Directed by: Franck Khalfoun
Cinematography by: Maxime Alexandre
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Frank Coraci
Cinematography by: Michael Barrett
Edited by: Scott Hill
Cameras: Panavision Genesis Camera
Directed by: David Fincher
Cinematography by: Jeff Cronenweth
Cameras: Red One MX Camera
Editing System: Adobe Premiere Editing System
Cinematography by: Shawn Maurer
Edited by: Peck Prior
Cameras: Moviecam Compact Camera
Directed by: Stephen Cragg
Cinematography by: Michael Lohmann
Directed by: Shawn Levy
Cinematography by: John Schwartzman
Directed by: John Lee Hancock
Cinematography by: Alar Kivilo
Edited by: Mark Livolsi
Lenses: Zeiss Master Prime Lenses
Directed by: Craig Mazin
Cinematography by: Thomas E. Ackerman
Cameras: ARRI Cameras
Directed by: Catherine Hardwicke
Cinematography by: Elliot Davis
Edited by: Nancy Richardson
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Jim Sonzero
Cinematography by: Mark Plummer
Directed by: Joel Soisson
Cinematography by: Gabriel Kosuth
Edited by: Kirk M. Morri
Directed by: Rick Bota
Cinematography by: Gabriel Kosuth
Edited by: Anthony Adler
Directed by: Rick Bota
Cinematography by: Vivi Dragan Vasile
Edited by: Anthony Adler