Directed by: Jordan Peele
Cinematography by: Mike Gioulakis
Edited by: Nicholas Monsour
Directed by: Noah Baumbach
Cinematography by: Robbie Ryan
Edited by: Jennifer Lame
Cinematography by: Trent Opaloch
Cameras: ALEXA IMAX Camera
Editing System: Avid Editing System
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Cinematography by: Trent Opaloch
Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses
Editing System: Avid Editing System
Directed by: Dan Gilroy
Cinematography by: Robert Elswit
Edited by: John Gilroy
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Eric Appel
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Dan Trachtenberg
Cinematography by: Jeff Cutter
Edited by: Stefan Grube
Cameras: Red Epic Dragon Camera
Directed by: Nicolas Winding Refn
Cinematography by: Natasha Braier
Edited by: Matthew Newman
Lenses: Cooke Lenses, Cooke Xtal Express Lenses
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Charlie McDowell
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Charlie McDowell
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Eric Appel
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Jamie Babbit
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: F. Gary Gray
Cinematography by: Matthew Libatique
Cameras: Red Epic Dragon Camera
Directed by: Joss Whedon
Cinematography by: Ben Davis
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Brian Merken
Directed by: Alec Berg
Cinematography by: Tim Suhrstedt
Edited by: Tim Roche
Directed by: David Ayer
Cinematography by: Bruce McCleery
Edited by: Dody Dorn
Directed by: Kenneth Fink
Directed by: Kevin Hooks
Directed by: Paul A. Edwards
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Directed by: Bobby Roth
Directed by: John Terlesky
Directed by: Mike Judge, Alec Berg, Jamie Babbit, Eric Appel, Charlie McDowell, Tricia Brock, Maggie Carey, Tim Roche, Clay Tarver, Gillian Robespierre, Matt Ross
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Directed by: Mike Judge
Cinematography by: Jim Denault
Directed by: Mike Judge
Cinematography by: Jim Denault
Edited by: Brian Merken
Directed by: Tricia Brock
Cinematography by: Jim Denault
Edited by: Tim Roche
Directed by: Maggie Carey
Cinematography by: Jim Denault
Edited by: Brian Merken
Directed by: Alec Berg
Cinematography by: Jim Denault
Edited by: Tim Roche
Directed by: Alec Berg
Cinematography by: Jim Denault
Directed by: Mike Judge
Cinematography by: Jim Denault
Edited by: Tim Roche
Directed by: Mike Judge
Cinematography by: Jim Denault
Directed by: Billy Gierhart
Cinematography by: Jeffrey C. Mygatt
Edited by: Joshua Charson
Directed by: Jonathan Frakes
Directed by: Bobby Roth
Directed by: Joss Whedon
Cinematography by: David Boyd
Directed by: Baltasar Kormákur
Cinematography by: Oliver Wood
Edited by: Michael Tronick
Cinematography by: Terry Stacey
Edited by: John Refoua
Cameras: ARRI ALEXA Camera
Lenses: Cooke S4 Lenses
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Directed by: Kevin Tancharoen, Jesse Bochco, Billy Gierhart, Vincent Misiano, Garry A. Brown, Bobby Roth, Nina Lopez-Corrado, Roxann Dawson, Milan Cheylov, Kevin Hooks, Ron Underwood, Kate Woods, David Solomon, Brad Turner, Wendey Stanzler, Holly Dale, David Straiton, John Terlesky, Michael Zinberg, Eric Laneuville, Jed Whedon, Clark Gregg, Jonathan Frakes, Joss Whedon, Paul A. Edwards, Kenneth Fink, Karen Gaviola, Dwight H. Little, Elodie Keene, Magnus Martens, Stanley M. Brooks, Oz Scott, Cherie Gierhart, Jennifer Lynch, Salli Richardson-Whitfield, Mark Kolpack, Jennifer Phang, Lou Diamond Phillips
Directed by: Holly Dale
Cinematography by: Feliks Parnell
Edited by: Paul Trejo
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Editing System: Avid Editing System
Directed by: Joss Whedon
Cinematography by: Seamus McGarvey
Editing System: Avid Editing System
Directed by: David Ayer
Cinematography by: Roman Vasyanov
Edited by: Dody Dorn
Directed by: Adam Shankman
Cinematography by: Bojan Bazelli
Edited by: Emma E. Hickox
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Len Wiseman
Cinematography by: Paul Cameron
Edited by: Christian Wagner
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Ruben Fleischer
Cinematography by: Jess Hall
Edited by: Alan Baumgarten
Editing System: Avid Editing System
Directed by: Justin Lin
Cinematography by: Stephen F. Windon
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Nicolas Winding Refn
Cinematography by: Newton Thomas Sigel
Edited by: Matthew Newman
Directed by: Rob Letterman
Cinematography by: David Tattersall
Cameras: Canon EOS-1D Mark IV Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL2 Camera
Editing System: Avid Editing System
Directed by: Fouad Mikati
Cinematography by: Arnaud Stefani
Edited by: Joshua Ferrazzano
Directed by: Nanette Burstein
Cinematography by: Eric Steelberg
Edited by: Peter Teschner
Directed by: Rob Reiner
Cinematography by: Thomas Del Ruth
Edited by: Robert Leighton
Directed by: John Carpenter
Cinematography by: Yaron Orbach
Edited by: Patrick McMahon
Cameras: Moviecam Compact MK2 Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Brad Silberling
Cinematography by: Dion Beebe
Edited by: Peter Teschner
Cameras: Panavision Cameras
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: Julia Wong
Directed by: Peter Berg
Cinematography by: Tobias A. Schliessler
Directed by: David Ayer
Cinematography by: Gabriel Beristain
Edited by: Jeffrey Ford
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Editing System: Avid Editing System
Directed by: Len Wiseman
Cinematography by: Simon Duggan
Edited by: Nicolas De Toth
Lenses: Angenieux Optimo Zoom Lenses, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 25mm T2.0 Lens, Cooke S4/i Prime 27mm T2.0 Lens, Cooke S4/i Prime 32mm T2.0 Lens, Cooke S4/i Prime 35mm T2.0 Lens, Cooke S4/i Prime 40mm T2.0 Lens, Cooke S4/i Prime 65mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Avid Editing System
Directed by: Robert Redford
Cinematography by: Philippe Rousselot
Edited by: Joe Hutshing
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Cinematography by: Charles Minsky
Directed by: Rob Reiner
Cinematography by: Peter Deming
Edited by: Robert Leighton
Directed by: Jay Chandrasekhar
Cinematography by: Lawrence Sher
Directed by: Sam Raimi
Cinematography by: Bill Pope
Edited by: Bob Murawski
Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera
Editing System: Avid Editing System
Directed by: Reggie Rock Bythewood
Cinematography by: Greg Gardiner
Directed by: Steve Oedekerk
Cinematography by: John J. Connor
Edited by: Paul Marshal
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: Conrad Buff IV
Lenses: Hawk C-Series Lenses
Directed by: Danny Leiner
Cinematography by: Robert M. Stevens
Edited by: Kimberly Ray
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Avid Editing System