Bill McConnell Jr.

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Second Assistant Camera "b" Camera Game Night (2018)

Directed by: John Francis Daley, Jonathan Goldstein

Cinematography by: Barry Peterson

Edited by: David Egan, Jamie Gross, Gregory Plotkin

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Red Epic Helium Camera

Lenses: Cooke S4/i Lenses

Transformers: The Last Knight | ShotOnWhat?

Second Assistant Camera "a" Camera Transformers: The Last Knight (2017)

Lenses: ARRI Rental Prime 65 Lenses, Hawk Hawk65 Series Lenses, Hawk V-Lite 16 Lens, Hawk Vantage One Lenses, Leitz Summilux-C Series Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Directed by: Michael Bay

Cinematography by: Jonathan Sela

Edited by: Roger Barton, Adam Gerstel, Debra Neil-Fisher, John Refoua, Mark Sanger, Calvin Wimmer

Cameras: ALEXA IMAX Camera, ARRIFLEX 416 Camera, Red Epic Dragon Camera, Red Epic Helium Camera

Second Assistant Camera "a" Camera Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Second Assistant Camera: "a" Camera The Jungle Book (2016)

Directed by: Jon Favreau

Cinematography by: Bill Pope

Edited by: Adam Gerstel, Mark Livolsi

Cameras: ARRI ALEXA XT M Camera

Lenses: Panavision Primo Primes Spherical Lenses

Second Assistant Camera: Second Unit Ride Along 2 (2016)

Directed by: Tim Story

Cinematography by: Mitchell Amundsen

Edited by: Peter S. Elliot

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Second Assistant Camera: "a" Camera 'Graceland' Aha (2015)

Directed by: Doug Hannah

Cinematography by: James L. Carter

Edited by: Ivan Ladizinsky

Second Assistant Camera: "a" Camera 'Graceland' B-Positive (2015)

Directed by: Larry Teng

Cinematography by: James L. Carter

Edited by: Ivan Ladizinsky

"Graceland" Chester Cheeto | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Graceland' Chester Cheeto (2015)

Directed by: Larry Teng

Cinematography by: James L. Carter

Edited by: Tamara Luciano

Second Assistant Camera: "a" Camera 'Graceland' Sense Memory (2015)

Directed by: Duane Clark

Cinematography by: James L. Carter

Edited by: Romain Vaunois

Second Assistant Camera: "a" Camera 'Graceland' Piñon Tree (2015)

Directed by: Duane Clark

Cinematography by: James L. Carter

Edited by: Doug Hannah

Second Assistant Camera: Colorado Unit Furious 7 (2015)

Directed by: James Wan

Cinematography by: Marc Spicer, Stephen F. Windon

Edited by: Leigh Folsom Boyd, Dylan Highsmith, Kirk M. Morri, Christian Wagner

Cameras: ARRI ALEXA XT Camera, ARRI ALEXA XT M Camera, ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Red Epic Dragon Camera, Sony PMW-F55 Camera

Second Assistant Camera: "a" Camera 'Graceland' Sidewinder (2015)

Directed by: Scott Peters

Cinematography by: James L. Carter

Edited by: Tamara Luciano

"Graceland" Savior Complex | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Graceland' Savior Complex (2015)

Directed by: Timothy Busfield

Cinematography by: James L. Carter

Edited by: Doug Hannah

Second Assistant Camera: "a" Camera 'Graceland' Bon Voyage (2015)

Directed by: Maja Vrvilo

Cinematography by: James L. Carter

Edited by: Ivan Ladizinsky

Second Assistant Camera: "a" Camera 'Graceland' Hand of Glory (2015)

Directed by: Stephen Surjik

Cinematography by: James L. Carter

Edited by: Tamara Luciano

"Graceland" Master of Weak Ties | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Graceland' Master of Weak Ties (2015)

Directed by: Lucy Liu

Cinematography by: James L. Carter

Edited by: Ivan Ladizinsky

Second Assistant Camera: "a" Camera 'Graceland' The Wires (2015)

Directed by: Mary Harron

Cinematography by: James L. Carter

Edited by: Doug Hannah

"Graceland" Dog Catches Car | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Graceland' Dog Catches Car (2015)

Directed by: Larry Teng

Cinematography by: James L. Carter

Edited by: Tamara Luciano

Second Assistant Camera: "a" Camera 'Graceland' No Old Tigers (2015)

Directed by: Larry Teng

Cinematography by: James L. Carter

Edited by: Ivan Ladizinsky

Second Assistant Camera "a" Camera 'Graceland' The Ends (2014)

Directed by: Alrick Riley

Cinematography by: David Moxness

Edited by: Jon Dudkowski

Second Assistant Camera "b" Camera Dolphin Tale 2 (2014)

Directed by: Charles Martin Smith

Cinematography by: Daryn Okada

Edited by: Harvey Rosenstock

Cameras: Sony PMW-F55 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Second Assistant Camera "a" Camera 'Graceland' Faith 7 (2014)

Directed by: Russell Lee Fine

Cinematography by: Bart Tau

Edited by: Doug Hannah

Second Assistant Camera "a" Camera 'Graceland' Echoes (2014)

Directed by: Russell Lee Fine

Cinematography by: Bart Tau

Edited by: Ivan Ladizinsky

Second Assistant Camera "a" Camera 'Graceland' Home (2014)

Directed by: Duane Clark

Cinematography by: David Moxness

Edited by: Jon Dudkowski

"Graceland" The Head of the Pig | ShotOnWhat?

Second Assistant Camera "a" Camera 'Graceland' The Head of the Pig (2014)

Directed by: Larysa Kondracki

Cinematography by: David Moxness

Edited by: Doug Hannah

Second Assistant Camera "a" Camera 'Graceland' Los Malos (2014)

Directed by: Sanford Bookstaver

Cinematography by: David Moxness

Edited by: Doug Hannah

"Graceland" The Unlucky One | ShotOnWhat?

Second Assistant Camera "a" Camera 'Graceland' The Unlucky One (2014)

Directed by: Russell Lee Fine

Cinematography by: David Moxness

Edited by: Ivan Ladizinsky

"Graceland" H-A-Double-P-Y | ShotOnWhat?

Second Assistant Camera "a" Camera 'Graceland' H-A-Double-P-Y (2014)

Directed by: Sanford Bookstaver

Cinematography by: David Moxness

Edited by: Jon Dudkowski

Second Assistant Camera "a" Camera 'Graceland' Magic Number (2014)

Directed by: Marc Roskin

Cinematography by: David Moxness

Edited by: Doug Hannah

Second Assistant Camera "a" Camera 'Graceland' Tinker Bell (2014)

Directed by: Sheree Folkson

Cinematography by: David Moxness

Edited by: Ivan Ladizinsky

Second Assistant Camera "a" Camera 'Graceland' Connects (2014)

Directed by: Stephen Surjik

Cinematography by: David Moxness

Edited by: Jon Dudkowski

Second Assistant Camera "a" Camera 'Graceland' The Line (2014)

Directed by: Russell Lee Fine

Cinematography by: David Moxness

Edited by: Jon Dudkowski, Doug Hannah

Second Assistant Camera "a" Camera 'Graceland' Gratis (2014)

Directed by: Larry Teng

Cinematography by: David Moxness

Edited by: Ivan Ladizinsky

Second Assistant Camera 'Graceland' King's Castle (2013)

Directed by: Charlotte Sieling

Cinematography by: Edward J. Pei, David Stockton

Edited by: Jon Dudkowski, Doug Hannah

Second Assistant Camera: "a" Camera 'Burn Notice' New Deal (2013)

Directed by: Stephen Surjik

Cinematography by: Bart Tau

Edited by: Casey Brown

"Arrested Development" Flight of the Phoenix | ShotOnWhat?

First Assistant Camera 'Arrested Development' Flight of the Phoenix (2013)

Directed by: Mitchell Hurwitz, Troy Miller

Cinematography by: Peter Lyons Collister

Edited by: Kabir Akhtar, A.J. Dickerson

Second Assistant Camera 'Graceland' Pilot (2013)

Directed by: Russell Lee Fine

Cinematography by: David Stockton

Edited by: Doug Hannah

"Graceland" Guadalajara Dog | ShotOnWhat?

Second Assistant Camera 'Graceland' Guadalajara Dog (2013)

Directed by: Russell Lee Fine

Cinematography by: Edward J. Pei

Edited by: Doug Hannah

Second Assistant Camera 'Graceland' Pizza Box (2013)

Directed by: Sanford Bookstaver

Cinematography by: Edward J. Pei

Edited by: Doug Hannah

Second Assistant Camera 'Graceland' Heat Run (2013)

Directed by: Renny Harlin

Cinematography by: Edward J. Pei

Edited by: Debra Beth Weinfeld

Second Assistant Camera 'Graceland' Goodbye High (2013)

Directed by: Russell Lee Fine

Cinematography by: Edward J. Pei, Bart Tau

Edited by: Debra Beth Weinfeld

"Graceland" Hair of the Dog | ShotOnWhat?

Second Assistant Camera 'Graceland' Hair of the Dog (2013)

Directed by: David Straiton

Cinematography by: Edward J. Pei

Edited by: Doug Hannah

Second Assistant Camera 'Graceland' O-Mouth (2013)

Directed by: Renny Harlin

Cinematography by: Edward J. Pei

Edited by: Debra Beth Weinfeld

Second Assistant Camera 'Graceland' Bag Man (2013)

Directed by: Renny Harlin

Cinematography by: Edward J. Pei

Edited by: Doug Hannah

Second Assistant Camera 'Graceland' Smoke Alarm (2013)

Directed by: Paul Holahan

Cinematography by: Edward J. Pei, David Stockton, Bart Tau

Edited by: Doug Hannah, Debra Beth Weinfeld

Second Assistant Camera 'Graceland' Happy Endings (2013)

Directed by: Sanford Bookstaver

Cinematography by: Edward J. Pei

Edited by: Debra Beth Weinfeld

Second Assistant Camera 'Graceland' Pawn (2013)

Directed by: Russell Lee Fine

Cinematography by: Edward J. Pei, David Stockton

Edited by: Doug Hannah

"Burn Notice" Brothers in Arms | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' Brother in Arms (2013)

Directed by: Dennie Gordon

Cinematography by: Bart Tau

Edited by: Steven Lang

"Burn Notice" Forget Me Not | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' Forget Me Not (2013)

Directed by: Jeffrey Donovan

Cinematography by: Bart Tau

Edited by: Steven Lang

Second Assistant Camera: "b" Camera Pain & Gain (2013)

Directed by: Michael Bay

Cinematography by: Ben Seresin

Edited by: Tom Muldoon, Joel Negron

Cameras: Canon EOS-7D Camera, GoPro HD Hero3 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Gold Camera, Red Epic Camera

Lenses: Panavision C Series Anamorphic Lenses

Editing System: Avid Editing System

Second Assistant Camera "a" Camera / Second Assistant Camera: "a" Camera / Second Assistant Camera - 38 Episodes, 2013-2015 Graceland (2013)

Directed by: Russell Lee Fine, Larry Teng, Sanford Bookstaver, Renny Harlin, Duane Clark, Stephen Surjik, Paul Holahan, Charlotte Sieling, David Straiton, Sheree Folkson, Larysa Kondracki, Alrick Riley, Marc Roskin, Timothy Busfield, Doug Hannah, Mary Harron, Lucy Liu, Scott Peters, Maja Vrvilo

Cinematography by: James L. Carter, Edward J. Pei, David Moxness, Bart Tau, David Stockton, Niels Alpert

Edited by: Doug Hannah, Ivan Ladizinsky, Jon Dudkowski, Debra Beth Weinfeld, Tamara Luciano, Romain Vaunois

Cameras: ARRI ALEXA Camera

Second Assistant Camera: "a" Camera 'Burn Notice' Reckoning (2013)

Directed by: Matt Nix

Cinematography by: Bart Tau

Edited by: Steven Lang

Second Assistant Camera: "a" Camera 'Burn Notice' Sea Change (2013)

Directed by: Stephen Surjik

Cinematography by: Bart Tau

Edited by: Zack Arnold

"Burn Notice" Tipping Point | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' Tipping Point (2013)

Directed by: Scott Peters

Cinematography by: Bart Tau

Edited by: Casey Brown, Scott van Beever

"Burn Notice" Things Unseen | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' Things Unseen (2013)

Directed by: Craig Siebels

Cinematography by: Bart Tau

Edited by: Steven Lang

Second Assistant Camera: "a" Camera 'Burn Notice' Bitter Pill (2013)

Directed by: Bill Eagles

Cinematography by: Bart Tau

Edited by: Zack Arnold

"Burn Notice" Psychological Warfare | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' Psychological Warfare (2013)

Directed by: Larry Teng

Cinematography by: Bart Tau

Edited by: Steven Lang

Second Assistant Camera: "a" Camera 'Burn Notice' Exit Plan (2013)

Directed by: Marc Roskin

Cinematography by: Bart Tau

Edited by: Casey Brown

"Burn Notice" All or Nothing | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' All or Nothing (2013)

Directed by: Jonathan Frakes

Cinematography by: Bart Tau

Edited by: Zack Arnold

Second Assistant Camera: "a" Camera 'Burn Notice' Down Range (2013)

Directed by: Scott Peters

Cinematography by: Bart Tau

Edited by: Paul Fontaine

"Burn Notice" Nature of the Beast | ShotOnWhat?

Second Assistant Camera: "a" Camera 'Burn Notice' Nature of the Beast (2013)

Directed by: Tawnia McKiernan

Cinematography by: Bart Tau

Edited by: Casey Brown

First Assistant Camera: "B" Camera Step Up Revolution (2012)

Directed by: Scott Speer

Cinematography by: Karsten Gopinath

Edited by: Matt Friedman, Avi Youabian

Cameras: Red Epic Camera

Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Abraham Lincoln: Vampire Hunter | ShotOnWhat?

Second Assistant Camera Abraham Lincoln: Vampire Hunter (2012)

Directed by: Timur Bekmambetov

Cinematography by: Caleb Deschanel

Edited by: William Hoy

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Phantom Flex Camera

Lenses: ARRI / Fujinon Lenses, Zeiss Ultra Prime Lenses

Second Assistant Camera Rock of Ages (2012)

Directed by: Adam Shankman

Cinematography by: Bojan Bazelli

Edited by: Emma E. Hickox

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Avid Editing System

Second Assistant Camera Green Lantern (2011)

Directed by: Martin Campbell

Cinematography by: Dion Beebe

Edited by: Stuart Baird

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision PCZ 19-90 mm T2.8 Lens, Panavision Primo Anamorphic Lenses

Editing System: Autodesk Smoke Editing System

Second Assistant Camera: "c" Camera, Second Unit The Green Hornet (2011)

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses

Directed by: Michel Gondry

Cinematography by: John Schwartzman

Edited by: Michael Tronick

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera

Editing System: Avid Editing System

Second Assistant Camera 'Undercovers' Pilot (2010)

Directed by: J.J. Abrams

Cinematography by: Michael Bonvillain

Edited by: Mary Jo Markey

Second Assistant Camera - 1 Episode, 2010 Undercovers (2010)

Directed by: Stephen Williams, Tucker Gates, J.J. Abrams, Brad Anderson, Daniel Attias, Anthony Hemingway, Jonas Pate, Rosemary Rodriguez, Frederick E.O. Toye, Jeff T. Thomas

Cinematography by: John B. Aronson, John S. Bartley, Michael Bonvillain

Edited by: Jill D'Agnenica, Mark Conte, Mark Goldman, Christopher Nelson, Mary Jo Markey

Cameras: Red One MX Camera

G.I. Joe: The Rise of Cobra | ShotOnWhat?

Second Assistant Photographer: "b" Camera G.I. Joe: The Rise of Cobra (2009)

Directed by: Stephen Sommers

Cinematography by: Mitchell Amundsen

Edited by: Bob Ducsay, Kelly Matsumoto, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Red One Camera

Jonas Brothers: The 3D Concert Experience | ShotOnWhat?

Second Assistant Camera Jonas Brothers: The 3D Concert Experience (2009)

Directed by: Bruce Hendricks

Cinematography by: Mitchell Amundsen, Reed Smoot

Edited by: Michael Tronick

Second Assistant Camera Drillbit Taylor (2008)

Directed by: Steven Brill

Cinematography by: Fred Murphy

Edited by: Brady Heck, Thomas J. Nordberg

Second Assistant Camera Righteous Kill (2008)

Directed by: Jon Avnet

Cinematography by: Denis Lenoir

Edited by: Paul Hirsch

Second Assistant Camera: "b" Camera Sex Drive (2008)

Directed by: Sean Anders

Cinematography by: Tim Orr

Edited by: George Folsey Jr., Charles Kaplan

Second Assistant Camera Wanted (2008)

Directed by: Timur Bekmambetov

Cinematography by: Mitchell Amundsen

Edited by: David Brenner

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Camera

Lenses: Panavision Primo Primes Spherical Lenses

Second Assistant Camera: "a" Camera / Camera - 14 Episodes, 2007-2013 Burn Notice (2007)

Cinematography by: William Wages, Bart Tau, Roy H. Wagner, Dennis Hall, Tiko Pavoni, Paul Krumper

