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Skyscraper | ShotOnWhat?
Compositor: Revolt 33 Studios Skyscraper  (2018)
Directed by: Rawson Marshall Thurber
Cinematography by: Robert Elswit
Edited by: Julian Clarke, Michael L. Sale
Cameras: , ,
Lenses: , , ,
Ghostbusters | ShotOnWhat?
Digital Compositor Ghostbusters  (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Edited by: Melissa Bretherton, Brent White
Cameras:
Lenses: ,
Deadpool | ShotOnWhat?
Digital Compositor Deadpool  (2016)
Directed by: Tim Miller
Cinematography by: Ken Seng
Edited by: Julian Clarke
Cameras:
Lenses:
Editing System:
Spy | ShotOnWhat?
Digital Compositor Spy  (2015)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Edited by: Melissa Bretherton, Brent White
Cameras:
Chappie | ShotOnWhat?
Digital Compositor Chappie  (2015)
Directed by: Neill Blomkamp
Cinematography by: Trent Opaloch
Edited by: Julian Clarke, Mark Goldblatt
Cameras: , , , ,
Lenses: , ,
300: Rise of an Empire | ShotOnWhat?
Digital Compositor 300: Rise of an Empire  (2014)
Directed by: Noam Murro
Cinematography by: Simon Duggan
Edited by: David Brenner, Wyatt Smith
Cameras:
Lenses: ,
Grown Ups 2 | ShotOnWhat?
Visual Effects Supervisor Grown Ups 2  (2013)
Directed by: Dennis Dugan
Cinematography by: Theo van de Sande
Edited by: Tom Costain
Cameras:
Lenses:
Snow White and the Huntsman | ShotOnWhat?
Lead Compositor Snow White and the Huntsman  (2012)
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Edited by: Conrad Buff IV, Neil Smith
Cameras: , , , , ,
Lenses: , , , ,
X: First Class | ShotOnWhat?
Digital Compositor X: First Class  (2011)
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Edited by: Eddie Hamilton, Lee Smith
Cameras:
Lenses: , , , , ,
Hop | ShotOnWhat?
Digital Compositor Hop  (2011)
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot, Gregory Perler
Cameras: ,
Lenses:
Alvin and the Chipmunks: Chipwrecked | ShotOnWhat?
Lead Compositor Alvin and the Chipmunks: Chipwrecked  (2011)
Directed by: Mike Mitchell
Cinematography by: Thomas E. Ackerman
Edited by: Peter Amundson
Cameras: , ,
Lenses:
Yogi Bear | ShotOnWhat?
Lead Compositor Yogi Bear  (2010)
Directed by: Eric Brevig
Cinematography by: Peter James
Edited by: Kent Beyda
Cameras: , ,
Hot Tub Time Machine | ShotOnWhat?
Digital Compositor Hot Tub Time Machine  (2010)
Directed by: Steve Pink
Cinematography by: Jack N. Green
Edited by: George Folsey Jr., James Thomas
Cameras:
Alvin and the Chipmunks: The Squeakquel | ShotOnWhat?
Digital Compositor Alvin and the Chipmunks: The Squeakquel  (2009)
Directed by: Betty Thomas
Cinematography by: Anthony B. Richmond
Edited by: Matt Friedman
Cameras: , ,
Lenses:
Land of the Lost | ShotOnWhat?
Digital Compositor Land of the Lost  (2009)
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras:
Cirque du Freak: The Vampire's Assistant | ShotOnWhat?
Digital Compositor Cirque du Freak: The Vampire's Assistant  (2009)
Directed by: Paul Weitz
Cinematography by: James M. Muro
Edited by: Leslie Jones
The Incredible Hulk | ShotOnWhat?
Lead Compositor The Incredible Hulk  (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Edited by: Rick Shaine, Vincent Tabaillon, John Wright
Cameras: , , ,
Editing System:
The Kingdom | ShotOnWhat?
Digital Compositor The Kingdom  (2007)
Directed by: Peter Berg
Cinematography by: Mauro Fiore
Edited by: Colby Parker Jr., Kevin Stitt
The Golden Compass | ShotOnWhat?
Compositing Lead: Rhythm & Hues The Golden Compass  (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Edited by: Anne V. Coates, Peter Honess, Kevin Tent
Cameras: , , ,
Lenses:
The Fast and the Furious: Tokyo Drift | ShotOnWhat?
Compositor: Rhythm & Hues The Fast and the Furious: Tokyo Drift  (2006)
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Edited by: Kelly Matsumoto, Dallas Puett, Fred Raskin
Happy Feet | ShotOnWhat?
Digital Compositor Happy Feet  (2006)
Directed by: George Miller, Warren Coleman, Judy Morris
Cinematography by: David Peers
Edited by: Christian Gazal, Margaret Sixel
Editing System:
Superman Returns | ShotOnWhat?
Digital Compositor Superman Returns  (2006)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: Elliot Graham, John Ottman
Cameras:
Lenses:
Editing System: ,
The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | ShotOnWhat?
Compositing Lead: Rhythm & Hues The Chronicles of Narnia: The Lion, the Witch and the Wardrobe  (2005)
Directed by: Andrew Adamson
Cinematography by: Donald McAlpine
Edited by: Sim Evan-Jones, Jim May
Cameras: , ,
Lenses:
Editing System:
Friday Night Lights | ShotOnWhat?
