Directed by: Jamie Payne
Cinematography by: John Pardue
Edited by: Jamie Trevill
Directed by: Kate Saxon
Cinematography by: Gareth Hughes
Edited by: Andy Morrison
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo V Lenses, Panavision Primo V PV21 21mm T1.9 Lens, Panavision Primo V PV27 27mm T1.9 Lens, Panavision Primo V PV50 50mm T1.9 Lens
Directed by: Syd Macartney
Cinematography by: Stuart Biddlecombe
Edited by: Alex Kalmakrian
Directed by: Patrick Hughes
Cinematography by: Jules O'Loughlin
Edited by: Jake Roberts
Directed by: Nick Hurran
Cinematography by: Neville Kidd
Edited by: Yan Miles
Directed by: David Yates
Cinematography by: Philippe Rousselot
Edited by: Mark Day
Cameras: ARRI ALEXA XT Camera
Directed by: Pierre Morel
Cinematography by: Flavio Martínez Labiano
Edited by: Frédéric Thoraval
Cameras: ARRI ALEXA XT Camera, Red Epic Camera
Lenses: Kowa Cine Prominar Spherical Lenses, Nippon Scope Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Sam Mendes
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA XT M Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL2 Camera, Red Epic Dragon Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E100 100 mm T2.3 Lens, Panavision Primo 70 Lenses, Panavision Primo Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Stephen Frears
Cinematography by: Danny Cohen
Edited by: Valerio Bonelli
Cameras: Red Epic Camera
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C1000 1000 mm T5.6 Lens, Panavision G Series Anamorphic Lenses
Editing System: Avid Editing System
Directed by: John Polson
Cinematography by: Ron Fortunato
Edited by: Sondra Watanabe
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Frank Harper
Cinematography by: Mike Southon
Edited by: Nick McCahearty
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Directed by: Syd Macartney, Juliet May, Philippa Lowthorpe, China Moo-Young, Minkie Spiro, Darcia Martin, Lisa Clarke, Sheree Folkson, Jamie Payne, Roger Goldby, Thea Sharrock, Thaddeus O'Sullivan, Dominic Leclerc, James Larkin, Rebecca Johnson, Claire Winyard, Christiana Ebohon, David O'Neill, Kate Saxon, Amy Neil, Emma Sullivan, Kate Cheeseman
Cinematography by: Mark Waters, Stuart Biddlecombe, Toby Moore, Chris Seager, Simon Archer, James Aspinall, Gareth Hughes, Ulf Brantås, Nick Dance, Polly Morgan, Mark Garrett, Len Gowing, Sarah Bartles-Smith, Kate Reid, Richard Stoddard, John Rhodes, Michael Snyman, Henry Pierce
Edited by: Alex Kalmakrian, Beverley Mills, Jake Bernard, David Thrasher, Paul Brown, Jamie Trevill, Mary Finlay, Liz Webber, Lois Bygrave, Gareth C. Scales, Les Healey, Daniel Greenway, Simon Brasse, Rachel Hoult, Mark Thornton, Danielle Palmer, Vicky Tooms, Al Morrow, John Dwelly, Alan Harris, Andy Morrison, Louise Pearson, Jamie McCoan, Arthur Davis
Cameras: ARRIFLEX D-21 Camera
Directed by: Nick Love
Cinematography by: Simon Dennis
Edited by: James Herbert
Cameras: ARRI ALEXA Camera, Red One MX Camera
Directed by: Hadi Hajaig
Cinematography by: Ian Howes
Edited by: Hadi Hajaig
Directed by: Guy Ferland, Christine Moore, John Polson, Ron Fortunato, Seith Mann, Jerry Levine, Larry Teng, Aaron Lipstadt, Lucy Liu, Andrew Bernstein, Sanaa Hamri, Michael Slovis, Michael Pressman, Alex Chapple, Jonny Lee Miller, John David Coles, Peter Werner, Jeremy Webb, Jennifer Lynch, Phil Abraham, Colin Bucksey, Michael Cuesta, Rod Holcomb, David Platt, Rosemary Rodriguez, Adam Davidson, Jean de Segonzac, Helen Shaver, Aidan Quinn, Michael Hekmat, Maja Vrvilo, Jon Michael Hill, Thomas Carter
Cinematography by: Ron Fortunato, Tom Houghton, Roy H. Wagner, Peter Reniers, Mauricio Rubinstein, Nelson Cragg, Carlos Omar Guerra
