Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Directed by: Jeremy Podeswa
Cinematography by: Gregory Middleton
Edited by: Crispin Green
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Jesse Parker
Directed by: Mark Mylod
Cinematography by: P.J. Dillon
Edited by: Tim Porter
Directed by: Matt Shakman
Cinematography by: Robert McLachlan
Edited by: Katie Weiland
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Directed by: Dexter Fletcher
Cinematography by: George Richmond
Edited by: Martin Walsh
Directed by: John Crowley
Cinematography by: Yves Bélanger
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Directed by: Jalmari Helander
Cinematography by: Mika Orasmaa
Edited by: Iikka Hesse
Cameras: ARRI ALEXA Camera, Blackmagic Cinema Camera, Canon EOS-C300 Camera, Phantom Flex Camera, Red Epic Camera
Lenses: Hawk Anamorphic Lenses
Directed by: Paul King
Cinematography by: Erik Wilson
Edited by: Mark Everson
Cameras: ARRI ALEXA Studio Camera, ARRI ALEXA XT Camera
Lenses: Cooke S4 Lenses
Directed by: Mat Kirkby
Cinematography by: Ole Bratt Birkeland
Edited by: Lizzy Graham
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Directed by: Phyllida Lloyd
Cinematography by: Elliot Davis
Edited by: Justine Wright
Directed by: David Nutter, Alan Taylor, Alex Graves, Miguel Sapochnik, Mark Mylod, Jeremy Podeswa, Daniel Minahan, Alik Sakharov, Michelle MacLaren, Brian Kirk, David Benioff, D.B. Weiss, Timothy Van Patten, Neil Marshall, David Petrarca, Michael Slovis, Jack Bender, Daniel Sackheim, Matt Shakman
Cinematography by: Anette Haellmigk, Jonathan Freeman, Robert McLachlan, Fabian Wagner, David Franco, Gregory Middleton, P.J. Dillon, Matthew Jensen, Alik Sakharov, Martin Kenzie, Marco Pontecorvo, Kramer Morgenthau, Chris Seager, Sam McCurdy, David Katznelson
Edited by: Katie Weiland, Frances Parker, Crispin Green, Tim Porter, Oral Norrie Ottey, Martin Nicholson, Jesse Parker, Yan Miles
Editing System: Avid Editing System
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jon Gregory
Lenses: Cooke S4 Lenses
Directed by: Tom Hooper
Cinematography by: Ben Smithard
Edited by: Melanie Oliver
Directed by: Ian Fitzgibbon
Cinematography by: Seamus Deasy
Edited by: Tony Cranstoun
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Directed by: Anand Tucker
Cinematography by: Howard Atherton
Edited by: Trevor Waite
Lenses: Hawk V-Series Lenses
Directed by: Edgar Wright
Cinematography by: Jess Hall
Edited by: Chris Dickens
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera
Editing System: Avid Editing System
Directed by: Mira Nair
Cinematography by: Declan Quinn
Edited by: Allyson C. Johnson
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras: Panavision Panaflex Gold II Camera
Directed by: Beeban Kidron
Cinematography by: Adrian Biddle
Edited by: Greg Hayden
Directed by: Edouard Nammour
Cinematography by: Clive Tickner
Edited by: Alan Strachan
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Jim Clark
Cameras: Aaton XTR Prod Camera
Lenses: Cooke S4 Lenses
Directed by: Stephen Fry
Cinematography by: Henry Braham
Edited by: Alex Mackie
Directed by: Douglas McGrath
Cinematography by: Dick Pope
Edited by: Lesley Walker
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Directed by: Baz Luhrmann
Cinematography by: Donald McAlpine
Edited by: Jill Bilcock
Editing System: Lightworks Editing System
Directed by: Sharon Maguire
Cinematography by: Stuart Dryburgh
Edited by: Martin Walsh
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Richard Eyre
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Directed by: Mike Leigh
Cinematography by: Dick Pope
Edited by: Robin Sales
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Directed by: Mark Herman
Cinematography by: Andy Collins
Edited by: Michael Ellis
Directed by: Peter Hewitt
Edited by: David Freeman
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Directed by: Christopher Hampton
Cinematography by: Denis Lenoir
Edited by: George Akers
Directed by: Richard Loncraine
Cinematography by: Peter Biziou
Edited by: Paul Green
Directed by: Michael Austin
Cinematography by: Freddie Francis
Edited by: George Akers
Directed by: Woody Allen
Cinematography by: Carlo Di Palma
Edited by: Susan E. Morse
Directed by: Mike Newell
Cinematography by: Rex Maidment
Edited by: Dick Allen
Directed by: Terry Gilliam
Cinematography by: Roger Pratt
Edited by: Julian Doyle
Cameras: J-D-C Camera
Lenses: Kinoptik Lenses, Zeiss Lenses
Directed by: Stephen Frears
Cinematography by: Mike Molloy
Edited by: Mick Audsley
Directed by: John Irvin
Cinematography by: Jack Cardiff
Edited by: Antony Gibbs
Cameras: Panavision Cameras
Directed by: Jerzy Skolimowski
Cinematography by: Mike Molloy
Edited by: Barrie Vince