Digital Compositor Friday Night Lights  (2004)
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Edited by: Gabrielle Fasulo, Colby Parker Jr., Susan Rash, David Rosenbloom
Around the World in 80 Days | ShotOnWhat?
Digital Compositor Around the World in 80 Days  (2004)
Directed by: Frank Coraci
Cinematography by: Phil Meheux
Edited by: Tom Lewis
Cameras:
Lenses:
The Chronicles of Riddick | ShotOnWhat?
Digital Compositor The Chronicles of Riddick  (2004)
Directed by: David Twohy
Cinematography by: Hugh Johnson
Edited by: Tracy Adams, Martin Hunter, Dennis Virkler
Daredevil | ShotOnWhat?
Digital Compositor Daredevil  (2003)
Directed by: Mark Steven Johnson
Cinematography by: Ericson Core
Edited by: Armen Minasian, Dennis Virkler
The Cat in the Hat | ShotOnWhat?
Digital Compositor The Cat in the Hat  (2003)
Directed by: Bo Welch
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Cameras: ,
Lenses:
Editing System:
X2 | ShotOnWhat?
Compositor: Rhythm & Hues X2: X-Men United  (2003)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Edited by: Elliot Graham, John Ottman
Scooby-Doo | ShotOnWhat?
Compositor: Rhythm + Hues Scooby-Doo  (2002)
Directed by: Raja Gosnell
Cinematography by: David Eggby
Edited by: Kent Beyda
Cameras:
Battlefield Earth | ShotOnWhat?
Digital Compositor: Rhythm & Hues Battlefield Earth  (2000)
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Bedazzled | ShotOnWhat?
Digital Compositor Bedazzled  (2000)
Directed by: Harold Ramis
Cinematography by: Bill Pope
Edited by: Craig Herring
The 6th Day | ShotOnWhat?
Digital Compositor: Rhythm & Hues The 6th Day  (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Edited by: Michel Arcand, Mark Conte, Dominique Fortin
Mystery Men | ShotOnWhat?
Paint Artist: Rhythm & Hues Mystery Men  (1999)
Directed by: Kinka Usher
Cinematography by: Stephen H. Burum
Edited by: Conrad Buff IV
End of Days | ShotOnWhat?
Digital Compositor End of Days  (1999)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Jeff Gullo, Steven Kemper
Cameras:
Lenses:
Editing System:
The Astronaut's Wife | ShotOnWhat?
Digital Compositor The Astronaut's Wife  (1999)
Directed by: Rand Ravich
Cinematography by: Allen Daviau
Edited by: Timothy Alverson, Steve Mirkovich
The X Files | ShotOnWhat?
Digital Compositor: Blue Sky/VIFX The X Files  (1998)
Directed by: Rob Bowman
Cinematography by: Ward Russell
Edited by: Stephen Mark
Firestorm | ShotOnWhat?
Digital Compositor Firestorm  (1998)
Directed by: Dean Semler
Cinematography by: Stephen F. Windon
Edited by: Jack Hofstra
Star Trek: Insurrection | ShotOnWhat?
Digital Compositor Star Trek: Insurrection  (1998)
Directed by: Jonathan Frakes
Cinematography by: Matthew F. Leonetti
Edited by: Peter E. Berger
Cameras:
Lenses:
Face/Off | ShotOnWhat?
Digital Compositor Face/Off  (1997)
Directed by: John Woo
Cinematography by: Oliver Wood
Edited by: Steven Kemper, Christian Wagner
Cameras:
Lenses:
Editing System:
Volcano | ShotOnWhat?
Digital Compositor Volcano  (1997)
Directed by: Mick Jackson
Cinematography by: Theo van de Sande
Edited by: Don Brochu, Michael Tronick
Out to Sea | ShotOnWhat?
Digital Compositor Out to Sea  (1997)
Directed by: Martha Coolidge
Cinematography by: Lajos Koltai
Edited by: Anne V. Coates
Titanic | ShotOnWhat?
Digital Artist: VIFX Titanic  (1997) oscar-icon
Directed by: James Cameron
Cinematography by: Russell Carpenter
Edited by: Conrad Buff IV, James Cameron, Richard A. Harris
Cameras: ,
Lenses:
James and the Giant Peach | ShotOnWhat?
Rotoscope And Animation James and the Giant Peach  (1996)
Directed by: Henry Selick
Cinematography by: Pete Kozachik, Hiro Narita
Edited by: Stan Webb
Jingle All the Way | ShotOnWhat?
Digital Compositor: VIFX Jingle All the Way  (1996)
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Edited by: Kent Beyda, Wilt Henderson, Adam Weiss
Braveheart | ShotOnWhat?
Rotoscope And Animation Braveheart  (1995) oscar-icon
Directed by: Mel Gibson
Cinematography by: John Toll
Edited by: Steven Rosenblum
Cameras:
Lenses: ,
Editing System:
Dead Man | ShotOnWhat?
Rotoscope And Animation Dead Man  (1995)
Directed by: Jim Jarmusch
Cinematography by: Robby Müller
Edited by: Jay Rabinowitz
True Lies | ShotOnWhat?
Digital Compositor True Lies  (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Edited by: Conrad Buff IV, Mark Goldblatt, Richard A. Harris, James Cameron
Cameras: , ,
Lenses: ,
Demolition Man | ShotOnWhat?
Rotoscope And Animation Demolition Man  (1993)
Directed by: Marco Brambilla
Cinematography by: Alex Thomson
Edited by: Stuart Baird
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