Directed by: Greta Gerwig
Cinematography by: Rodrigo Prieto
Edited by: Nick Houy
Cameras: ARRI ALEXA 65 Camera
TV Series
Directed by: Matt Shakman
Cinematography by: Jess Hall
Edited by: Nona Khodai
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Bell & Howell 2709 Camera, Phantom Flex4K Camera, Sony CineAlta VENICE Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Cooke Speed Panchro Lenses, Panavision T Series Anamorphic Lenses
Editing System: Lightworks Editing System
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: Aaton A-Minima Camera, ARRIFLEX Camera, Bolex Cameras, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision Lenses
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: John Gilroy
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Directed by: James Gray
Cinematography by: Darius Khondji
Directed by: Daniel Espinosa
Cinematography by: Oliver Wood
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk Anamorphic Lenses
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Directed by: Gavin O'Connor
Cinematography by: Mandy Walker
Edited by: Alan Cody
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Robert Stromberg
Cinematography by: Dean Semler
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Tommy Lee Jones
Cinematography by: Rodrigo Prieto
Edited by: Roberto Silvi
Cameras: ARRICAM Lite (LT) Camera, Sony PMW-F55 Camera
Directed by: Wes Ball
Cinematography by: Enrique Chediak
Edited by: Dan Zimmerman
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Richard LaGravenese
Cinematography by: Philippe Rousselot
Edited by: David Moritz
Directed by: Louis Leterrier
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Directed by: David O. Russell
Cinematography by: Linus Sandgren
Directed by: Joon-ho Bong
Cinematography by: Kyung-pyo Hong
Directed by: Terrence Malick
Cinematography by: Emmanuel Lubezki
Lenses: Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Directed by: Ben Affleck
Cinematography by: Rodrigo Prieto
Edited by: William Goldenberg
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: Cameron Crowe
Cinematography by: Rodrigo Prieto
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Angelina Jolie
Cinematography by: Dean Semler
Edited by: Patricia Rommel
Directed by: Francis Lawrence
Cinematography by: Rodrigo Prieto
Edited by: Alan Edward Bell
Editing System: Avid Editing System
Directed by: Rupert Wyatt
Cinematography by: Andrew Lesnie
Cameras: ARRICAM Lite (LT) Camera
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Editing System: Avid Editing System
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: John Wells
Cinematography by: Roger Deakins
Edited by: Robert Frazen
Directed by: Ryan Murphy
Cinematography by: Robert Richardson
Edited by: Bradley Buecker
Editing System: Final Cut Pro Editing System
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Directed by: Shawn Levy
Cinematography by: Dean Semler
Edited by: Dean Zimmerman
Cameras: Panavision Genesis Camera
Directed by: M. Night Shyamalan
Cinematography by: Andrew Lesnie
Edited by: Conrad Buff IV
Directed by: Tom Dey
Cinematography by: Greg Gardiner
Edited by: Don Zimmerman
Directed by: Miguel Sapochnik
Cinematography by: Enrique Chediak
Edited by: Richard Francis-Bruce
Directed by: Joe Carnahan
Cinematography by: Mauro Fiore
Directed by: Burr Steers
Cinematography by: Enrique Chediak
Edited by: Padraic McKinley
Lenses: Hawk V-Series Lenses
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Directed by: Julie Taymor
Cinematography by: Stuart Dryburgh
Edited by: Françoise Bonnot
Cameras: ARRICAM Lite (LT) Camera
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Jay Roach
Cinematography by: Jim Denault
Editing System: Avid Editing System
Directed by: Kevin Macdonald
Cinematography by: Rodrigo Prieto
Edited by: Justine Wright
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Paul Tothill
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Lightworks Editing System
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Directed by: Carter Smith
Cinematography by: Darius Khondji
Edited by: Jeff Betancourt
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Directed by: George C. Wolfe
Cinematography by: Affonso Beato
Edited by: Brian A. Kates
Directed by: Denzel Washington
Cinematography by: Philippe Rousselot
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Directed by: Neil Jordan
