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Anamorphic Lenses

Vera Drake | ShotOnWhat?

Second Assistant Director Vera Drake (2004)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Jim Clark

Cameras: Aaton XTR Prod Camera

Lenses: Cooke S4 Lenses

Wondrous Oblivion | ShotOnWhat?

Second Assistant Director Wondrous Oblivion (2003)

Directed by: Paul Morrison

Cinematography by: Nina Kellgren

Edited by: David Freeman

My House in Umbria | ShotOnWhat?

Second Assistant Director: London My House in Umbria (2003)

Television Movie

Directed by: Richard Loncraine

Cinematography by: Marco Pontecorvo

Edited by: Humphrey Dixon

Nicholas Nickleby | ShotOnWhat?

Second Assistant Director Nicholas Nickleby (2002)

Directed by: Douglas McGrath

Cinematography by: Dick Pope

Edited by: Lesley Walker

All or Nothing | ShotOnWhat?

Second Assistant Director All or Nothing (2002)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Lesley Walker

Cameras: Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Angenieux Lenses, Zeiss Lenses

The Mummy Returns | ShotOnWhat?

Additional Second Assistant Director The Mummy Returns (2001)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay, Kelly Matsumoto

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision C Series Anamorphic Lenses

Harry Potter and the Sorcerer's Stone | ShotOnWhat?

Second Assistant Director: Second Unit Harry Potter and the Sorcerer's Stone (2001)

Directed by: Chris Columbus

Cinematography by: John Seale

Edited by: Richard Francis-Bruce

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses, Panavision Primo Primes Spherical Lenses

102 Dalmatians | ShotOnWhat?

Key Second Assistant Director 102 Dalmatians (2000)

Directed by: Kevin Lima

Cinematography by: Adrian Biddle, Roger Pratt

Edited by: Gregory Perler

The Mummy | ShotOnWhat?

Dailies Assistant Director The Mummy (1999)

Directed by: Stephen Sommers

Cinematography by: Adrian Biddle

Edited by: Bob Ducsay

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Topsy-Turvy | ShotOnWhat?

Additional Third Assistant Director Topsy-Turvy (1999)

Directed by: Mike Leigh

Cinematography by: Dick Pope

Edited by: Robin Sales

Cameras: ARRIFLEX 35 III Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Canon Lenses, Cooke Lenses, Zeiss Lenses

Lost in Space | ShotOnWhat?

Third Assistant Director: Second Unit Lost in Space (1998)

Directed by: Stephen Hopkins

Cinematography by: Peter Levy

Edited by: Ray Lovejoy

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Fifth Element | ShotOnWhat?

Floor Runner The Fifth Element (1997)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 35 IIIC Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera

Lenses: Zeiss Lenses

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