Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Eddie Hamilton
Cameras: Sony CineAlta VENICE Camera
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA 65 Camera
Directed by: Gareth Edwards
Cinematography by: Greig Fraser
Cameras: ARRI ALEXA 65 Camera
Lenses: Panavision APO Panatar Lenses
Editing System: Avid Editing System
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Cinematography by: Renato Falcão
Directed by: Colin Trevorrow
Cinematography by: John Schwartzman
Edited by: Kevin Stitt
Directed by: Sam Taylor-Johnson
Cinematography by: Seamus McGarvey
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Brad Bird
Cinematography by: Claudio Miranda
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Dean Zimmerman
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Directed by: Chris Wedge
Cinematography by: Renato Falcão
Edited by: Andy Keir
Directed by: Don Scardino
Cinematography by: Matthew Clark
Edited by: Lee Haxall
Cinematography by: Renato Falcão
Directed by: Barry Sonnenfeld
Cinematography by: Bill Pope
Edited by: Don Zimmerman
Directed by: Jay Roach
Cinematography by: Jim Denault
Cameras: ARRI ALEXA Camera
Directed by: Brad Bird
Cinematography by: Robert Elswit
Edited by: Paul Hirsch
Cameras: ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: Panavision Cameras
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Directed by: Mikael Håfström
Cinematography by: Ben Davis
Edited by: David Rosenbloom
Directed by: Shawn Levy
Cinematography by: Mauro Fiore
Edited by: Dean Zimmerman
Cameras: Sony CineAlta F35 Camera
Lenses: Cooke Lenses, Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Mike Elias
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Directed by: Phillip Noyce
Cinematography by: Robert Elswit
Edited by: Mike Elias
Directed by: George Tillman Jr.
Cinematography by: Michael Grady
Edited by: Dirk Westervelt
Edited by: Mike Elias
Directed by: Michael Lembeck
Cinematography by: David Tattersall
Edited by: David Finfer
Edited by: Mike Elias
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Directed by: Gabriele Muccino
Cinematography by: Philippe Le Sourd
Edited by: Hughes Winborne
Cameras: Panavision Cameras
Directed by: Peyton Reed
Cinematography by: Robert D. Yeoman
Edited by: Craig Alpert
Cameras: Panavision Cameras
Directed by: Scott Derrickson
Cinematography by: David Tattersall
Edited by: Wayne Wahrman
Cameras: Panavision Cameras
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Nicholas Stoller
Cinematography by: Russ T. Alsobrook
Edited by: William Kerr
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Edited by: Mike Elias
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Ridley Scott
Cinematography by: Alexander Witt
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Directed by: Robert Zemeckis
Cinematography by: Robert Presley
Edited by: Jeremiah O'Driscoll
Directed by: Steve Carr
Cinematography by: Jack N. Green
Edited by: Craig Herring
Directed by: David Silverman
Edited by: John Carnochan
Editing System: Final Cut Pro Editing System
Directed by: Stephen Hopkins
Cinematography by: Peter Levy
Edited by: Colby Parker Jr.
Directed by: Tom Shadyac
Cinematography by: Ian Baker
Edited by: Scott Hill
Cameras: Panavision Cameras
Editing System: Lightworks Editing System
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Directed by: Mike Nichols
Cinematography by: Stephen Goldblatt
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Gary Winick
Cinematography by: Seamus McGarvey
Cinematography by: David Peers
Editing System: Final Cut Pro Editing System
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Directed by: Michael Lembeck
Cinematography by: Robbie Greenberg
Edited by: David Finfer
Directed by: Jared Hess
Cinematography by: Xavier Grobet
Edited by: Billy Weber
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Directed by: Tim Story
Cinematography by: Oliver Wood
Edited by: William Hoy
Directed by: Peter Jackson
Cinematography by: Andrew Lesnie
Edited by: Jamie Selkirk
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, Mitchell Cameras
Editing System: Avid Editing System
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Directed by: Francis Lawrence
Cinematography by: Philippe Rousselot
Edited by: Wayne Wahrman
Directed by: Stephen Sommers
Cinematography by: Allen Daviau
Editing System: Avid Editing System
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Directed by: Alex Proyas
Cinematography by: Simon Duggan
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera, Photo-Sonics 35mm-4ER Camera
Lenses: Cooke S4 Lenses, Zeiss Ultra Prime Lenses
Directed by: Robert Zemeckis
Directed by: Joe Roth
Cinematography by: Don Burgess
Edited by: Nick Moore
Directed by: P.J. Hogan
Cinematography by: Donald McAlpine
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Directed by: Troy Miller
Cinematography by: Anthony B. Richmond
Edited by: Lawrence Jordan
Directed by: McG
Cinematography by: Russell Carpenter
Edited by: Wayne Wahrman
Directed by: Jon Amiel
Cinematography by: John Lindley
Edited by: Terry Rawlings
Directed by: Jonathan Mostow
Cinematography by: Don Burgess
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Cinematography by: Bill Pope
Edited by: Zach Staenberg
Directed by: Jay Roach
Cinematography by: Peter Deming
Directed by: Marita Grabiak
Cinematography by: David Boyd
Edited by: John Peter Bernardo
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Directed by: Michael Lembeck
Cinematography by: Adam Greenberg
Edited by: David Finfer
Directed by: Joss Whedon, Vern Gillum, Tim Minear, James A. Contner, Vondie Curtis-Hall, Marita Grabiak, Michael Grossman, Allan Kroeker, David Solomon, Thomas J. Wright
Cinematography by: David Boyd
Cameras: Panavision Panaflex Gold II Camera
Lenses: Panavision Super Speed Lenses
Directed by: Keenen Ivory Wayans
Cinematography by: Steven Bernstein
Directed by: John Moore
Cinematography by: Brendan Galvin
Edited by: Paul Martin Smith
Directed by: Brian Levant
Cinematography by: Jamie Anderson
Edited by: Kent Beyda
Directed by: Jay Roach
Cinematography by: Ueli Steiger
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: James Purdum, Peter Shin, Dominic Bianchi, Pete Michels, John Holmquist, Greg Colton, Brian Iles, Julius Wu, Jerry Langford, Joseph Lee, Joe Vaux, Mike Kim, Roy Allen Smith, Dan Povenmire, Steve Robertson, Cyndi Tang, Dominic Polcino, Bob Bowen, Michael Dante DiMartino, Zac Moncrief, Bert Ring, Steve Beers, Monte Young, Scott Wood, Sarah Frost, Gavin Dell, Glen Hill, Brian Hogan, Kurt Dumas, Seth Kearsley, Chuck Klein, Neil Affleck, Rob Renzetti, Jack Dyer, Bob Jaques, Jeff Myers, Swinton O. Scott III, Andi Klein, Chris Robertson, Seth MacFarlane
Directed by: John Gray
Cinematography by: Rick Bota
Edited by: Donn Cambern
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Directed by: Tamra Davis
Cinematography by: Victor Hammer
Cinematography by: Mark Irwin
Edited by: Christopher Greenbury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: John Pasquin
Cinematography by: Walt Lloyd
Edited by: Larry Bock
Directed by: Penny Marshall
Cinematography by: Barry Sonnenfeld
Edited by: Barry Malkin