Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Nathan Orloff
Directed by: Lana Wachowski
Edited by: Joseph Jett Sally
Cameras: Red Komodo Camera
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Stuart Levy
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT Camera
Directed by: Kelly Fremon Craig
Cinematography by: Doug Emmett
Edited by: Tracey Wadmore-Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Cameras: ARRI ALEXA XT Camera
Directed by: Thor Freudenthal
Cinematography by: Shelly Johnson
Edited by: Mark Goldblatt
Directed by: Francis Lawrence
Cinematography by: Jo Willems
Edited by: Alan Edward Bell
Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision Primo Primes Spherical Lenses
Editing System: Avid Editing System
Directed by: Gary Ross
Cinematography by: Tom Stern
Editing System: Avid Editing System
Directed by: Matthew Vaughn
Cinematography by: John Mathieson
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Directed by: Mikael Håfström
Cinematography by: Benoît Delhomme
Directed by: Iain Softley
Cinematography by: Roger Pratt
Edited by: Martin Walsh
Cameras: Panavision Panaflex Platinum Camera
Directed by: Andrew Adamson
Cinematography by: Karl Walter Lindenlaub
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Master Prime Lenses
Directed by: David Yates
Cinematography by: Slawomir Idziak
Edited by: Mark Day
Cameras: ARRI Cameras
Directed by: Alejandro G. Iñárritu
Cinematography by: Rodrigo Prieto
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Directed by: Tim Hill
Cinematography by: Peter Lyons Collister
Edited by: Peter S. Elliot
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Sylvie Landra
Directed by: Mike Newell
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Directed by: Alfonso Cuarón
Cinematography by: Michael Seresin
Edited by: Steven Weisberg
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Directed by: Rob Cohen
Cinematography by: Dean Semler
Directed by: Gregory Hoblit
Cinematography by: Alar Kivilo
Edited by: David Rosenbloom
Directed by: Charles Shyer
Cinematography by: Ashley Rowe
Edited by: David Moritz
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera
Directed by: Ivan Reitman
Cinematography by: Michael Chapman
Cameras: Panavision Cameras
Directed by: Barry Sonnenfeld
Cinematography by: Michael Ballhaus
Edited by: Jim Miller
Directed by: Dean Parisot
Cinematography by: Jerzy Zielinski
Edited by: Don Zimmerman
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Directed by: Brad Silberling
Cinematography by: John Seale
Edited by: Lynzee Klingman
Directed by: Brian Levant
Cinematography by: Victor J. Kemper
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Cameras: Panavision Panaflex Camera, Wescam Cameras
Editing System: Lightworks Editing System
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Directed by: Paul Verhoeven
Cinematography by: Jost Vacano
Directed by: Alfonso Cuarón
Cinematography by: Emmanuel Lubezki
Edited by: Steven Weisberg
Cameras: Panavision Panaflex Platinum Camera
Directed by: Sam Raimi
Cinematography by: Dante Spinotti
Edited by: Pietro Scalia
Directed by: Alfonso Arau
Cinematography by: Emmanuel Lubezki
Edited by: Don Zimmerman
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Directed by: Agnieszka Holland
Cinematography by: Roger Deakins
Edited by: Isabelle Lorente
Cameras: Panavision Cameras
Directed by: Uli Edel
Cinematography by: Douglas Milsome
Edited by: Thom Noble
Cameras: ARRIFLEX Camera
Lenses: ARRI Lenses
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Cameras: ARRIFLEX 35 III Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Gold Camera, Panavision Panaflex-X Camera
Lenses: Panavision Super Speed Lenses
Directed by: Tim Burton
Cinematography by: Roger Pratt
Edited by: Ray Lovejoy
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Directed by: Tony Randel
Cinematography by: Robin Vidgeon
Cameras: Panavision Cameras
Directed by: Michael Apted
Cinematography by: John Seale
Edited by: Stuart Baird
Cameras: ARRIFLEX 35 BL4s Camera
Directed by: John Boorman
Cinematography by: Philippe Rousselot
Edited by: Ian Crafford
Cameras: ARRIFLEX 35 BL3 Camera, ARRIFLEX 435 Camera
Directed by: Steven Spielberg
Cinematography by: Allen Daviau
Edited by: Michael Kahn
Directed by: Frank Oz
Cinematography by: Robert Paynter
Directed by: Hugh Hudson
Cinematography by: John Alcott
Edited by: Anne V. Coates
Directed by: George Roy Hill
Cinematography by: Wolfgang Treu
Edited by: William Reynolds
Directed by: Roger Donaldson
Cinematography by: Arthur Ibbetson
Edited by: Tony Lawson
Cameras: J-D-C Camera, Joe Dunton Cameras
Directed by: Jim Henson
Cinematography by: Oswald Morris
Edited by: Ralph Kemplen