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John Wick: Chapter 2 | ShotOnWhat?

Sound Effects Editor John Wick: Chapter 2 (2017)

Directed by: Chad Stahelski

Cinematography by: Dan Laustsen

Edited by: Evan Schiff

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Fast 8 | ShotOnWhat?

Sound Effects Editor The Fate of the Furious (2017)

Directed by: F. Gary Gray

Cinematography by: Stephen F. Windon

Edited by: Paul Rubell, Christian Wagner

Cameras: ARRI ALEXA XT Camera, Red Epic Camera

The Accountant | ShotOnWhat?

Sound Effects Editor The Accountant (2016)

Directed by: Gavin O'Connor

Cinematography by: Seamus McGarvey

Edited by: Richard Pearson

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Primes Spherical Lenses

The Book of Life | ShotOnWhat?

Sound Effects Editor The Book of Life (2014)

Directed by: Jorge R. Gutiérrez

Edited by: Ahren Shaw

Nightcrawler | ShotOnWhat?

Sound Effects Editor: Sound Design Nightcrawler (2014)

Directed by: Dan Gilroy

Cinematography by: Robert Elswit

Edited by: John Gilroy

Cameras: ARRI ALEXA XT Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses

Lost River | ShotOnWhat?

Sound Effects Editor Lost River (2014)

Directed by: Ryan Gosling

Cinematography by: Benoît Debie

Edited by: Nico Leunen, Valdís Óskarsdóttir

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, Red Epic Camera

Lenses: Cooke 5/i Lenses, Zeiss Ultra Prime Lenses

Transcendence | ShotOnWhat?

Sound Effects Editor: Sound Design Transcendence (2014)

Directed by: Wally Pfister

Cinematography by: Jess Hall

Edited by: David Rosenbloom

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom Flex Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Pacific Rim | ShotOnWhat?

Sound Effects Editor Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Riddick | ShotOnWhat?

Sound Effects Editor: Sound Design Riddick (2013)

Directed by: David Twohy

Cinematography by: David Eggby

Edited by: Tracy Adams

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Jack Reacher | ShotOnWhat?

Sound Editor Jack Reacher (2012)

Directed by: Christopher McQuarrie

Cinematography by: Caleb Deschanel

Edited by: Kevin Stitt

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Season of the Witch | ShotOnWhat?

Sound Designer / Sound Effects Editor Season of the Witch (2011)

Directed by: Dominic Sena

Cinematography by: Amir Mokri

Edited by: Bob Ducsay, Mark Helfrich, Dan Zimmerman

Charlie St. Cloud | ShotOnWhat?

Sound Effects Editor Charlie St. Cloud (2010)

Directed by: Burr Steers

Cinematography by: Enrique Chediak

Edited by: Padraic McKinley

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Hawk V-Series Lenses

A Nightmare on Elm Street | ShotOnWhat?

Sound Effects Editor A Nightmare on Elm Street (2010)

Directed by: Samuel Bayer

Cinematography by: Jeff Cutter

Edited by: Glen Scantlebury

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Crank: High Voltage | ShotOnWhat?

Sound Designer / Sound Effects Editor Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Gamer | ShotOnWhat?

Sound Designer Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

The Burning Plain | ShotOnWhat?

Sound Designer The Burning Plain (2008)

Directed by: Guillermo Arriaga

Cinematography by: Robert Elswit

Edited by: Craig Wood

Cameras: Panavision Cameras

City of Ember | ShotOnWhat?

Effects Editor City of Ember (2008)

Directed by: Gil Kenan

Cinematography by: Xavier Grobet

Edited by: Adam P. Scott, Zach Staenberg

The Incredible Hulk | ShotOnWhat?

Sound Effects Editor The Incredible Hulk (2008)

Directed by: Louis Leterrier

Cinematography by: Peter Menzies Jr.

Edited by: Rick Shaine, Vincent Tabaillon, John Wright

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1Ds Camera, Panavision Cameras

Editing System: Avid Editing System

21 | ShotOnWhat?

