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Paul Howarth  17 Titles
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I, Robot | ShotOnWhat?
Visual Effects Editor: Digital Domain I, Robot  (2004)
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Edited by: William Hoy, Richard Learoyd, Armen Minasian
Cameras: , , ,
Lenses: ,
The League of Extraordinary Gentlemen | ShotOnWhat?
Imaging Supervisor: Digiscope The League of Extraordinary Gentlemen  (2003)
Directed by: Stephen Norrington
Cinematography by: Dan Laustsen
Edited by: Paul Rubell
Cameras:
Lenses:
Red Dragon | ShotOnWhat?
Visual Effects Editor: Cinesite Red Dragon  (2002)
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Edited by: Mark Helfrich
Road to Perdition | ShotOnWhat?
Visual Effects Editor: Cinesite Road to Perdition  (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: , ,
Lenses:
Editing System:
The Mothman Prophecies | ShotOnWhat?
Visual Effects Editor: Cinesite The Mothman Prophecies  (2002)
Directed by: Mark Pellington
Cinematography by: Fred Murphy
Edited by: Brian Berdan
Cameras: , ,
Lenses:
Rat Race | ShotOnWhat?
Visual Effects Editor Rat Race  (2001)
Directed by: Jerry Zucker
Cinematography by: Thomas E. Ackerman
Edited by: Tom Lewis
Thirteen Days | ShotOnWhat?
Visual Effects Editor: Cinesite Thirteen Days  (2000)
Directed by: Roger Donaldson
Cinematography by: Andrzej Bartkowiak
Edited by: Conrad Buff IV
Traffic | ShotOnWhat?
Editorial: Cinesite Traffic  (2000)
Directed by: Steven Soderbergh
Cinematography by: Steven Soderbergh
Edited by: Stephen Mirrione
Cameras:
Lenses:
Blade | ShotOnWhat?
Digital Imaging Blade  (1998)
Directed by: Stephen Norrington
Cinematography by: Theo van de Sande
Edited by: Paul Rubell
Cameras:
Lenses: ,
Volcano | ShotOnWhat?
Digital Imaging: Digiscope Volcano  (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Edited by: Don Brochu, Michael Tronick
Independence Day | ShotOnWhat?
Digital Scanning And Recording: Digiscope Independence Day  (1996)
Directed by: Roland Emmerich
Cinematography by: Karl Walter Lindenlaub
Edited by: David Brenner
Cameras:
Lenses:
The Long Kiss Goodnight | ShotOnWhat?
Digital Artist: Digiscope The Long Kiss Goodnight  (1996)
Directed by: Renny Harlin
Cinematography by: Guillermo Navarro
Edited by: William Goldenberg
The Crow: City of Angels | ShotOnWhat?
Film Scanning And Recording: Digiscope The Crow: City of Angels  (1996)
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Edited by: Michael N. Knue, Anthony Redman
Cabin Boy | ShotOnWhat?
Optical Camera Operator: Perpetual Motion Pictures Cabin Boy  (1994)
Directed by: Adam Resnick
Cinematography by: Steve Yaconelli
Edited by: Jon Poll
Teenage Mutant Ninja Turtles III | ShotOnWhat?
Optical Camera: Perpetual Motion Pictures Teenage Mutant Ninja Turtles III  (1993)
Directed by: Stuart Gillard
Cinematography by: David Gurfinkel
Edited by: William D. Gordean, James R. Symons
Honey I Blew Up the Kid | ShotOnWhat?
Visual Effects: Perpetual Motion Pictures Honey, I Blew Up the Kid  (1992)
Directed by: Randal Kleiser
Cinematography by: John Hora
Edited by: Harry Hitner, Michael A. Stevenson
Cameras: ,
Lenses:
On Her Majesty's Secret Service | ShotOnWhat?
4K Film Scanning: Lowry Digital Images - 2006 Restoration On Her Majesty's Secret Service  (1969)
Directed by: Peter R. Hunt
Cinematography by: Michael Reed
Edited by: John Glen
Cameras: ,
Lenses: ,
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