Directed by: Mike Flanagan
Cinematography by: Michael Fimognari
Edited by: Mike Flanagan
Cameras: ARRI ALEXA 65 Camera
Lenses: Hasselblad Lenses
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Directed by: Paul McCrane
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Kelli Williams
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: Jann Turner
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: Rob Corn
Cinematography by: John Brawley
Directed by: Robert Duncan McNeill
Cinematography by: John Brawley
Directed by: Satya Bhabha
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Timothy A. Good
Cinematography by: John Brawley
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Valerie Weiss
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: David Crabtree
Cinematography by: Hilda Mercado
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: John Brawley
Cinematography by: Hilda Mercado
Edited by: William Paley
Directed by: Edward Ornelas
Cinematography by: John Brawley
Edited by: Greg Babor
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Directed by: Phillip Noyce
Cinematography by: Elliot Davis
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Directed by: Bill D'Elia
Cinematography by: John Brawley
Edited by: William Paley
Directed by: James Roday
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: Rob Corn, David Crabtree, Bronwen Hughes, James Roday, Paul McCrane, Jann Turner, Phillip Noyce, Thomas Carter, Bill D'Elia, Rob Greenlea, Geary McLeod, David Rodriguez, Elizabeth Allen Rosenbaum, Nicole Rubio, James Whitmore Jr., Satya Bhabha, John Brawley, Timothy A. Good, Robert Duncan McNeill, Edward Ornelas, Valerie Weiss, Kelli Williams
Edited by: Timothy A. Good, William Paley, Nicole Vaskell, Greg Babor, Amanda Panella, Emily Mendez, Patrick McMahon
Cameras: ARRI ALEXA Mini Camera, Blackmagic Micro Cinema Camera, Blackmagic Pocket Cinema 4K Camera, Blackmagic URSA Mini Pro 4.6K G2 Camera, Blackmagic URSA Mini Pro Camera
Lenses: Leitz Summicron-C 135 mm T2.0 Lens, Leitz Summicron-C 18 mm T2.0 Lens, Leitz Summicron-C 21 mm T2.0 Lens, Leitz Summicron-C 25 mm T2.0 Lens, Leitz Summicron-C 29 mm T2.0 Lens, Leitz Summicron-C 35 mm T2.0 Lens, Leitz Summicron-C 40 mm T2.0 Lens, Leitz Summicron-C 50 mm T2.0 Lens, Leitz Summicron-C 75 mm T2.0 Lens, Panavision Primo Primes Spherical Lenses, SLR Magic APO HyperPrime Cine 25mm T2.1 Lens, SLR Magic APO HyperPrime Cine 32mm T2.1 Lens, SLR Magic APO HyperPrime Cine 50mm T2.1 Lens, SLR Magic APO HyperPrime Cine 85mm T2.1 Lens, Zeiss Lenses
Editing System: Avid Editing System
Directed by: David Rodriguez
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Thomas Carter
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Directed by: Bronwen Hughes
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: Phillip Noyce
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: David Crabtree
Cinematography by: John Brawley
Edited by: Nicole Vaskell
Directed by: Elizabeth Allen Rosenbaum
Cinematography by: John Brawley
Edited by: William Paley
Directed by: James Roday
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: James Roday
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Rob Corn
Cinematography by: John Brawley
Edited by: William Paley
Directed by: James Whitmore Jr.
Cinematography by: John Brawley
Directed by: Rob Greenlea
Cinematography by: John Brawley
Edited by: Greg Babor
Directed by: David Crabtree
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Jann Turner
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: Geary McLeod
Cinematography by: John Brawley
Edited by: Greg Babor
Directed by: Paul McCrane
Cinematography by: John Brawley
Edited by: William Paley
Directed by: Nicole Rubio
Cinematography by: John Brawley
Edited by: Timothy A. Good
Directed by: Rob Corn
Cinematography by: John Brawley
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Directed by: Phil Abraham
Cinematography by: Chris Manley
Edited by: Chris Figler
Directed by: Jennifer Getzinger
Cinematography by: Chris Manley
Edited by: Christopher Gay
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Directed by: Jared Harris
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Matthew Weiner
Cinematography by: Chris Manley
Edited by: Tom Wilson
Directed by: Andrew Niccol
Cinematography by: Amir Mokri
Edited by: Zach Staenberg
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Dean Wright
Cinematography by: Eduardo Martínez Solares
Cameras: ARRIFLEX 435 Camera
Lenses: Zeiss Lenses
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Camera
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Derek Cianfrance
Cinematography by: Sean Bobbitt
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Directed by: Kelly Reichardt
Cinematography by: Christopher Blauvelt
Edited by: Kelly Reichardt
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Directed by: Jon Turteltaub
Directed by: Phil Abraham, Michael Uppendahl, Jennifer Getzinger, Matthew Weiner, Scott Hornbacher, Lesli Linka Glatter, Tim Hunter, John Slattery, Andrew Bernstein, Alan Taylor, Chris Manley, Jon Hamm, Ed Bianchi, Paul Feig, Barbet Schroeder, Daisy von Scherler Mayer, Lynn Shelton, Matt Shakman, Jared Harris
Cinematography by: Chris Manley, Don Devine, Phil Abraham, Steve Mason, Frank G. DeMarco, Bill Roe, Jeffrey Jur, M. David Mullen
Edited by: Tom Wilson, Malcolm Jamieson, Christopher Gay, Leo Trombetta, Christopher Nelson, Chris Figler, David Siegel, Cindy Mollo, Pattye Rogers, Conrad Smart, Patricia Rafferty
Editing System: Avid Editing System
Directed by: Todd Haynes
Cinematography by: Edward Lachman
Edited by: Jay Rabinowitz
Cameras: Aaton LTR Camera, Moviecam Compact Camera
Directed by: Tony Scott
Cinematography by: Paul Cameron
Directed by: Frank Marshall
Cinematography by: Don Burgess
Edited by: Christopher Rouse
Directed by: Bennett Miller
Cinematography by: Adam Kimmel
Edited by: Christopher Tellefsen
Cameras: Moviecam Compact Camera
Lenses: Cooke S4 Lenses
Directed by: István Szabó
Cinematography by: Lajos Koltai
Edited by: Susan Shipton
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke Varotal Lenses
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Directed by: Ron Shelton
Cinematography by: Barry Peterson
Edited by: Paul Seydor
Cameras: Panavision Panaflex Camera
Directed by: David Twohy
Cinematography by: Ian Wilson
Edited by: Martin Hunter
Directed by: Sidney J. Furie
Cinematography by: Curtis Petersen
Edited by: Saul Pincus
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Directed by: William Friedkin
Edited by: Augie Hess
Directed by: Bruce Beresford
Cinematography by: Peter James
Edited by: Mark Warner
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David Nutter
Cinematography by: John S. Bartley
Edited by: Randy Jon Morgan
Directed by: Atom Egoyan
Cinematography by: Paul Sarossy
Edited by: Susan Shipton
Cameras: Panavision Panaflex Gold II Camera
Directed by: Ivan Reitman
Cinematography by: Stephen H. Burum