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Ripe [Ruptured & T3]

by Postcards

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mclose The instrumentation, lyrics and production are all exceptional. The album is a little window into Julia, Pascal and Marwan’s world, and I find myself listening over and over getting lost in it. Thank you all for sharing this music and the stories with the world.
Favorite track: Dust Bunnies.
Timo Mitchell
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Timo Mitchell Love the quiet/loud dynamic. Favorite track: Poison.
Schuyler Kitchin
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Schuyler Kitchin The anguish of this album is palpable throughout, lyrically and in the vastness/intensity of the shoegazey sound. Art born out of a very real experience of and fear of death, yet with glimmers of hope within. Thank you for this, Julia, Pascal, and Marwan. Favorite track: Dust Bunnies.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card
    Download available in 16-bit/44.1kHz.

      $10 USD  or more

     

  • Record/Vinyl + Digital Album

    140gsm vinyl pressed at Mother Tongue (Italy), comes in a 350gsm jacket with a 3.5mm spine and a black paper inner dust sleeve. Download code included.

    Cover photo by Mohamad Abdouni. Design by Josette ZOoz Khalil.

    Includes unlimited streaming of Ripe [Ruptured & T3] via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 10 days
    edition of 400 
    Purchasable with gift card

      $25 USD or more 

     

  • Compact Disc (CD) + Digital Album

    CD comes in a custom mini-gatefold paperboard jacket, with lyrics included. Photography by Mohamad Abdouni. Design by Josette ZOoz Khalil.

    Distributed to Bandcamp by Ruptured, on behalf of Postcards and T3 Records.

    Includes unlimited streaming of Ripe [Ruptured & T3] via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.
    ships out within 10 days
    Purchasable with gift card

      $15 USD or more 

     

  • Shirt

    Show your support for both great music and the planet with our Earth Positive T-shirts.

    Made from 100% eco-friendly organic cotton. The garment is produced using sustainable energy generated from wind and solar power, resulting in a reduced carbon footprint.

    Available in sizes XS, S, M, L, and XL.
    ships out within 5 days
    Purchasable with gift card

      $27 USD or more 

     

  • Shirt

    Show your support for both great music and the planet with our Earth Positive T-shirt.

    Made from 100% eco-friendly organic cotton. The garment is produced using sustainable energy generated from wind and solar power, resulting in a reduced carbon footprint.

    Available in sizes M, L, and XL.
    ships out within 5 days
    4 remaining
    Purchasable with gift card

      $27 USD or more 

     

  • Shirt

    Show your support for both great music and the planet with our Earth Positive T-shirt.

    Made from 100% eco-friendly organic cotton. The garment is produced using sustainable energy generated from wind and solar power, resulting in a reduced carbon footprint.

    Available in sizes S, M, L, and XL.
    ships out within 5 days
    6 remaining
    Purchasable with gift card

      $27 USD or more 

     

  • Ripe Approved Test Pressing - signed by the artists
    Record/Vinyl + Digital Album

    This is the approved test pressing of Postcards's vinyl release of "Ripe". Only 5 copies are available worldwide.

    Why do we sell test pressings?
    At Ruptured, we offer these rare items to provide support to our operations. By purchasing a test pressing, you help us lower record prices and shipping costs, and acquire better packaging.

    One hundred percent of the sales from test pressings goes towards maintaining the quality of our releases, and allowing us to continue releasing and promoting independent artists from Lebanon and the MENA region.

    Includes unlimited streaming of Ripe [Ruptured & T3] via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Download available in 16-bit/44.1kHz.

