Directed by: Joe Talbot
Cinematography by: Adam Newport-Berra
Edited by: David Marks
Cameras: ARRI ALEXA Mini Camera
Edited by: Julio C. Perez IV, Laura Zempel, Nikola Boyanov, Aaron I. Butler, Harry Yoon, Darrin Navarro
Cameras: ARRI ALEXA 65 Camera, ARRICAM Lite (LT) Camera
Directed by: Sam Levinson
Cinematography by: Adam Newport-Berra
Edited by: Harry Yoon
Directed by: Jennifer Morrison
Cinematography by: Drew Daniels
Edited by: Harry Yoon
Directed by: Damien Chazelle
Cinematography by: Linus Sandgren
Edited by: Tom Cross
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Directed by: Kathryn Bigelow
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera
Lenses: Angenieux HP Zoom Lenses, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Optica Elite Lenses
Editing System: Avid Editing System
Directed by: Craig Brewer
Cinematography by: Amy Vincent
Edited by: Billy Fox
Directed by: Breck Eisner
Cinematography by: Maxime Alexandre
Edited by: Billy Fox
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Brandon Camp
Cinematography by: Eric Alan Edwards
Edited by: Dana E. Glauberman
Directed by: Zach Helm
Cinematography by: Roman Osin
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Directed by: John Dahl
Cinematography by: Peter Menzies Jr.
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson