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The Matrix Resurrections | ShotOnWhat?

First Assistant Camera: "a" Camera, San Francisco The Matrix Resurrections (2021)

Directed by: Lana Wachowski

Cinematography by: Daniele Massaccesi, John Toll

Edited by: Joseph Jett Sally

Cameras: Red Komodo Camera

Lenses: Panavision Compact Zoom Lenses, Panavision LWZ 27-68 mm T2.8 Lens, Panavision Panaspeed Series Lenses, Panavision Primo 70 Lenses, Sigma Lenses, Zeiss Cinema Zoom Series Lenses

Sonic the Hedgehog | ShotOnWhat?

First Assistant Camera: San Francisco Sonic the Hedgehog (2020)

Directed by: Jeff Fowler

Cinematography by: Stephen F. Windon

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Leitz Summilux-C Series Lenses

Gemini Man | ShotOnWhat?

First Assistant Camera Gemini Man (2019)

Directed by: Ang Lee

Cinematography by: Dion Beebe

Edited by: Tim Squyres

Cameras: ARRI ALEXA XT M Camera, Phantom Flex4K Camera

Lenses: Leitz Summilux-C Series Lenses

"13 Reasons Why" The Missing Page | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Missing Page (2018)

Television Episode

Directed by: Kat Candler

Cinematography by: Ivan Strasburg

Edited by: Philip Harrison

"13 Reasons Why" Bryce and Chloe | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' Bryce and Chloe (2018)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Sue Blainey, Leo Trombetta

"13 Reasons Why" The Box of Polaroids | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Box of Polaroids (2018)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Sue Blainey, Leo Trombetta

"13 Reasons Why" Smile, Bitches | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' Smile, Bitches (2018)

Television Episode

Directed by: Kat Candler

Cinematography by: Ivan Strasburg

Edited by: Philip Harrison

"13 Reasons Why" The Little Girl | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Little Girl (2018)

Television Episode

Directed by: Michael Morris

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett

"13 Reasons Why" The Third Polaroid | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Third Polaroid (2018)

Television Episode

Directed by: Michael Morris

Cinematography by: Ivan Strasburg

Edited by: Jacques Gravett

"13 Reasons Why" The Smile at the End of the Dock | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Smile at the End of the Dock (2018)

Television Episode

Directed by: Eliza Hittman

Cinematography by: Cameron Duncan

Edited by: Sue Blainey

"13 Reasons Why" The Second Polaroid | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Second Polaroid (2018)

Television Episode

Directed by: Karen Moncrieff

Cinematography by: Cameron Duncan

Edited by: Philip Harrison

Blindspotting | ShotOnWhat?

First Assistant Camera: "b" Blindspotting (2018)

Directed by: Carlos López Estrada

Cinematography by: Robby Baumgartner

Edited by: Gabriel Fleming

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses: Panavision Primo Primes Spherical Lenses

"13 Reasons Why" The Chalk Machine | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Chalk Machine (2018)

Television Episode

Directed by: Eliza Hittman

Cinematography by: Cameron Duncan

Edited by: Sue Blainey

"13 Reasons Why" The Drunk Slut | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera '13 Reasons Why' The Drunk Slut (2018)

Television Episode

Directed by: Karen Moncrieff

Cinematography by: Cameron Duncan

Edited by: Philip Harrison

"13 Reasons Why" Tape 6, Side B | ShotOnWhat?

First Assistant Camera: "c" Cam '13 Reasons Why' Tape 6, Side B (2017)

Television Episode

Directed by: Jessica Yu

Cinematography by: Ivan Strasburg

Edited by: Matthew Ramsey

13 Reasons Why | ShotOnWhat?

First Assistant Camera: Additional B & C & D Camera / First Assistant Camera: "c" Cam - 11 Episodes, 2017-2018 13 Reasons Why (2017)

Television Series

Directed by: Jessica Yu, Kyle Patrick Alvarez, Gregg Araki, Michael Morris, Kevin Dowling, Carl Franklin, Tom McCarthy, Helen Shaver, Kat Candler, Eliza Hittman, Karen Moncrieff, Aurora Guerrero, Bronwen Hughes, John T. Kretchmer

Cinematography by: Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams

Edited by: Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Cameras: Panasonic VariCam 35

Lenses: Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Editing System: Avid Editing System

Steve Jobs | ShotOnWhat?

