Jeannette Maher-Manifold » ShotOnWhat? Movies & Television

Jeannette Maher-Manifold 11 Titles

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Top Gun: Maverick | ShotOnWhat?

Production And Technical Support: Method Studios Top Gun: Maverick (2022)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Eddie Hamilton

Cameras: Sony CineAlta VENICE Camera

Lenses: Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Skyscraper | ShotOnWhat?

Studio Support: Iloura Skyscraper (2018)

Directed by: Rawson Marshall Thurber

Cinematography by: Robert Elswit

Edited by: Julian Clarke, Michael L. Sale

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Outlaw King | ShotOnWhat?

General Manager: Method Studios Outlaw King (2018)

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Bright | ShotOnWhat?

General Manager: Iloura Bright (2017)

Directed by: David Ayer

Cinematography by: Roman Vasyanov

Edited by: Aaron Brock, Geoffrey O'Brien, Michael Tronick

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Series Cameras, ARRI Cameras

Lenses: Panavision Lenses

Spider-Man: Homecoming | ShotOnWhat?

Visual Effects Executive Producer: Iloura Spider-Man: Homecoming (2017)

Directed by: Jon Watts

Cinematography by: Salvatore Totino

Edited by: Debbie Berman, Dan Lebental

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera

Lenses: Angenieux Lenses, Cooke S4/i Lenses

Ghost in the Shell | ShotOnWhat?

General Manager: Method Studios Ghost in the Shell (2017)

Directed by: Rupert Sanders

Cinematography by: Jess Hall

Edited by: Billy Rich, Neil Smith

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera

Lenses: Leitz Summilux-C Series Lenses, Panavision Sphero 65 65SP100 100mm T2.0 Lens, Panavision Sphero 65 65SP40 40mm T2.8 Lens, Panavision Sphero 65 65SP50 50mm T2.0 Lens, Panavision Sphero 65 65SP75 75mm T2.0 Lens

John Wick: Chapter 2 | ShotOnWhat?

Visual Effects General Manager: Iloura - Sydney John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Gods of Egypt | ShotOnWhat?

General Manager: Iloura Gods of Egypt (2016)

Directed by: Alex Proyas

Cinematography by: Peter Menzies Jr.

Edited by: Richard Learoyd

Cameras: Red Epic Dragon Camera

Lenses: Panavision Primo 70 Lenses

Ghostbusters | ShotOnWhat?

Vfx Producer: Iloura Ghostbusters (2016)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Melissa Bretherton, Brent White

Cameras: ARRI ALEXA XT Camera

Lenses: Fujinon Premier ZK Cabrio PL Compact Lenses, Zeiss Master Prime Lenses

Happy Feet | ShotOnWhat?

Effects Production Coordinator Happy Feet (2006)

Directed by: George Miller, Warren Coleman, Judy Morris

Cinematography by: David Peers

Edited by: Christian Gazal, Margaret Sixel

Editing System: Final Cut Pro Editing System

Anastasia | ShotOnWhat?

Compositing Supervisor Anastasia (1997)

Directed by: Don Bluth, Gary Goldman

Edited by: Bob Bender, Fiona Trayler

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