Edited by: Casey Brown, Steven Lang, Zack Arnold, Doug Hannah, James Kilton, Brad Schreiber, Paul Fontaine, Scott van Beever

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, Red One MX Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens

Second Assistant Camera: "b" Camera Transformers (2007)

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Xtreme Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Directed by: Michael Bay

Cinematography by: Mitchell Amundsen

Edited by: Tom Muldoon, Paul Rubell, Glen Scantlebury

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Cooke Varotal Lenses, Panavision C Series Anamorphic Lenses, Panavision C60 60 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens

Editing System: Avid Editing System, Final Cut Pro Editing System

Camera 'Burn Notice' Pilot (2007)

Directed by: Jace Alexander

Cinematography by: Roy H. Wagner

Edited by: Casey Brown

Second Assistant Camera: "b" Camera Miami Vice (2006)

Directed by: Michael Mann

Cinematography by: Dion Beebe

Edited by: William Goldenberg, Paul Rubell

Cameras: Thomson Viper Camera

Second Assistant Camera: First Unit Transporter 2 (2005)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen

Edited by: Christine Lucas Navarro, Vincent Tabaillon

"A" Camera Second Assistant: Second Unit The Dukes of Hazzard (2005)

Directed by: Jay Chandrasekhar

Cinematography by: Lawrence Sher

Edited by: Jay Chandrasekhar, Lee Haxall, Myron Kerstein

Second Assistant Camera: "b" Camera, Second Unit Friday Night Lights (2004)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom

Second Assistant Camera: Second Unit 2 Fast 2 Furious (2003)

Directed by: John Singleton

Cinematography by: Matthew F. Leonetti

Edited by: Bruce Cannon, Dallas Puett

Cameras: ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera

Lenses: Cooke S4 Lenses

First Assistant Camera - 1 Episode, 2013 Arrested Development (2003)

Cinematography by: Greg Harrington, Patrick Alexander Stewart, Peter Lyons Collister, James Hawkinson, Chuck Ozeas

Edited by: Richard Candib, Seth Clark, Christopher M. Stewart, Kabir Akhtar, Robert Bramwell, A.J. Dickerson, Lee Haxall, Steven Sprung, Stuart Bass, Lane Farnham, Ruthie Aslan, Todd Zelin, Mark Scheib, Frank McGrath

Cameras: Panasonic AJ-HDC27 Varicam Camera, Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses

Second Assistant: Second Unit All About the Benjamins (2002)

Directed by: Kevin Bray

Cinematography by: Glen MacPherson

Edited by: Suzanne Hines

Second Assistant Camera: Second Unit The Replacements (2000)

Directed by: Howard Deutch

Cinematography by: Tak Fujimoto

Edited by: Seth Flaum, Bud S. Smith

Second Assistant Camera: "b" Camera, Second Unit Any Given Sunday (1999)

Directed by: Oliver Stone

Cinematography by: Salvatore Totino

Edited by: Stuart Levy, Thomas J. Nordberg, Keith Salmon, Stuart Waks

First Assistant Photographer: Savannah The General's Daughter (1999)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

Second Assistant Camera The Straight Story (1999)

Directed by: David Lynch

Cinematography by: Freddie Francis

Edited by: Mary Sweeney

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision C Series Anamorphic Lenses

Second Assistant Camera The Truman Show (1998)

Directed by: Peter Weir

Cinematography by: Peter Biziou

Edited by: William M. Anderson, Lee Smith

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses

Editing System: Lightworks Editing System

Second Camera Operator Holy Man (1998)

Directed by: Stephen Herek

Cinematography by: Adrian Biddle

Edited by: Trudy Ship

Second Assistant Camera: "b" Camera A Time to Kill (1996)

Directed by: Joel Schumacher

Cinematography by: Peter Menzies Jr.

Edited by: William Steinkamp

Cameras: Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Second Assistant Camera Just Cause (1995)

Directed by: Arne Glimcher

Cinematography by: Lajos Koltai

Edited by: William M. Anderson, Armen Minasian

Second Assistant Camera: "b" Camera Fair Game (1995)

Directed by: Andrew Sipes

Cinematography by: Richard Bowen

Edited by: David Finfer, Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

First Assistant Camera Cop & ½ (1993)

Directed by: Henry Winkler

Cinematography by: Bill Butler

Edited by: Daniel P. Hanley, Carroll Timothy O'Meara, Roger Tweten

Production Assistant CrissCross (1992)