Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Directed by: Antoine Fuqua
Cinematography by: Maz Makhani
Directed by: Guy Norman Bee, Edward Allen Bernero, Ashley Way, Norberto Barba, Thomas Carter, Antoine Fuqua, Jon Amiel, John David Coles, Rod Holcomb, T.J. Scott, Peter Werner, Samira Radsi
Edited by: Lisa Binkley, Stein Myhrstad, Jamie Alain, Daria Ellerman, Luis Carballar, William Paley, Adina Moore
Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Zeiss Master Anamorphic 100 mm T1.9 Lens, Zeiss Master Anamorphic 135 mm T1.9 Lens, Zeiss Master Anamorphic 35 mm T1.9 Lens, Zeiss Master Anamorphic 40 mm T1.9 Lens, Zeiss Master Anamorphic 50 mm T1.9 Lens, Zeiss Master Anamorphic 60 mm T1.9 Lens, Zeiss Master Anamorphic 75 mm T1.9 Lens, Zeiss Master Prime Lenses
Directed by: Antoine Fuqua
Cinematography by: Mauro Fiore
Edited by: John Refoua
Directed by: Theodore Melfi
Cinematography by: John Lindley
Editing System: Avid Editing System
Directed by: Marc Webb
Cinematography by: Dan Mindel
Edited by: Pietro Scalia
Directed by: Ang Lee
Cinematography by: Claudio Miranda
Edited by: Tim Squyres
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: Andrew Niccol
Cinematography by: Roger Deakins
Edited by: Zach Staenberg
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Directed by: Bennett Miller
Cinematography by: Wally Pfister
Edited by: Christopher Tellefsen
Directed by: Robert Luketic
Cinematography by: Russell Carpenter
Cameras: ARRIFLEX D-21 Camera
Lenses: Hawk V-Series Lenses
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses: Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses
Editing System: Avid Editing System
Directed by: Robert Ben Garant
Cinematography by: Thomas E. Ackerman
Edited by: John Refoua
Cameras: Panavision Genesis Camera
Editing System: Final Cut Pro Editing System
Directed by: Eric Laneuville
Cinematography by: James Chressanthis
Edited by: Anthony Miller
Directed by: John F. Showalter
Cinematography by: Crescenzo G.P. Notarile
Edited by: James Coblentz
Directed by: Peter O'Fallon
Cinematography by: Crescenzo G.P. Notarile
Edited by: Anthony Miller
Directed by: Peter O'Fallon
Cinematography by: Crescenzo G.P. Notarile
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Directed by: Mira Nair
Cinematography by: Frederick Elmes
Edited by: Allyson C. Johnson
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Directed by: Ian Sander, Eric Laneuville, John Gray, Peter Werner, Gloria Muzio, Peter O'Fallon, Frederick E.O. Toye, Kim Moses, James Frawley, James Chressanthis, Steven Robman, Jennifer Love Hewitt, Joanna Kerns, Mark Rosman, John Behring, Jefery Levy, Kevin Hooks, Ron Lagomarsino, Bill Norton, Victoria Hochberg, David Hugh Jones, John F. Showalter, Karen Gaviola, Kenny Leon, Jan Eliasberg, Ralph Hemecker
Cinematography by: James Chressanthis, Crescenzo G.P. Notarile, Bruce M. Pasternack, Scott E. Steele, Nancy Schreiber
Edited by: Neil Mandelberg, Anthony Miller, Michael N. Knue, Regis Kimble, John Duffy, Tom Walls, James Coblentz, William Flicker, Matthew Colonna, Scott Vickrey
Cameras: Panavision Cameras
Directed by: Katja von Garnier
Cinematography by: Robbie Greenberg
Edited by: Hans Funck
Directed by: Neil LaBute
Cinematography by: James L. Carter
Edited by: Joel Plotch
Directed by: Robert Rodriguez
Cinematography by: Robert Rodriguez
Edited by: Robert Rodriguez
Cameras: Sony HDW-F900 Camera
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: David Lynch
Cinematography by: Peter Deming
Edited by: Mary Sweeney
Cameras: Panavision Panaflex Platinum Camera
Directed by: Sam Raimi
Cinematography by: Jamie Anderson
Directed by: Nick Gomez
Cinematography by: Bruce Douglas Johnson
Edited by: Richard Pearson
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Directed by: Robert Iscove
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Directed by: Sam Raimi
Cinematography by: Alar Kivilo
Cameras: Panavision Panaflex Platinum Camera
Directed by: P.J. Hogan
Cinematography by: László Kovács
Cameras: Panavision Panaflex Camera
Directed by: Tim Pope
Cinematography by: Jean-Yves Escoffier
Directed by: Mike Binder
Cinematography by: Newton Thomas Sigel
Edited by: Adam Weiss
Directed by: Stephen Herek
Cinematography by: Thomas Del Ruth
Directed by: Russell Mulcahy
Cinematography by: Peter Levy
Edited by: Peter Honess
Directed by: Stephen Herek
Cinematography by: Tim Suhrstedt
Edited by: Larry Bock
Directed by: Jonathan Wacks
Cinematography by: Toyomichi Kurita
Edited by: Jim Stewart
Directed by: Gary Goddard
Cinematography by: Hanania Baer
Edited by: Anne V. Coates