    Sold Out

1.
I STAND CORRECTED I stand corrected This life’s not overdrawn Annihilated As we watch from afar We’re always at half-mast In lands where nothing lasts In the belly of the past And they try provoking the gods I stand corrected This earth is slanted This life’s not overdrawn Hold on to bolts of hot rage Hold on to whatever truth remains Hold on to you I think I’m onto something Destroy, rebuild, you know the drill Destroy rebuild, repeat and kill
2.
DUST BUNNIES Dust bunnies behind bedroom doors the craters left by meteors The windows we rebuilt once more Never fully close The bookmarks in unfinished novels Generations judged immoral The subtle smell of burnt debris mixed with dust and soil The ruins of empires past The sad remains of broken glass The idiotic will to hope to soften every blow The heavy weight, invisible of expectations, rituals The strings attached that hang above a partner’s lasting love The magnets on your mother’s fridge Your heartbreaking heritage Our ancestors may have known There’s nowhere left to go Scattered words in all three languages Scars that always seem to itch The stench of slaughtered cows in summer like living in a giant gutter The cactus growing in my throat There’s nowhere left to go Dust bunnies behind bedroom doors the craters left by meteors The windows we rebuilt once more Never fully close The ruins of empires past The sad remains of broken glass The idiotic will to hope to soften every blow The magnets on your mother’s fridge Your heartbreaking heritage Our ancestors may have known There’s nowhere left to go Scattered words in all three languages Scars that always seem to itch The stench of slaughtered cows in summer like living in a giant gutter The power cuts, the deadly boats the thunderstorms, ear-splitting drones The cactus growing in my throat There’s nowhere left to go
3.
Poison 03:35
POISON This body’s numbed up and this mind is on fire And when in doubt, release the poison inside Don’t stand so close, stay behind the line I lock myself up so you throw out the keys I point the fingers and you wait out the beast I would Lick all your open wounds if you’re ever bleeding Rip off my skin to keep you warm if you need it I was so sure I thought I had it down But you held on tight You waited long This body’s numbed up and this heart is on fire Now I think I know what love is really for and all the other people, fighting for their lives They’re on the run, just like I was I would Lick all your open wounds if you’re ever bleeding Rip off my skin to keep you warm if you need it
4.
WASTELAND ROSE I had always wondered why you stayed. In a sea of choices, you returned to the barren shore to a wasteland There’s a calm about you in your eyes Always thought you were in denial Now I’m the only one, always hanging on, to this place Now I’m the only one, mad enough to stay, one more day As the saying goes I fell close In this barren shore I’m a wasteland rose Now I’m the only one, always hanging on, to this place Now I’m the only one, mad enough to stay, one more day
5.
Nine 03:26
NINE Over a quarter of my lifetime I haven’t had enough Of this love, of this love Way down Way down the line You will be waiting for me Waiting for me No running far and wide I know this love is true and tried Even if the stars Will never be aligned A love to keep me still To hold my heart My cup to fill I haven’t had enough Of this love, of this love
6.
Colorblind 04:17
COLORBLIND I’ve been swimming upstream like a child Drown out other voices with a cry I raise a fist to empty skies Walk past common milestones with a sigh Greet those on the sidelines with a smile Look through them as they pass me by In the moment I’ll surrender I will end the fight Throw away the red cloth darling I am colorblind I know the game plan I learned all the wiles Throw away the red cloth darling Now it’s time to die Racing through the field without a crowd Trying to catch a breath I lose my mind The band plays on, as we go around I wish that I could see me through your eyes Am I a madwoman you despise beneath your soft-spoken goodbyes
7.
Ruins 05:12
RUINS Another fire burning Lovers in denial Is it just a warning Or are we out of time? Desecrated ruins Teenage paradise As the water simmers A generation dies Catatonic winter Monophonic sun A love overgrown A quiet surrender Like roots among stone We carry on Misdirected anger Nothing new to see Percolator coffee Burns slowly right through me A love overgrown A quiet surrender Like roots among stones We carry on
8.
Angel 03:24
ANGEL I could never swim With my head underwater Always looking out For the scythe For the angel Driving in the rain I can see us both Toppling off the highway Into the sea There’s the scythe There’s the angel Waiting for me The apartment shakes the water starts to sway I grab your arm In the dark you’re still here And there’s the scythe There’s the angel Waiting for me
9.
CONSTRUCTION SITE Construction site A kiss goodnight We sleep in backyard cemeteries Inhale the smoke, spit oxygen Breathe in the smog, cough out our sins I love it all, I’ve no regrets I puke out stars and cigarettes Held my head high then buried it between your shoulder and your neck I smell the earth still on your skin I smell the roses, eat the dirt Devour meals like they’re my last Waste all my nights Stuck in the past I’m at my best, I give my all I break my back against the wall I’m raging on the internet Download, delete, download again Now hold my hand Now let me go Now carry me back to the shore I pour my heart into these words I grieve the dying baby birds Still in their nest, by the AC On our brick-red, blood-soaked balcony I’m on the brink, I’m almost gone I feel the sun burning my lungs I’m raging on the internet Download, delete, download again I’m doing good, I’m almost ripe Ignore the mold growing on my side I’m at my best, I give my all I’m something of an argonaut I do it all while terrified But I’m no longer dead inside
10.
Dark Blue 03:56
DARK BLUE Remember the eclipse that summer I thought the world would burn right down I hid under the dining table With my hands over my eyes I’m still here, alive but glitching Slowly learning how to breathe And when you sleep I trace the scars drawn from your nose onto your ears Give me something new to hold on to I’m running out of lies The strand of hair between my fingers Slowly slips away with time Early mornings and cheap coffee My head resting on your belly I synchronize my breath to yours I can’t imagine other homes But if I dare to close my eyes I’m looking at you, paralyzed Wearing shoes a/one size too small My orange shirt all stained with blood Give me something new to hold on to I smell wet leaves in the air Dead dogs on the highway Their insides laid bare Dark blue, like the smell of your perfume Dark blue, like the night lamp and the moon Dark blue, was the color of my room Dark blue Dark blue, as the ink dries on my hands Dark blue, when I lose another friend Dark blue, when we look up at the moon Dark blue Dark blue, when the rules never apply Dark blue, thunderstorms in mid-July Dark blue, the horizon eats the moon Dark blue