Sound Designer 21 (2008)

Directed by: Robert Luketic

Cinematography by: Russell Carpenter

Edited by: Elliot Graham

Cameras: Pan-Arri 435 Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

The Good Life | ShotOnWhat?

Sound Designer / Supervising Sound Editor The Good Life (2007)

Directed by: Stephen Berra

Cinematography by: Patrice Lucien Cochet

Edited by: Sean Hubbert

Why Did I Get Married? | ShotOnWhat?

Sound Designer Why Did I Get Married? (2007)

Directed by: Tyler Perry

Cinematography by: Toyomichi Kurita

Edited by: Maysie Hoy

Death Proof | ShotOnWhat?

Sound Effects Editor Death Proof (2007)

Directed by: Quentin Tarantino

Cinematography by: Quentin Tarantino

Edited by: Sally Menke

The Benchwarmers | ShotOnWhat?

Sound Designer The Benchwarmers (2006)

Directed by: Dennis Dugan

Cinematography by: Thomas E. Ackerman

Edited by: Peck Prior, Sandy S. Solowitz

Poseidon | ShotOnWhat?

Sound Effects Editor Poseidon (2006)

Directed by: Wolfgang Petersen

Cinematography by: John Seale

Edited by: Peter Honess

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Mission: Impossible III | ShotOnWhat?

Sound Effects Editor Mission: Impossible III (2006)

Directed by: J.J. Abrams

Cinematography by: Dan Mindel

Edited by: Maryann Brandon, Nick Gibbs, Mary Jo Markey

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Sony HDC-F950 Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Zoom Lenses

World Trade Center | ShotOnWhat?

Sound Effects Editor World Trade Center (2006)

Directed by: Oliver Stone

Cinematography by: Seamus McGarvey

Edited by: David Brenner, Julie Monroe

The Pink Panther | ShotOnWhat?

Sound Effects Editor The Pink Panther (2006)

Directed by: Shawn Levy

Cinematography by: Jonathan Brown

Edited by: George Folsey Jr., Brad Wilhite

Are We There Yet? | ShotOnWhat?

Sound Designer Are We There Yet? (2005)

Directed by: Brian Levant

Cinematography by: Thomas E. Ackerman

Edited by: Lawrence Jordan

Serenity | ShotOnWhat?

Sound Design Editor Serenity (2005)

Directed by: Joss Whedon

Cinematography by: Jack N. Green

Edited by: Lisa Lassek

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lenses

Eight Legged Freaks | ShotOnWhat?

Supervising Sound Editor Eight Legged Freaks (2002)

Directed by: Ellory Elkayem

Cinematography by: John S. Bartley

Edited by: David Siegel

Scooby-Doo | ShotOnWhat?

Foley Editor Scooby-Doo (2002)

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

Original Sin | ShotOnWhat?

Sound Effects Editor Original Sin (2001)

Directed by: Michael Cristofer

Cinematography by: Rodrigo Prieto

Edited by: Eric A. Sears

Bones | ShotOnWhat?

Sound Supervisor Bones (2001)

Directed by: Ernest R. Dickerson

Cinematography by: Flavio Martínez Labiano

Edited by: Michael N. Knue, Stephen Lovejoy

Vertical Limit | ShotOnWhat?

Special Sound Effects Vertical Limit (2000)

Directed by: Martin Campbell

Cinematography by: David Tattersall

Edited by: Thom Noble

Almost Famous | ShotOnWhat?

Sound Effects Editor Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Final Destination | ShotOnWhat?

Sound Effects Editor Final Destination (2000)

Directed by: James Wong

Cinematography by: Robert McLachlan

Edited by: James Coblentz

Mission: Impossible II | ShotOnWhat?

Sound Editor Mission: Impossible II (2000)

Directed by: John Woo

Cinematography by: Jeffrey L. Kimball

Edited by: Steven Kemper, Christian Wagner

Cameras: Pan-Arri 435 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

The Corruptor | ShotOnWhat?