First Assistant B Camera Steve Jobs (2015)

Directed by: Danny Boyle

Cinematography by: Alwin H. Küchler

Edited by: Elliot Graham

Cameras: ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 416 Plus Camera, Red Epic Dragon Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Compact Prime Lenses, Zeiss Master Prime Lenses, Zeiss Standard Speed Prime Lenses

Editing System: Avid Editing System

Get on Up | ShotOnWhat?

First Assistant Camera Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Big Eyes | ShotOnWhat?

A Camera First Assistant: San Francisco Big Eyes (2014)

Directed by: Tim Burton

Cinematography by: Bruno Delbonnel

Edited by: JC Bond

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Editing System: Avid Editing System

The Internship | ShotOnWhat?

First Assistant Camera: San Francisco The Internship (2013)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: Dean Zimmerman

Cameras: ARRI ALEXA Plus Camera

Blue Jasmine | ShotOnWhat?

First Assistant Camera Blue Jasmine (2013)

Directed by: Woody Allen

Cinematography by: Javier Aguirresarobe

Edited by: Alisa Lepselter

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Master Prime Lenses

Editing System: Avid Editing System

Ender's Game | ShotOnWhat?

First Assistant Camera: "a" Camera Ender's Game (2013)

Directed by: Gavin Hood

Cinematography by: Donald McAlpine

Edited by: Lee Smith, Zach Staenberg

Cameras: Red Epic Camera

R.I.P.D. | ShotOnWhat?

First Assistant Camera R.I.P.D. (2013)

Directed by: Robert Schwentke

Cinematography by: Alwin H. Küchler

Edited by: Mark Helfrich

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Hemingway & Gellhorn | ShotOnWhat?

First Assistant Camera: "a" Camera Hemingway & Gellhorn (2012)

Television Movie

Directed by: Philip Kaufman

Cinematography by: Rogier Stoffers

Edited by: Walter Murch

Cameras: ARRI ALEXA Camera

Lenses: Fujinon Premier Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses

Editing System: Final Cut Pro Editing System

The Master | ShotOnWhat?

Additional First Assistant Camera The Master (2012)

Directed by: Paul Thomas Anderson

Cinematography by: Mihai Malaimare Jr.

Edited by: Leslie Jones, Peter McNulty

Cameras: Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision 65mm Prime Lenses

Editing System: Avid Editing System

The Five-Year Engagement | ShotOnWhat?

First Assistant Camera: "c" Camera, San Francisco The Five-Year Engagement (2012)

Directed by: Nicholas Stoller

Cinematography by: Javier Aguirresarobe

Edited by: William Kerr, Peck Prior

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

I Am Number Four | ShotOnWhat?

First Assistant Camera: "b" Camera I Am Number Four (2011)

Directed by: D.J. Caruso

Cinematography by: Guillermo Navarro

Edited by: Vince Filippone, Jim Page

Cameras: ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Thor | ShotOnWhat?

First Assistant Camera: "b" Camera Thor (2011)

Directed by: Kenneth Branagh

Cinematography by: Haris Zambarloukos

Edited by: Paul Rubell

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Standard Primes (SP) Lenses

Unthinkable | ShotOnWhat?

First Assistant Camera Unthinkable (2010)

Directed by: Gregor Jordan

Cinematography by: Oliver Stapleton

Edited by: Scott Chestnut

Love & Other Drugs | ShotOnWhat?

First Assistant Camera: "a" Camera Love & Other Drugs (2010)

Directed by: Edward Zwick

Cinematography by: Steven Fierberg

Edited by: Steven Rosenblum

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Anamorphic Lenses

Untraceable | ShotOnWhat?

First Assistant Camera: "a" Camera Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

Milk | ShotOnWhat?

First Assistant Camera: "a Camera Milk (2008)

Directed by: Gus Van Sant

Cinematography by: Harris Savides

Edited by: Elliot Graham

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Canon Scoopic 16 / 16M Camera

Lenses: Angenieux HR Zoom Lenses, Clairmont Anamorphic Lenses, Cooke S4 Lenses

Tropic Thunder | ShotOnWhat?

First Assistant Photographer: "b" Camera Tropic Thunder (2008)

Directed by: Ben Stiller

Cinematography by: John Toll

Edited by: Greg Hayden

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gone Baby Gone | ShotOnWhat?

First Assistant Camera: "a" Camera Gone Baby Gone (2007)

Directed by: Ben Affleck

Cinematography by: John Toll

Edited by: William Goldenberg

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Pursuit of Happyness | ShotOnWhat?

