Directed by: Andy Goddard
TV Series
Directed by: Mimi Leder, Tucker Gates, David Frankel, Stacie Passon, Kevin Bray, Roxann Dawson, Michelle MacLaren, Lynn Shelton, Miguel Arteta, Lesli Linka Glatter, Victoria Mahoney, Rachel Morrison, Jessica Yu, Thomas Carter, Jennifer Getzinger, Millicent Shelton
Cinematography by: David Lanzenberg, Michael Grady, John Grillo, Tami Reiker, John Brawley, Jeffrey Waldron
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Mini Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Red Digital Cinema Cameras
Editing System: Lightworks Editing System
Directed by: James Gray
Cinematography by: Hoyte Van Hoytema
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Directed by: Shawn Levy
Cinematography by: Lachlan Milne
Directed by: Uta Briesewitz
Directed by: Patty Jenkins
Cinematography by: Matthew Jensen
Edited by: Martin Walsh
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex4K Camera
Lenses: ARRI Rental Prime 65 Lenses
Directed by: Guy Ritchie
Cinematography by: John Mathieson
Edited by: James Herbert
Cameras: ARRI ALEXA XT Camera
Cinematography by: Tim Ives
Edited by: Nat Fuller
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Kevin D. Ross
Directed by: Shawn Levy
Cinematography by: Tod Campbell
Edited by: Nat Fuller
Directed by: Rebecca Thomas
Cinematography by: David Franco
Edited by: Katheryn Naranjo
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Directed by: Jeff Nichols
Cinematography by: Adam Stone
Edited by: Julie Monroe
Directed by: David Mackenzie
Cinematography by: Giles Nuttgens
Edited by: Jake Roberts
Cameras: ARRI ALEXA XT Studio Camera
Directed by: Matt Duffer, Ross Duffer, Shawn Levy, Andrew Stanton, Uta Briesewitz, Nimród Antal, Rebecca Thomas, Dan Trachtenberg
Cinematography by: Tim Ives, Caleb Heymann, Tod Campbell, Lachlan Milne, Brett Jutkiewicz, David Franco
Cameras: ARRI ALEXA LF Camera, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Red Monstro 8K Camera
Lenses: Leitz Summilux-C Series Lenses
Editing System: Avid Editing System
Directed by: Alejandro G. Iñárritu
Cinematography by: Emmanuel Lubezki
Edited by: Stephen Mirrione
Lenses: Leitz Summilux-C Series Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Jon M. Chu
Cinematography by: Stephen F. Windon
Directed by: Jonathan Levine
Cinematography by: Javier Aguirresarobe
Edited by: Nancy Richardson
Editing System: Avid Editing System
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Gore Verbinski
Cinematography by: Bojan Bazelli
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Directed by: Ben Stiller
Cinematography by: Stuart Dryburgh
Edited by: Greg Hayden
Cameras: ARRICAM Lite (LT) Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Editing System: Adobe Premiere Editing System, Avid Editing System
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, Phantom HD Camera
Editing System: Avid Editing System
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Tom Hooper
Cinematography by: Danny Cohen
Directed by: Rupert Sanders
Cinematography by: Greig Fraser
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Directed by: Jonathan Liebesman
Cinematography by: Lukas Ettlin
Edited by: Christian Wagner
Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony PMW-EX3 Camera
Lenses: Panavision Compact Zoom Lenses, Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Lenses: Cooke S4 Lenses
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Directed by: Bill Condon
Cinematography by: Guillermo Navarro
Edited by: Virginia Katz
Editing System: Avid Editing System
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Directed by: Rob Marshall
Cinematography by: Dariusz Wolski
Cameras: Red Epic Camera, Red One MX Camera
Directed by: David Slade
Cinematography by: Javier Aguirresarobe
Cameras: Panavision Cameras
Directed by: Jimmy Hayward
Cinematography by: Mitchell Amundsen
Directed by: Chris Columbus
Cinematography by: Stephen Goldblatt
Edited by: Peter Honess
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera, Panavision Genesis Camera
Lenses: Angenieux Optimo Zoom Lenses, Optica Elite Lenses, Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: James Mangold
Cinematography by: Phedon Papamichael
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Directed by: Jon Favreau
Cinematography by: Matthew Libatique
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Cinematography by: Don Burgess
Edited by: Cindy Mollo
Cameras: Red One Camera
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Directed by: Damien Dante Wayans
Cinematography by: Mark Irwin
Edited by: Scott Hill
Cameras: Moviecam Compact Camera
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Directed by: James Cameron
Cinematography by: Mauro Fiore
Directed by: Christian Alvart
Cinematography by: Hagen Bogdanski
Edited by: Mark Goldblatt
Directed by: Roland Emmerich
Cinematography by: Dean Semler
Cameras: Panavision Cameras, Panavision Genesis Camera
Editing System: Avid Editing System
Directed by: Nelson McCormick
Cinematography by: Patrick Cady
Edited by: Eric L. Beason
Cameras: Panavision Panaflex Gold II Camera
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Cinematography by: David Tattersall
Lenses: Zeiss DigiPrime Lenses
Directed by: Dennis Dugan
Cinematography by: Michael Barrett
Edited by: Tom Costain
Cameras: Panavision Genesis Camera
Directed by: Adam Shankman
Cinematography by: Michael Barrett
Cinematography by: Stuart Dryburgh
Edited by: Stuart Levy
Cameras: Panavision Cameras
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Directed by: Brian Robbins
Cinematography by: Clark Mathis
Edited by: Ned Bastille
Directed by: Paul Weiland
Cinematography by: Tony Pierce-Roberts
Edited by: Richard Marks
Cameras: Panavision Cameras
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Gina Prince-Bythewood
Cinematography by: Rogier Stoffers
Edited by: Terilyn A. Shropshire
Directed by: Baz Luhrmann
Cinematography by: Mandy Walker
Directed by: John Erick Dowdle
Cinematography by: Ken Seng
Edited by: Elliot Greenberg
Directed by: Marco Schnabel
Cinematography by: Peter Deming
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Directed by: Tim Story
Cinematography by: Larry Blanford
Cameras: Pan-Arri 235 Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Wescam Cameras
Editing System: Avid Editing System, Sony Vegas Editing System
Directed by: Nimród Antal
Cinematography by: Andrzej Sekula
Edited by: Armen Minasian
Cinematography by: Daniel Pearl
Edited by: Dan Zimmerman
Directed by: Dennis Dugan
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Cameras: Panavision Genesis Camera
Editing System: Adobe Premiere Editing System, Avid Editing System
Directed by: Brett Ratner
Cinematography by: Dante Spinotti
Directed by: Frank Coraci
Cinematography by: Dean Semler
Edited by: Jeff Gourson
Cameras: Panavision Genesis Camera
Directed by: Tom Dey
Cinematography by: Claudio Miranda
Edited by: Steven Rosenblum
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Directed by: Shawn Levy
Cinematography by: Guillermo Navarro
Edited by: Don Zimmerman
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Directed by: Wolfgang Petersen
Cinematography by: John Seale
Edited by: Peter Honess
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Directed by: John Whitesell
Cinematography by: Mark Irwin
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Directed by: Shane Black
Cinematography by: Michael Barrett
Edited by: Jim Page
Directed by: Mike Mitchell
Cinematography by: Shelly Johnson
Edited by: Peter Amundson
Directed by: Tim Fywell
Cinematography by: David Hennings
Edited by: Janice Hampton
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System