Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Michele Conroy
Cameras: Red Epic Camera
Editing System: Avid Editing System
Directed by: Guillermo del Toro
Cinematography by: Guillermo Navarro
Cameras: Red Epic Camera
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Directed by: Michael Dowse
Cinematography by: Bobby Shore
Edited by: Reginald Harkema
Cameras: Red One MX Camera
Directed by: Paul W.S. Anderson
Cinematography by: Glen MacPherson
Edited by: Niven Howie
Editing System: Avid Editing System
Directed by: Paul Haggis
Cinematography by: Stéphane Fontaine
Edited by: Jo Francis
Directed by: Troy Duffy
Cinematography by: Miroslaw Baszak
Directed by: Dominic Sena
Cinematography by: Christopher Soos
Edited by: Martin Hunter
Directed by: Stuart Gillard
Cinematography by: Bruce Chun
Edited by: Robin Russell
Directed by: Paul W.S. Anderson
Cinematography by: Scott Kevan
Edited by: Niven Howie
Directed by: Howard McCain
Cinematography by: Pierre Gill
Edited by: David Dodson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System
Directed by: Jean-François Richet
Cinematography by: Robert Gantz
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Cinematography by: Stefan Czapsky
Edited by: Richard Pearson
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Directed by: Darren Aronofsky
Cinematography by: Matthew Libatique
Edited by: Jay Rabinowitz
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: William Hoy
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera, Photo-Sonics 35mm-4ER Camera
Editing System: Final Cut Pro Editing System
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Adam Shankman
Cinematography by: Peter James
Edited by: Christopher Greenbury
Directed by: Charles Binamé
Cinematography by: Pierre Gill
Edited by: Michel Arcand
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Directed by: D.J. Caruso
Cinematography by: Amir Mokri
Edited by: Anne V. Coates
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Directed by: Richard Donner
Cinematography by: Caleb Deschanel
Edited by: Richard Marks
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Nicholas Beauman
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
Directed by: David Anspaugh
Cinematography by: Johnny E. Jensen
Edited by: Christopher Cibelli
Directed by: John McTiernan
Cinematography by: Steve Mason
Directed by: Robert Mandel
Cinematography by: Claudio Chea
Edited by: Michael D. Ornstein
Directed by: David Mamet
Cinematography by: Robert Elswit
Edited by: Barbara Tulliver
Directed by: Roger Christian
Cinematography by: Giles Nuttgens
Edited by: Robin Russell
Directed by: François Girard
Cinematography by: Alain Dostie
Edited by: Gaétan Huot
Directed by: Keith Gordon
Cinematography by: Tom Richmond
Edited by: Jay Rabinowitz