Directed by: George C. Wolfe
Cinematography by: Tobias A. Schliessler
Edited by: Andrew Mondshein
Cameras: ARRI ALEXA Mini LF Camera
Lenses: ARRI Rental DNA LF Lenses
Directed by: Brian Kirk
Cinematography by: Paul Cameron
Edited by: Tim Murrell
Directed by: Alfonso Cuarón
Cinematography by: Alfonso Cuarón
Cameras: ARRI ALEXA 65 Camera
Lenses: ARRI Rental Prime 65 Lenses
Cinematography by: Bruno Delbonnel
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: Sony PMW-F55 Camera
Cinematography by: Roger Deakins
Lenses: Zeiss Master Prime Lenses
Editing System: Adobe Premiere Editing System
Directed by: Malcolm D. Lee
Cinematography by: Greg Gardiner
Edited by: Paul Millspaugh
Cameras: Sony PMW-F55 Camera
Directed by: David Frankel
Cinematography by: Maryse Alberti
Edited by: Andrew Marcus
Cameras: ARRI ALEXA XT Plus Camera
Directed by: Jaume Collet-Serra
Cinematography by: Martin Ruhe
Edited by: Dirk Westervelt
Cinematography by: Xavier Grobet
Edited by: Jan Kovac
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Editing System: Final Cut Pro Editing System
Directed by: Daniel Minahan, David Petrarca, Alik Sakharov, John Maybury, Joachim Rønning, Espen Sandberg, Jon Amiel, James McTeigue
Edited by: Michael Berenbaum, Malcolm Jamieson, Erica Freed Marker, William Henry, Andy Keir, Allyson C. Johnson, Elizabeth Kling, Martin Nicholson, Barbara Tulliver
Cameras: Sony PMW-F55 Camera
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Erica Freed Marker
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Martin Nicholson
Directed by: Shawn Levy
Cinematography by: Terry Stacey
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA XT Camera
Directed by: Rob Marshall
Cinematography by: Dion Beebe
Edited by: Wyatt Smith
Cameras: ARRI ALEXA XT Camera
Lenses: Angenieux Optimo Zoom Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Directed by: John Maybury
Cinematography by: Vanja Cernjul
Edited by: Michael Berenbaum
Directed by: David Petrarca
Cinematography by: Romain Lacourbas
Edited by: Elizabeth Kling
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Edited by: Barbara Tulliver
Directed by: Daniel Minahan
Cinematography by: Xavier Grobet
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Steven Weisberg
Cameras: ARRI ALEXA Camera
Directed by: David Frankel
Cinematography by: Lawrence Sher
Edited by: Mark Livolsi
Directed by: David Gordon Green
Cinematography by: Tim Orr
Edited by: Craig Alpert
Directed by: Neil Burger
Cinematography by: Jo Willems
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System, Final Cut Pro Editing System
Directed by: Barry Levinson
Cinematography by: Eigil Bryld
Edited by: Aaron Yanes
Directed by: John Polson
Cinematography by: Tom Stern
Cameras: Panavision Cameras
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
Cinematography by: Xavier Grobet
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 435 Camera
Lenses: Zeiss Ultra Prime Lenses
Directed by: Kimberly Peirce
Cinematography by: Chris Menges
Edited by: Claire Simpson
Directed by: Malcolm D. Lee
Cinematography by: Matthew F. Leonetti
Directed by: M. Night Shyamalan
Cinematography by: Tak Fujimoto
Edited by: Conrad Buff IV
Cameras: Panavision Cameras
Directed by: Joby Harold
Cinematography by: Russell Carpenter
Edited by: Craig McKay
Directed by: Noah Baumbach
Cinematography by: Harris Savides
Edited by: Carol Littleton
Cameras: ARRICAM Lite (LT) Camera
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Edited by: Tim Squyres
Directed by: Julie Taymor
Cinematography by: Bruno Delbonnel
Edited by: Françoise Bonnot
Cameras: ARRI Cameras, Panavision Cameras
Lenses: Panavision Lenses
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Cameras: Panavision Cameras
Directed by: Terry George
Cinematography by: John Lindley
Edited by: Naomi Geraghty
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Thom Zimny
Cameras: ARRI Cameras
Directed by: Douglas McGrath
Cinematography by: Bruno Delbonnel
Edited by: Camilla Toniolo
Directed by: Michael Mayer
Cinematography by: James M. Muro
