Directed by: Patrick Hughes
Cinematography by: Jules O'Loughlin
Edited by: Jake Roberts
Cinematography by: Pedro Gómez Millán
Cameras: Red Epic Dragon Camera
Directed by: Dennis Gansel
Cinematography by: Daniel Gottschalk
Cameras: Red Epic Camera, Red Scarlet Camera
Directed by: Ariel Vromen
Cinematography by: Dana Gonzales
Edited by: Danny Rafic
Cameras: ARRI ALEXA XT Camera, Red Epic Dragon Camera
Directed by: Babak Najafi
Cinematography by: Ed Wild
Cameras: Red Epic Dragon Camera
Directed by: Renny Harlin
Cinematography by: Sam McCurdy
Edited by: Vincent Tabaillon
Cameras: Red Epic Camera
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Directed by: Mark Steven Johnson
Cinematography by: Peter Menzies Jr.
Edited by: Sean Albertson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Gary Fleder
Cinematography by: Theo van de Sande
Edited by: Padraic McKinley
Cameras: ARRI ALEXA Camera
Cinematography by: Eric Alan Edwards
Cameras: ARRIFLEX 416 Camera
Directed by: Antoine Fuqua
Cinematography by: Conrad W. Hall
Edited by: John Refoua
Editing System: Avid Editing System
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Directed by: Lee Daniels
Cinematography by: Roberto Schaefer
Edited by: Joe Klotz
Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera
Lenses: Canon Lenses, Zeiss Super Speed Lenses
Directed by: Simon West
Cinematography by: Shelly Johnson
Edited by: Todd E. Miller
Editing System: Avid Editing System
Directed by: Ariel Vromen
Cinematography by: Bobby Bukowski
Edited by: Danny Rafic
Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera
Directed by: Gabriele Muccino
Cinematography by: Peter Menzies Jr.
Edited by: Padraic McKinley
Directed by: Joel Schumacher
Cinematography by: Andrzej Bartkowiak
Edited by: Bill Pankow
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Directed by: Dito Montiel
Cinematography by: Benoît Delhomme
Edited by: Jake Pushinsky
Directed by: Prachya Pinkaew
Cinematography by: Wade Muller
Edited by: David M. Richardson
Directed by: Patrick Lussier
Cinematography by: Brian Pearson
Directed by: Simon West
Cinematography by: Eric Schmidt
Directed by: Jonathan Mossek
Cinematography by: Frank Barrera
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Directed by: Sylvester Stallone
Cinematography by: Jeffrey L. Kimball
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bell & Howell Eyemo Camera
Editing System: Avid Editing System
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Directed by: David Schwimmer
Cinematography by: Andrzej Sekula
Edited by: Douglas Crise
Directed by: Tim Blake Nelson
Cinematography by: Roberto Schaefer
Edited by: Michelle Botticelli
Cameras: Red One Camera
Directed by: Werner Herzog
Cinematography by: Peter Zeitlinger
Edited by: Joe Bini
Cameras: Moviecam Compact MK2 Camera
Directed by: Lara Shapiro
Cinematography by: Dan Stoloff
Edited by: Anne McCabe
Directed by: Danny Lerner
Cinematography by: Ross W. Clarkson
Edited by: Michele Gisser
Directed by: Dolph Lundgren
Cinematography by: Marc Windon
Edited by: Peter Hollywood
Directed by: Antoine Fuqua
Cinematography by: Patrick Murguia
Edited by: Barbara Tulliver
Directed by: Sylvester Stallone
Cinematography by: Glen MacPherson
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Gary Jones
Cinematography by: Toni Cartu
Edited by: Christopher Roth
Directed by: Isaac Florentine
Cinematography by: Douglas Milsome
Edited by: Irit Raz
Directed by: Jeff King
Cinematography by: Tom Harting
Edited by: Jamie Alain
Directed by: Jon Avnet
Cinematography by: Denis Lenoir
Edited by: Paul Hirsch
Directed by: Simon Fellows
Cinematography by: Douglas Milsome
Edited by: Matthew Booth
Directed by: Mike Cahill
Cinematography by: Jim Whitaker
Edited by: Glenn Garland
Directed by: Renny Harlin
Cinematography by: Scott Kevan
Edited by: Brian Berdan
Directed by: John Herzfeld
Cinematography by: John Bailey
Directed by: Todd Robinson
Cinematography by: Peter Levy
Edited by: Kathryn Himoff
Directed by: Neil LaBute
Cinematography by: Paul Sarossy
Edited by: Joel Plotch
Directed by: Eric Eason
Cinematography by: Ulrich Burtin
Edited by: Kevin Greutert
Directed by: Isaac Florentine
Cinematography by: Ross W. Clarkson
Edited by: Irit Raz
Directed by: Irwin Winkler
Cinematography by: Tony Pierce-Roberts
Edited by: Clayton Halsey
Directed by: Brian De Palma
Cinematography by: Vilmos Zsigmond
Edited by: Bill Pankow
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Directed by: Richard Donner
Cinematography by: Glen MacPherson
Edited by: Steve Mirkovich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Directed by: Petter Næss
Cinematography by: Svein Krøvel
Directed by: David J. Burke
Cinematography by: Francis Kenny
Edited by: Casey O. Rohrs
Directed by: Dolph Lundgren
Cinematography by: Ross W. Clarkson
Edited by: Joe Plenys
Cameras: ARRI Cameras
Directed by: Kevin Bacon
Cinematography by: Nancy Schreiber
Edited by: David Ray
Directed by: Siu-Tung Ching
Cinematography by: Danny Nowak
Edited by: David M. Richardson
Directed by: Ringo Lam
Cinematography by: John B. Aronson
Edited by: David M. Richardson
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Directed by: Jeffrey Porter
Cinematography by: Blake T. Evans
Edited by: David M. Richardson
Directed by: Joseph Brutsman
Cinematography by: Nathan Hope
Edited by: Greg Tillman
Directed by: Tim Blake Nelson
Cinematography by: Russell Lee Fine
Directed by: Ringo Lam
Cinematography by: Mike Southon
Edited by: David M. Richardson
Cinematography by: Adolfo Bartoli
Edited by: Irit Raz
Directed by: Susanna Styron
Cinematography by: Hiro Narita
Edited by: Colleen Sharp
Directed by: Paul Marcus
Cinematography by: Hubert Taczanowski
Edited by: Arthur Coburn
Directed by: Bob Misiorowski
Cinematography by: Lawrence Sher
Edited by: Alain Jakubowicz
Directed by: Keoni Waxman
Cinematography by: Yossi Wein
Directed by: Paul Chart
Cinematography by: William Wages
Edited by: Michael Ruscio
Directed by: Peter Markle
Cinematography by: Phil Parmet
Edited by: David Campling
Directed by: Rick Avery
Cinematography by: Avi Koren
Edited by: Alain Jakubowicz
Directed by: Tony Spiridakis
Cinematography by: Zoltán David
Edited by: Andy Blumenthal
Directed by: Bruce Beresford
Cinematography by: Andrzej Bartkowiak
Edited by: Jim Clark
Cameras: Panavision Cameras
Lenses: Panavision Lenses