Edited by: Sondra Watanabe, Gerald Valdez, Jeff Vacirca, Bill Zabala, Victor Du Bois, Joe Hobeck, Sally Anne Schultz, Sang Han, Michelle Fellner
Cameras: ARRI ALEXA Camera
Directed by: Joe Cornish
Cinematography by: Thomas Townend
Edited by: Jonathan Amos
Lenses: Cooke S4 Lenses
Directed by: Elliott Lester
Cinematography by: Rob Hardy
Edited by: John Gilbert
Directed by: Ricky Grover
Cinematography by: Gary Shaw
Edited by: Jason de Vyea
Directed by: Julie Gavras
Cinematography by: Nathalie Durand
Edited by: Pierre Haberer
Directed by: Stephen Hopkins
Cinematography by: Joel Ransom
Edited by: John Smith
Directed by: Christopher Morris
Cinematography by: Lol Crawley
Edited by: Billy Sneddon
Cameras: Sony HDW-F900 Camera
Cinematography by: Julian Court, Giulio Biccari, John Conroy, John Pardue, Tim Fleming, Stephan Pehrsson
Edited by: Katie Weiland, Tania Reddin, Jamie Trevill, Victoria Boydell, Sam Williams, Elen Pierce Lewis, Joel Skinner
Cameras: ARRIFLEX D-21 Camera
Editing System: Avid Editing System
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Oral Norrie Ottey
Directed by: Paul McGuigan, Nick Hurran, Coky Giedroyc, Euros Lyn, Toby Haynes, Jeremy Lovering, Colm McCarthy, Douglas Mackinnon, Benjamin Caron, Rachel Talalay
Cinematography by: Steve Lawes, Fabian Wagner, Neville Kidd, Matt Gray, Suzie Lavelle, Stuart Biddlecombe, David Luther
Edited by: Charlie Phillips, Yan Miles, Nick Arthurs, Mali Evans, Tim Porter, Mark Davis, Andrew McClelland, William Oswald
Lenses: Cooke S4 Lenses, Zeiss Super Speed Lenses
Directed by: Stefan Schwartz
Cinematography by: Julian Court
Edited by: Tania Reddin
Directed by: Graham Linehan
Cinematography by: Bill Broomfield
Edited by: Richard Halladey
Directed by: David Yates
Cinematography by: Eduardo Serra
Edited by: Mark Day
Cinematography by: Sam McCurdy
Edited by: Tim Murrell
Directed by: Josh Appignanesi
Cinematography by: Natasha Braier
Edited by: Kim Gaster
Directed by: Richard Loncraine
Cinematography by: Barry Ackroyd
Edited by: Melanie Oliver
Cameras: ARRICAM Lite (LT) Camera
Directed by: Yoav Factor
Cinematography by: Miles Cook
Cameras: ARRICAM Studio (ST) Camera
Lenses: Cooke S4/i Lenses
Editing System: Avid Editing System
Directed by: Kolton Lee
Cinematography by: Steve Gray
Edited by: Dominic Strevens
Cameras: Red One Camera
Directed by: Nicholas Stoller
Cinematography by: Robert D. Yeoman
Cameras: Panavision Cameras
Directed by: Marcus Warren
Cinematography by: Robert Morris
Edited by: David Head
Directed by: Jamie Payne
Cinematography by: Mike Southon
Edited by: Eddie Hamilton
Cameras: ARRIFLEX D-21 Camera
Directed by: Daniel Barber
Cinematography by: Martin Ruhe
Edited by: Joe Walker
Cameras: Sony CineAlta F35 Camera
Directed by: Andrew Morahan
Cinematography by: George Tiffin
Edited by: Giles Bury
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Cinematography by: Bob Komar
Edited by: Richard Colton
Directed by: Tom Hooper
Cinematography by: Ben Smithard
Edited by: Melanie Oliver
Directed by: David Yates
Cinematography by: Bruno Delbonnel
Edited by: Mark Day
Directed by: Catherine Morshead, Jonny Campbell, David Drury, Bille Eltringham, Ben Bolt, Philip John, Jamie Payne, Alrick Riley
Cinematography by: Simon Archer, Tim Palmer, Adam Suschitzky, Julian Court, Nic Lawson, Fabian Wagner, Balazs Bolygo
Edited by: Jonathan Amos, Jamie Pearson, Ben Drury, Barney Pilling, Paul Endacott, Elen Pierce Lewis, Sam Williams, Jamie Trevill, Guy Bensley
Cameras: ARRIFLEX D-21 Camera
Directed by: Jamie Payne, Andrew Gunn, Iain B. MacDonald, Farren Blackburn, David Evans, John Alexander