Edited by: Andrew Marcus
Directed by: David Frankel
Cinematography by: Florian Ballhaus
Edited by: Mark Livolsi
Cameras: ARRICAM Studio (ST) Camera
Directed by: Edward Burns
Cinematography by: William Rexer
Edited by: Jamie Kirkpatrick
Directed by: Mary Harron
Cinematography by: W. Mott Hupfel III
Edited by: Tricia Cooke
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
Directed by: Liev Schreiber
Cinematography by: Matthew Libatique
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Directed by: Jonathan Demme
Cinematography by: Tak Fujimoto
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Elodie Keene
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Allyson C. Johnson
Directed by: Daniel Attias
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Rob Bailey
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Ernest R. Dickerson
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Robert F. Colesberry
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Thomas J. Wright
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Peter Medak
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Michael Caton-Jones
Cinematography by: Karl Walter Lindenlaub
Edited by: Jim Clark
Cameras: Panavision Cameras
Directed by: Timothy Van Patten
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Steve Shill
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Brad Anderson
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Milcho Manchevski
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Gloria Muzio
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Joe Chappelle
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Ed Bianchi
Cinematography by: Uta Briesewitz
Edited by: Thom Zimny
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Clement Virgo
Cinematography by: Uta Briesewitz
Edited by: Kate Sanford
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Clark Johnson
Cinematography by: Uta Briesewitz
Edited by: Geraldine Peroni
Directed by: Joe Chappelle, Ernest R. Dickerson, Clark Johnson, Ed Bianchi, Steve Shill, Daniel Attias, Timothy Van Patten, Agnieszka Holland, Brad Anderson, Clement Virgo, Rob Bailey, Elodie Keene, Christine Moore, Alex Zakrzewski, Anthony Hemingway, Seith Mann, Milcho Manchevski, Peter Medak, Gloria Muzio, Robert F. Colesberry, Thomas J. Wright, Leslie Libman, Jim McKay, David Platt, Joy Kecken, Scott Kecken, Dominic West
Edited by: Kate Sanford, Thom Zimny, Geraldine Peroni, Alex Hall, John Chimples, Michael Berenbaum, Meg Reticker, Allyson C. Johnson, Deborah Moran
Lenses: Panavision Lenses
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Directed by: Barry Sonnenfeld
Cinematography by: Greg Gardiner
Directed by: Frank Oz
Cinematography by: Rob Hahn
Edited by: Richard Pearson
Directed by: John Cameron Mitchell
Cinematography by: Frank G. DeMarco
Edited by: Andrew Marcus
Directed by: Joan Stein Schimke
Cinematography by: András Nagy
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Dylan Tichenor
Cameras: Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Richard Marks
Cameras: Panavision Cameras
Directed by: Sidney Lumet
Cinematography by: David Watkin
Edited by: Tom Swartwout
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Directed by: Frank Oz
Cinematography by: Ueli Steiger
Edited by: Richard Pearson
Directed by: Nora Ephron
Cinematography by: John Lindley
Edited by: Richard Marks
Directed by: Mike Nichols
Cinematography by: Michael Ballhaus
Edited by: Arthur Schmidt
Cameras: ARRIFLEX Camera
Directed by: Griffin Dunne
Cinematography by: Andrew Dunn
Edited by: Elizabeth Kling
Directed by: Barbet Schroeder
Cinematography by: Luciano Tovoli
Edited by: Lee Percy
Cameras: Panavision Panaflex Platinum Camera
Cinematography by: Roger Deakins
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 535 B Camera
Directed by: James Mangold
Cinematography by: Eric Alan Edwards
Edited by: Craig McKay
Directed by: Alan J. Pakula
Cinematography by: Gordon Willis
Directed by: Abel Ferrara
Cinematography by: Ken Kelsch