Co-supervising Sound Editor The Corruptor (1999)

Directed by: James Foley

Cinematography by: Juan Ruiz Anchía

Edited by: Howard E. Smith

Cameras: Aaton 35-III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Primo Primes Spherical Lenses

Body Shots | ShotOnWhat?

Sound Effects Editor Body Shots (1999)

Directed by: Michael Cristofer

Cinematography by: Rodrigo García

Edited by: Eric A. Sears

Election | ShotOnWhat?

Supervising Sound Editor Election (1999)

Directed by: Alexander Payne

Cinematography by: James Glennon

Edited by: Kevin Tent

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Negotiator | ShotOnWhat?

Sound Effects Editor The Negotiator (1998)

Directed by: F. Gary Gray

Cinematography by: Russell Carpenter

Edited by: Christian Wagner

Cameras: Panavision Cameras

Wrongfully Accused | ShotOnWhat?

Co-supervising Sound Editor Wrongfully Accused (1998)

Directed by: Pat Proft

Cinematography by: Glen MacPherson

Edited by: James R. Symons

A Simple Plan | ShotOnWhat?

Adr Editor A Simple Plan (1998)

Directed by: Sam Raimi

Cinematography by: Alar Kivilo

Edited by: Eric L. Beason, Arthur Coburn

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Godzilla | ShotOnWhat?

Sound Effects Editor Godzilla (1998)

Directed by: Roland Emmerich

Cinematography by: Ueli Steiger

Edited by: Peter Amundson, David Siegel

Break Up | ShotOnWhat?

Sound Designer / Supervising Sound Editor Break Up (1998)

Directed by: Paul Marcus

Cinematography by: Hubert Taczanowski

Edited by: Arthur Coburn

The Mask of Zorro | ShotOnWhat?

Sound Effects Editor The Mask of Zorro (1998)

Directed by: Martin Campbell

Cinematography by: Phil Meheux

Edited by: Thom Noble

Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera, Moviecam Compact Camera

Lenses: Cooke Lenses

The Replacement Killers | ShotOnWhat?

Sound Editor The Replacement Killers (1998)

Directed by: Antoine Fuqua

Cinematography by: Peter Lyons Collister

Edited by: Jay Cassidy

Face/Off | ShotOnWhat?

Sound Effects Editor Face/Off (1997)

Directed by: John Woo

Cinematography by: Oliver Wood

Edited by: Steven Kemper, Christian Wagner

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

Traveller | ShotOnWhat?

Sound Designer Traveller (1997)

Directed by: Jack N. Green

Edited by: Michael Ruscio

Wish Upon a Star | ShotOnWhat?

Sound Editor Wish Upon a Star (1996)

Television Movie

Directed by: Blair Treu

Cinematography by: Brian Sullivan

Edited by: David Blangsted

The Right to Remain Silent | ShotOnWhat?

Post-production Sound Supervisor The Right to Remain Silent (1996)

Television Movie

Directed by: Hubert de La Bouillerie

Cinematography by: Greg Gardiner

Edited by: Mike Murphy, Hubert de La Bouillerie

Clifford | ShotOnWhat?

Sound Editor Clifford (1994)

Directed by: Paul Flaherty

Cinematography by: John A. Alonzo

Edited by: Tim Board, Pembroke J. Herring

Dolly Dearest | ShotOnWhat?

Re-recording Mixer / Sound Effects Editor Dolly Dearest (1991)

Directed by: Maria Lease

Cinematography by: Eric D. Andersen

Edited by: Geoffrey Rowland

The Super | ShotOnWhat?

Sound Editor The Super (1991)

Directed by: Rod Daniel

Cinematography by: Bruce Surtees

Edited by: Jack Hofstra

Darkman | ShotOnWhat?

Digital Editor Darkman (1990)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bud S. Smith, David Stiven

Das Boot | ShotOnWhat?

Sound Effects Editor: Director's Cut Das Boot (1981)

Directed by: Wolfgang Petersen

Cinematography by: Jost Vacano

Edited by: Hannes Nikel

Cameras: ARRI Cameras

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