about

"Fraught with tension and the chaos that overshadows everyday life in Lebanon, Postcards frame it through song; and while you can certainly draw a line to this in previous works, on Ripe the band are at their all-encompassing best, reaching new levels." – Sun-13

"If previous Postcards albums were drenched in reverb-soaked melancholy, "Ripe" is what happens when that sadness curdles into fury. It is an album of contradictions: lush but raw, defiant yet wounded, intimate while also sounding like the collapse of a city." – Chain DLK

"Postcards channel this violence into their music, crafting dreamlike landscapes where guitars cut through the canvas like blades. Ripe is born from pain and uncertainty, an album of defiance that blends brutality and vulnerability, noise and melody. Like a lighthouse in the fog, it searches (in vain?) for a possible way out." – Ondarock

"Ripe fills each gushing moment of this album with devastating imagery of smoldering buildings, poisoned blood, and barren shorelines. A challenging, shattering, necessary listen." - For The Record

"This is the soundtrack of burning youth, cigarettes over cityscapes, and late-night existential spirals. With the current situation in Gaza and Lebanon, the album takes on an even deeper resonance, its rawness mirroring the heartbreak, rage, and resilience of a region constantly on edge." – Scene Noise

"A darker, more punk-infused take on shoegaze." – CDM

---
As the world around them crumbles, Postcards transmute their rage into something transcendental. With their fifth studio album Ripe, the Lebanese trio take everything they’ve built over the past decade and stretch it into new, unexpected directions. Ripe is as much a departure as it is a natural evolution for the band: rawer, darker, but with the same unflinching resolve - a fitting response to the turmoil their region is currently enduring.

Opener "I Stand Corrected" wastes no time setting the tone and themes of the album. We're immediately plunged into a foggy sonic world of distorted guitars, pulsating rhythms and Julia Sabra's ethereal voice singing of rage, destruction, death and perseverance. A repeated mantra of "Destroy, rebuild, you know the drill" announces the cyclicality that runs through the album.

