Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Directed by: Jeff Fowler
Cinematography by: Stephen F. Windon
Lenses: Leitz Summilux-C Series Lenses
Directed by: George Tillman Jr.
Cinematography by: Mihai Malaimare Jr.
Cameras: Panavision Millennium DXL2 Camera
Directed by: John Krasinski
Cinematography by: Charlotte Bruus Christensen
Edited by: Christopher Tellefsen
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Edited by: Tatiana S. Riegel
Directed by: Dean Devlin
Cinematography by: Roberto Schaefer
Cameras: Red Epic Dragon Camera
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Directed by: Denis Villeneuve
Cinematography by: Roger Deakins
Edited by: Joe Walker
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera, ARRI ALEXA XT Series Cameras, ARRI ALEXA XT Studio Camera
Lenses: ARRI / Zeiss Zoom Lenses, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Directed by: Peter Atencio
Cinematography by: Jas Shelton
Edited by: Nicholas Monsour
Directed by: David Lowery
Cinematography by: Bojan Bazelli
Edited by: Lisa Zeno Churgin
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Cooke Anamorphic/i Prime Lenses
Directed by: Gina Prince-Bythewood
Cinematography by: Tami Reiker
Edited by: Terilyn A. Shropshire
Cameras: ARRI ALEXA M Camera
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens
Editing System: Avid Editing System
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Louis Leterrier
Cinematography by: John Brooks
Edited by: John Carnochan
Cameras: Red Epic Camera
Directed by: John Wells
Cinematography by: Adriano Goldman
Edited by: Stephen Mirrione
Directed by: James McTeigue
Cinematography by: Danny Ruhlmann
Edited by: Niven Howie
Directed by: David Wain
Cinematography by: Michael Bonvillain
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Cameras: ARRI ALEXA Camera, Red Epic Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Directed by: Craig Gillespie
Cinematography by: Javier Aguirresarobe
Edited by: Tatiana S. Riegel
Cameras: Red One MX Camera
Lenses: Zeiss Master Prime Lenses
Directed by: George Clooney
Cinematography by: Phedon Papamichael
Edited by: Stephen Mirrione
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jake Scott
Cinematography by: Christopher Soos
Edited by: Nicolas Gaster
Directed by: Rick Famuyiwa
Cinematography by: Julio Macat
Edited by: Dirk Westervelt
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Directed by: Tony Scott
Cinematography by: Ben Seresin
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Directed by: Marcus Nispel
Cinematography by: Daniel Pearl
Edited by: Ken Blackwell
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Benjamin Weill
Directed by: Pete Travis
Cinematography by: Amir Mokri
Edited by: Stuart Baird
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Ridley Scott
Cinematography by: Harris Savides
Edited by: Pietro Scalia
Editing System: Avid Editing System
Directed by: Jake Paltrow
Cinematography by: Giles Nuttgens
Edited by: Rick Lawley
Directed by: Kasi Lemmons
Cinematography by: Stéphane Fontaine
Edited by: Terilyn A. Shropshire
Directed by: Vondie Curtis-Hall
Cinematography by: Shane Hurlbut
Edited by: Terilyn A. Shropshire
Directed by: Michael Mann
Cinematography by: Dion Beebe
Cameras: Thomson Viper Camera
Directed by: Ridley Scott
Cinematography by: Philippe Le Sourd
Cameras: ARRICAM Lite (LT) Camera
Directed by: Joss Whedon
Cinematography by: Jack N. Green
Edited by: Lisa Lassek
Lenses: Panavision Lenses
Directed by: Michael Bay
Cinematography by: Mauro Fiore
Directed by: James L. Brooks
Cinematography by: John Seale
Directed by: Brad Silberling
Cinematography by: Emmanuel Lubezki
Edited by: Michael Kahn
Cameras: Panavision Panaflex Platinum Camera
Directed by: Jon Turteltaub
Cinematography by: Caleb Deschanel
Edited by: William Goldenberg
Directed by: Michael Mann
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera, Sony HDC-F950 Camera, Sony HDW-F900 Camera, Thomson Viper Camera
Editing System: Avid Editing System
Directed by: Edward Zwick
Cinematography by: John Toll
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Cameras: Panavision Cameras
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Dody Dorn
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Joel Schumacher
Cinematography by: Dariusz Wolski
Directed by: Joel Schumacher
Cinematography by: Matthew Libatique
Edited by: Mark Stevens
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Christian Wagner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: David McNally
Cinematography by: Amir Mokri
Edited by: William Goldenberg
Directed by: Dominic Sena
Cinematography by: Paul Cameron
Directed by: Boaz Yakin
Cinematography by: Philippe Rousselot
Edited by: Michael Tronick
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cinematography by: Peter Menzies Jr.
Edited by: John Wright
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John McTiernan
Cinematography by: Tom Priestley Jr.
Edited by: John Wright
Cameras: Panavision Panaflex Platinum Camera
Directed by: Tony Scott
Cinematography by: Dan Mindel
Edited by: Chris Lebenzon
Directed by: Michael Bay
Cinematography by: John Schwartzman
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Alan Cody
Directed by: Simon West
Cinematography by: David Tattersall
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Lenses: Canon Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Lightworks Editing System
Directed by: Jon Avnet
Cinematography by: Karl Walter Lindenlaub
Edited by: Peter E. Berger
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras: Panavision Panaflex Platinum Camera
Lenses: Panavision Lenses
Directed by: Les Mayfield
Cinematography by: Julio Macat
Edited by: Raja Gosnell
Directed by: Sidney Lumet
Cinematography by: Gerry Fisher
Edited by: Andrew Mondshein
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera