Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Directed by: Sean Anders
Cinematography by: Brandon Trost
Edited by: Tom Costain
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Editing System: Avid Editing System
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Stuart Baird
Cameras: Panavision Panaflex Platinum Camera
Directed by: Peter Hewitt
Cinematography by: Ueli Steiger
Edited by: Carole Kravetz Aykanian
Directed by: Jonathan Mostow
Cinematography by: Oliver Wood
Edited by: Kevin Stitt
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Directed by: Howard Deutch
Cinematography by: Jack N. Green
Edited by: Seth Flaum
Directed by: Edward Anderson
Cinematography by: Michael Fimognari
Edited by: William Yeh
Directed by: Andy Fickman
Cinematography by: Greg Gardiner
Edited by: Michael Jablow
Cameras: Panavision Cameras
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Directed by: George Miller
Cinematography by: Andrew Lesnie