First Assistant Camera: "b" Camera The Pursuit of Happyness (2006)

Directed by: Gabriele Muccino

Cinematography by: Phedon Papamichael

Edited by: Hughes Winborne

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Bee Season | ShotOnWhat?

First Assistant Camera Bee Season (2005)

Directed by: Scott McGehee, David Siegel

Cinematography by: Giles Nuttgens

Edited by: Lauren Zuckerman

Rent | ShotOnWhat?

First Assistant Camera: San Francisco Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?

First Assistant Camera: "a" Camera The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Directed by: Andrew Adamson

Cinematography by: Donald McAlpine

Edited by: Sim Evan-Jones, Jim May

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Millennium Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

The Assassination of Richard Nixon | ShotOnWhat?

First Assistant Camera The Assassination of Richard Nixon (2004)

Directed by: Niels Mueller

Cinematography by: Emmanuel Lubezki

Edited by: Jay Cassidy

A Series of Unfortunate Events | ShotOnWhat?

First Assistant Camera: "b" Camera Lemony Snicket's A Series of Unfortunate Events (2004)

Directed by: Brad Silberling

Cinematography by: Emmanuel Lubezki

Edited by: Michael Kahn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Duplex | ShotOnWhat?

First Assistant Camera: "a" Camera Duplex (2003)

Directed by: Danny DeVito

Cinematography by: Anastas N. Michos

Edited by: Greg Hayden, Lynzee Klingman

Men in Black II | ShotOnWhat?

First Assistant Camera: New York Second Unit Men in Black II (2002)

Directed by: Barry Sonnenfeld

Cinematography by: Greg Gardiner

Edited by: Richard Pearson, Steven Weisberg

Cameras: Panavision Panaflex Millennium Camera, Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Primes Spherical Lenses

The Time Machine | ShotOnWhat?

First Assistant Camera The Time Machine (2002)

Directed by: Simon Wells

Cinematography by: Donald McAlpine

Edited by: Wayne Wahrman

Cameras: Panavision Panaflex Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

The Ring | ShotOnWhat?

First Assistant Camera: "b" Camera The Ring (2002)

Directed by: Gore Verbinski

Cinematography by: Bojan Bazelli

Edited by: Craig Wood

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Editing System: Final Cut Pro Editing System

Moulin Rouge! | ShotOnWhat?

Steadicam Operator / Focus Puller Moulin Rouge! (2001)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Millennium Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Serendipity | ShotOnWhat?

First Assistant Camera: San Francisco Serendipity (2001)

Directed by: Peter Chelsom

Cinematography by: John de Borman

Edited by: Christopher Greenbury

Bicentennial Man | ShotOnWhat?

First Assistant Camera: "a" Camera Bicentennial Man (1999)

Directed by: Chris Columbus

Cinematography by: Phil Meheux

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Man on the Moon | ShotOnWhat?

First Assistant Camera Man on the Moon (1999)

Directed by: Milos Forman

Cinematography by: Anastas N. Michos

Edited by: Adam Boome, Lynzee Klingman, Christopher Tellefsen

Stepmom | ShotOnWhat?

First Assistant Camera Stepmom (1998)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Neil Travis

What Dreams May Come | ShotOnWhat?

First Assistant Camera What Dreams May Come (1998)

Directed by: Vincent Ward

Cinematography by: Eduardo Serra

Edited by: David Brenner, Maysie Hoy

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Patch Adams | ShotOnWhat?

First Assistant Camera: "b" Camera Patch Adams (1998)

Directed by: Tom Shadyac

Cinematography by: Phedon Papamichael

Edited by: Don Zimmerman

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Mask of Zorro | ShotOnWhat?

First Assistant Camera: Second Unit The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

Starship Troopers | ShotOnWhat?

First Assistant Camera: "b" Camera, Second Unit Starship Troopers (1997)

Directed by: Paul Verhoeven

Cinematography by: Jost Vacano

Edited by: Mark Goldblatt, Caroline Ross

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 535 B Camera, Moviecam Compact Camera

Lenses: Zeiss Lenses

The Edge | ShotOnWhat?

First Assistant Camera The Edge (1997)

Directed by: Lee Tamahori

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Homeward Bound II: Lost in San Francisco | ShotOnWhat?