Ripe contains traces of the band's signature dream-pop sound, but the album's energy is jagged, urgent and often explosively raw. Much of it was recorded live at drummer Pascal Semerdjian's family home in the Lebanese mountains, and it shows. Ripe captures the band playing in the same room, at the peak of their powers, and brings the energy and urgency of their live shows into the studio. Long-time producer Fadi Tabbal once again builds a perfect sonic home for the songs, striking a delicate balance between lush and rough, heavy and ethereal.

Sabra handles most guitar duties this time around, and her raw emotive playing is central to this record. Marwan Tohme on bass and Semerdjian on drums have equally distinct voices, but it's the sum of these parts and the synergy between them that really shines through. The band often locks into hypnotic grooves, with tracks like the foggy "Colorblind" and the razor-sharp "Poison" revealing a rhythmic pulse that feels surprising given the heaviness and dissonance of the material. And while there's a deliberate shift from an earlier synth-driven sound to a more guitar-centric palette, atmospheric layers still weave through the album. The result is a sound that feels both visceral and expansive.

"Dust Bunnies", the album's lead single, brings a menacing unsettling atmosphere that recalls PJ Harvey's darker moments. It's a laundry list of the frustrations that come out of living in Lebanon, tapping into a primordial rage passed down through generations and culminating in Sabra belting out "Our ancestors may have known / There's nowhere left to go". Its fatalistic outlook is countered in "Ruins", a powerful reflection on perseverance: "Like roots among stones / We carry on". Throughout the album, the band navigates the fragile spaces between hope and despair, resignation and resilience.

These themes take on a sharper edge in the context of the band's homeland. With the ongoing Israeli genocide in Gaza and the attacks on south Lebanon - that have now spread to Beirut and beyond - Postcards channel the ever-present violence into their music. They have always had a political edge through a very personal lens. As violence inches ever closer, Ripe grapples with life in Lebanon and what it means to stay.
But the band refuses to be consumed by the darkness.
Ripe might be a record born out of anger, grief, and uncertainty, but it’s also one of defiance. It’s Postcards at their most brutal, at their most vulnerable, and at their most assured. They’ve grown darker, but in doing so, they’ve found a new clarity. The album's title evokes that growth and maturity. Postcards’ and our world might be breaking at the seams but the band is confident and firmly grounded, their foundations deep in the ground, their music stretching out to ever higher heights. Amidst the despair of the first track, there is a glimmer of hope: “Hold on to you / I think I’m onto something”. Indeed, this band is onto something. And amidst the noise, amidst the rage, they’ve made something ferociously beautiful.

Karl Mattar, December 2024

credits

released March 28, 2025

All music composed and performed by Postcards: Julia Sabra, Pascal Semerdjian and Marwan Tohme.
Lyrics by Julia Sabra.

Additional arrangements by Fadi Tabbal.
Bows on "Ruins" by Anthony Sahyoun.

Recorded and mixed by Fadi Tabbal in the Semerdjian family home in Ain Aar, and Tunefork Studios in Beirut.
Produced by Fadi Tabbal and Postcards.

Mastered by Harris Newman at Grey Market Mastering in Montreal.

Cover photo by Mohamad Abdouni.
Design by Josette ZOoz Khalil.

All the love to those who lent us gear and instruments to make this happen (Mouka, Cam, Michel, Khalaf, Joe, Salim), to Anthony for his bows, to Irene and Claude Semerdjian for the food and hospitality, to our friends, families and fans for supporting us for over a decade.

RPTD059


This album was partially funded by Institut Français du Liban through MASAR, a French initiative supporting contemporary music in Lebanon.
Cet album a été partiellement financé par l'Institut français du Liban dans le cadre de MASAR, une initiative française soutenant les musiques actuelles au Liban.

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Postcards Beirut, Lebanon

Postcards is a dream pop / shoegaze trio, and Beirut's longest-lasting alternative group since its formation in 2012.

With 4 concept albums and 3 EPs, the trio has produced a diverse catalog ranging from dream pop and shoegaze to post-punk and noise.

Their songs deal with themes of alienation, melancholy, and resistance, through textured soundscapes helmed by Julia's poignant words.
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