Cinematography by: Alan Almond, Graham Frake, Nigel Willoughby, Fabian Wagner, Tony Miller, Adam Suschitzky
Cameras: ARRIFLEX Camera, ARRIFLEX D-21 Camera
Lenses: ARRI Lenses
Directed by: Simon Hunter
Cinematography by: Geoff Boyle
Directed by: Ian Toynton
Cinematography by: Gordon Lonsdale
Directed by: Nick Moran
Cinematography by: Peter Wignall
Edited by: Alex Marsh
Directed by: Bille Eltringham
Cinematography by: Nic Lawson
Edited by: Paul Endacott
Directed by: Sean Ellis
Cinematography by: Angus Hudson
Edited by: Scott Thomas
Directed by: John Alexander
Cinematography by: Tony Miller
Edited by: Roy Sharman
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Directed by: Joel Hopkins
Cinematography by: John de Borman
Edited by: Robin Sales
Directed by: Gurinder Chadha
Cinematography by: Dick Pope
Edited by: Justin Krish
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX D-21 Camera, Bell & Howell Eyemo Camera, Dalsa Origin Camera, Sony HDW-F900R Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Directed by: Gerald McMorrow
Cinematography by: Ben Davis
Edited by: Peter Christelis
Directed by: Neil Marshall
Cinematography by: Sam McCurdy
Directed by: Roger Donaldson
Cinematography by: Michael Coulter
Edited by: John Gilbert
Directed by: Paul Greengrass
Cinematography by: Oliver Wood
Edited by: Christopher Rouse
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera
Directed by: Frank Oz
Cinematography by: Oliver Curtis
Edited by: Beverley Mills
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Lenses: Zeiss Master Prime Lenses
Directed by: Gillian Armstrong
Cinematography by: Haris Zambarloukos
Edited by: Nicholas Beauman
Directed by: Chris Weitz
Cinematography by: Henry Braham
Directed by: Tony Mitchell
Cinematography by: Pierre Jodoin
Directed by: David Schwimmer
Cinematography by: Richard Greatrex
Edited by: Michael Parker
Cameras: ARRI Cameras
Lenses: Zeiss Lenses
Directed by: Jag Mundhra
Cinematography by: Madhu Ambat
Edited by: Sanjeev Mirajkar
Directed by: Michael Apted
Cinematography by: Remi Adefarasin
Edited by: Rick Shaine
Cameras: ARRI Cameras
Directed by: Ron Howard
Cinematography by: Salvatore Totino
Directed by: Kevin McDonagh
Cinematography by: David Beaumont
Edited by: Dave Stephenson
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Directed by: Ian Toynton, Dwight H. Little, Jeannot Szwarc, Chad Lowe, David Boreanaz, Milan Cheylov, Allan Kroeker, Tim Southam, Kate Woods, Steven DePaul, Jeff Woolnough, Michael Lange, Randy Zisk, Alex Chapple, Jesús Salvador Treviño, Tony Wharmby, Allison Liddi-Brown, François Velle, Sanford Bookstaver, Craig Ross Jr., Kevin Hooks, Greg Yaitanes, Gordon Lonsdale, Emile B. Levisetti, Rob Hardy, Anne Renton, David Grossman, Tawnia McKiernan, James Whitmore Jr., Scott Lautanen, Jessica Landaw, Brad Turner, Jeffrey Walker, Arlene Sanford, David Hugh Jones, Patrick R. Norris, Donna Deitch, David Duchovny, Karen Gaviola, Joe Napolitano, Jonathan Pontell, Bryan Spicer, Thomas J. Wright, Caleb Deschanel, Marita Grabiak, Mark Helfrich, Daniel Sackheim, Reginald Hudlin, Steve Robin, Silver Tree, Robert Reed Altman, Anton Cropper, Emily Deschanel, Denise Di Novi
Cinematography by: Gordon Lonsdale, Gregory Paul Collier, Robert Reed Altman, Michael D. O'Shea, Cort Fey, Dennis Hall, Jules Labarthe, Sidney Sidell, Loren S. Yaconelli
Edited by: Kimberly Ettinger, Richard Currie, Andrea Folprecht, Bill Lynch, Thomas R. Moore, Casey O. Rohrs, J. Benjamin Chulay, C.J. Liao, Harry B. Miller III, Rick Tuber, David Post
Cameras: ARRIFLEX Camera, Sony CineAlta F35 Camera