First Assistant Camera: San Francisco Homeward Bound II: Lost in San Francisco (1996)

Directed by: David R. Ellis

Cinematography by: Jack Conroy

Edited by: Peter E. Berger, Michael A. Stevenson

Romeo + Juliet | ShotOnWhat?

First Assistant Camera Romeo + Juliet (1996)

Directed by: Baz Luhrmann

Cinematography by: Donald McAlpine

Edited by: Jill Bilcock

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Jack | ShotOnWhat?

First Assistant Camera Jack (1996)

Directed by: Francis Ford Coppola

Cinematography by: John Toll

Edited by: Barry Malkin

Cameras: Panavision Cameras

Clear and Present Danger | ShotOnWhat?

First Assistant Camera Clear and Present Danger (1994)

Directed by: Phillip Noyce

Cinematography by: Donald McAlpine

Edited by: Neil Travis

Mrs. Doubtfire | ShotOnWhat?

First Assistant Camera: "b" Camera Mrs. Doubtfire (1993)

Directed by: Chris Columbus

Cinematography by: Donald McAlpine

Edited by: Raja Gosnell

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Lightworks Editing System

Jurassic Park | ShotOnWhat?

Assistant Camera: Plate Photography Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

The Doors | ShotOnWhat?

Plate Camera Assistant: ILM The Doors (1991)

Directed by: Oliver Stone

Cinematography by: Robert Richardson

Edited by: David Brenner, Joe Hutshing

Hook | ShotOnWhat?

Camera Department Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Hudson Hawk | ShotOnWhat?

Camera Assistant: ILM Hudson Hawk (1991)

Directed by: Michael Lehmann

Cinematography by: Dante Spinotti

Edited by: Chris Lebenzon, Michael Tronick

Terminator 2: Judgment Day | ShotOnWhat?

Plate Photography: ILM Terminator 2: Judgment Day (1991)

Directed by: James Cameron

Cinematography by: Adam Greenberg

Edited by: Conrad Buff IV, Dody Dorn, Mark Goldblatt, Richard A. Harris

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Varotal Lenses, Zeiss Super Speed Lenses

Back to the Future Part III | ShotOnWhat?

Assistant Camera Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Joe Versus the Volcano | ShotOnWhat?

Visual Effects Camera Assistant Joe Versus the Volcano (1990)

Directed by: John Patrick Shanley

Cinematography by: Stephen Goldblatt

Edited by: Richard Halsey, Kenneth Wannberg

Always | ShotOnWhat?

Visual Effects Camera Assistant Always (1989)

Directed by: Steven Spielberg

Cinematography by: Mikael Salomon

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Caddyshack II | ShotOnWhat?

First Camera Assistant: ILM Caddyshack II (1988)

Directed by: Allan Arkush

Cinematography by: Harry Stradling Jr.

Edited by: Bernard Gribble

Cameras: Panavision Cameras

The Witches of Eastwick | ShotOnWhat?

Camera Assistant: ILM The Witches of Eastwick (1987)

Directed by: George Miller

Cinematography by: Vilmos Zsigmond

Edited by: Hubert de La Bouillerie, Richard Francis-Bruce

The Golden Child | ShotOnWhat?

Assistant Camera Operator: ILM The Golden Child (1986)

Directed by: Michael Ritchie

Cinematography by: Donald E. Thorin

Edited by: Richard A. Harris

Young Sherlock Holmes | ShotOnWhat?

Assistant Cameraman: ILM Young Sherlock Holmes (1985)

Directed by: Barry Levinson

Cinematography by: Stephen Goldblatt

Edited by: Stu Linder

Explorers | ShotOnWhat?

Visual Effects Assistant Camera Explorers (1985)

Directed by: Joe Dante

Cinematography by: John Hora

Edited by: Tina Hirsch

Cameras: Panavision Cameras

Star Wars: Episode VI - Return of the Jedi | ShotOnWhat?

Assistant Cameraman: ILM Star Wars: Episode VI - Return of the Jedi (1983)

Directed by: Richard Marquand

Cinematography by: Alan Hume, Alec Mills

Edited by: Sean Barton, T.M. Christopher, Duwayne Dunham, Marcia Lucas, George Lucas

Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 35 IIC Camera, ARRIFLEX 35 III Camera

Lenses: Cooke Varotal Lenses, Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses

Human Highway | ShotOnWhat?

Runner: Dream Sequence Human Highway (1982)

Directed by: Dean Stockwell, Neil Young

Cinematography by: David Myers

Edited by: James Beshears

Cameras: Panavision Cameras

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