Cinematography by: Philippe Rousselot
Edited by: Tony Lawson
Cameras: Panavision Panaflex Camera
Directed by: Francis Lawrence
Cinematography by: Andrew Lesnie
Edited by: Wayne Wahrman
Cameras: Pan-Arri 235 Camera, Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Angenieux Lenses
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Directed by: Sofia Coppola
Cinematography by: Lance Acord
Edited by: Sarah Flack
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Directed by: Oliver Stone
Cinematography by: Rodrigo Prieto
Directed by: Jean-Jacques Annaud
Cinematography by: Jean-Marie Dreujou
Edited by: Noëlle Boisson
Directed by: Jan Kounen
Cinematography by: Tetsuo Nagata
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Directed by: Bernardo Bertolucci
Cinematography by: Fabio Cianchetti
Edited by: Jacopo Quadri
Directed by: Jean-Paul Rappeneau
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
Cameras: Panavision Cameras
Directed by: Antoine de Caunes
Cinematography by: Pierre Aïm
Edited by: Joële Van Effenterre
Cameras: ARRIFLEX 535 B Camera
Lenses: Cooke S4 Lenses
Directed by: Olivier Megaton
Cinematography by: Denis Rouden
Directed by: Shekhar Kapur
Cinematography by: Robert Richardson
Edited by: Steven Rosenblum
Directed by: Roman Polanski
Cinematography by: Pawel Edelman
Edited by: Hervé de Luze
Directed by: Jean-Pierre Jeunet
Cinematography by: Bruno Delbonnel
Edited by: Hervé Schneid
Lenses: Zeiss Ultra Prime Lenses
Directed by: Christophe Gans
Cinematography by: Dan Laustsen
Directed by: Mathieu Kassovitz
Cinematography by: Thierry Arbogast
Edited by: Maryline Monthieux
Directed by: Bertrand Blier
Cinematography by: François Catonné
Edited by: Claudine Merlin
Cameras: Panavision Panaflex Platinum Camera
Directed by: Lars von Trier
Cinematography by: Robby Müller
Cameras: Sony DSR-PD100 Camera, Sony DSR-PD150 Camera
Directed by: Danny Boyle
Cinematography by: Darius Khondji
Edited by: Masahiro Hirakubo
Cameras: ARRIFLEX 235 Camera
Directed by: Patrice Leconte
Cinematography by: Jean-Marie Dreujou
Edited by: Joëlle Hache
Directed by: Roman Polanski
Cinematography by: Darius Khondji
Edited by: Hervé de Luze
Directed by: Luc Besson
Cinematography by: Thierry Arbogast
Edited by: Sylvie Landra
Directed by: Neil Jordan
Cinematography by: Darius Khondji
Edited by: Tony Lawson
Directed by: Robert Redford
Cinematography by: Robert Richardson
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Directed by: Patrice Chéreau
Cinematography by: Eric Gautier
Edited by: François Gédigier
Directed by: Walter Salles
Cinematography by: Walter Carvalho
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: James Haygood
Directed by: Jean-Pierre Jeunet
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Directed by: Nick Cassavetes
Cinematography by: Thierry Arbogast
Edited by: Petra von Oelffen
Directed by: Jan Kounen
Cinematography by: Michel Amathieu
Directed by: Bernardo Bertolucci
Cinematography by: Darius Khondji
Edited by: Pietro Scalia
Directed by: Patrice Leconte
Cinematography by: Thierry Arbogast
Edited by: Joëlle Hache
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Directed by: Lawrence Kasdan
Cinematography by: Owen Roizman
Edited by: Joe Hutshing
Cameras: Panavision Panaflex Camera
Directed by: David Fincher
Cinematography by: Darius Khondji
Edited by: Richard Francis-Bruce
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Directed by: Philippe Lioret
Cinematography by: Thierry Arbogast
Edited by: Laurent Quaglio
Directed by: Emir Kusturica
Cinematography by: Vilko Filac
Cameras: Panavision Cameras
Directed by: Roman Polanski
Cinematography by: Tonino Delli Colli
Edited by: Hervé de Luze
Cinematography by: Darius Khondji
Edited by: Hervé Schneid
Directed by: Jacques Doillon
Cinematography by: William Lubtchansky
Edited by: Catherine Quesemand
Directed by: Stephen Frears
Cinematography by: Philippe Rousselot
Edited by: Mick Audsley
Cameras: Moviecam 3N Camera
Lenses: Angenieux Lenses, Zeiss Super Speed Lenses
Directed by: Jean-Jacques Annaud
Cinematography by: Philippe Rousselot
Edited by: Noëlle Boisson
Directed by: Luc Besson
Cinematography by: Carlo Varini
Edited by: Olivier Mauffroy
Directed by: Roman Polanski
Cinematography by: Witold Sobocinski
Edited by: Sam O'Steen
Cameras: Moviecam Cameras
Directed by: Régis Wargnier
Cinematography by: François Catonné
Edited by: Noëlle Boisson