[go: up one dir, main page]

WO2003036613A1 - Compositeur midi - Google Patents

Compositeur midi Download PDF

Info

Publication number
WO2003036613A1
WO2003036613A1 PCT/EP2002/010682 EP0210682W WO03036613A1 WO 2003036613 A1 WO2003036613 A1 WO 2003036613A1 EP 0210682 W EP0210682 W EP 0210682W WO 03036613 A1 WO03036613 A1 WO 03036613A1
Authority
WO
WIPO (PCT)
Prior art keywords
music
audio signal
block
user interface
midi
Prior art date
Legal status (The legal status is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the status listed.)
Ceased
Application number
PCT/EP2002/010682
Other languages
English (en)
Inventor
Robert Najdenovski
Current Assignee (The listed assignees may be inaccurate. Google has not performed a legal analysis and makes no representation or warranty as to the accuracy of the list.)
Sony Mobile Communications AB
Original Assignee
Sony Ericsson Mobile Communications AB
Priority date (The priority date is an assumption and is not a legal conclusion. Google has not performed a legal analysis and makes no representation as to the accuracy of the date listed.)
Filing date
Publication date
Priority claimed from US10/143,665 external-priority patent/US7735011B2/en
Application filed by Sony Ericsson Mobile Communications AB filed Critical Sony Ericsson Mobile Communications AB
Priority to AT02785130T priority Critical patent/ATE515764T1/de
Priority to EP02785130A priority patent/EP1436802B1/fr
Publication of WO2003036613A1 publication Critical patent/WO2003036613A1/fr
Anticipated expiration legal-status Critical
Ceased legal-status Critical Current

Links

Classifications

    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0008—Associated control or indicating means
    • G10H1/0025—Automatic or semi-automatic music composition, e.g. producing random music, applying rules from music theory or modifying a musical piece
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0008—Associated control or indicating means
    • G10H1/0016—Means for indicating which keys, frets or strings are to be actuated, e.g. using lights or leds
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H1/00—Details of electrophonic musical instruments
    • G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058—Transmission between separate instruments or between individual components of a musical system
    • G10H1/0066—Transmission between separate instruments or between individual components of a musical system using a MIDI interface
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/101—Music Composition or musical creation; Tools or processes therefor
    • G10H2210/125—Medley, i.e. linking parts of different musical pieces in one single piece, e.g. sound collage, DJ mix
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/101—Music Composition or musical creation; Tools or processes therefor
    • G10H2210/151—Music Composition or musical creation; Tools or processes therefor using templates, i.e. incomplete musical sections, as a basis for composing
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2230/00—General physical, ergonomic or hardware implementation of electrophonic musical tools or instruments, e.g. shape or architecture
    • G10H2230/005—Device type or category
    • G10H2230/015—PDA [personal digital assistant] or palmtop computing devices used for musical purposes, e.g. portable music players, tablet computers, e-readers or smart phones in which mobile telephony functions need not be used
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2230/00—General physical, ergonomic or hardware implementation of electrophonic musical tools or instruments, e.g. shape or architecture
    • G10H2230/005—Device type or category
    • G10H2230/021—Mobile ringtone, i.e. generation, transmission, conversion or downloading of ringing tones or other sounds for mobile telephony; Special musical data formats or protocols therefor
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
    • G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
    • G10H2240/295—Packet switched network, e.g. token ring
    • G10H2240/305—Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
    • G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
    • G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
    • G10H2240/321—Bluetooth

Definitions

  • the present invention relates to audio signals of electronic devices, and more particularly, to an improved procedure for creating and editing polyphonic audio signals for an electronic device.
  • a personal computer for example, alerts a user to new email or instant messages with an audio signal via an audio component such as a speaker.
  • Other electronic devices such as mobile stations or PDAs, are generally provided with an audio component for producing a audio signal in order to announce an incoming call, or alert the mobile station user of new voicemail or a scheduled appointment.
  • the mobile station is often provided with a set of prestored audio signals, from which the user may choose a more individualized audio signal for one or more of the actions of the mobile station that require an audible alert.
  • computers are often provided with a pre-stored set of audio signals for alerting the user to new email or other actions.
  • the prestored audio signals usually have ordinary ringing tones, as well as melodies from familiar pieces of music.
  • mobile stations offer the ability to program an individualized audio signal by entering notes onto a staff. The mobile station then determines the tones to be played based on the location of the notes placed on the staff.
  • one of the disadvantages to the above- mentioned technique is that the user is assumed to have extensive knowledge of music theory in order to create a melody on a staff.
  • the task of placing notes on a staff can be laborious and time consuming for longer ring signals.
  • a new audio signal may be acoustically input by the user through a microphone attached to the mobile station.
  • the acoustic input is sampled, converted into digital form, and stored in a memory. Subsequently, this digitally stored audio signal may be converted into analog signals and supplied to a speaker for announcing, for example, an incoming call.
  • This approach also has its drawbacks in that the stored digital audio signal is essentially an exact representation of the original acoustic input.
  • the input will have a less than perfect quality, and even if digital ,data compression is applied to the stored audio signal, the data will still require a significant amount of memory.
  • the present invention overcomes the foregoing and other problems with a midi-composer application and associated method for creating polyphonic audio signals.
  • the midi-composer application includes a graphical user interface for assisting a user in creating the polyphonic audio signal.
  • the graphical user interface of the midi- composer application includes at least one track for receiving placement of at least one music block and a plurality of bars within the at least one track for relating the at least one music block with a- selected time period.
  • the midi-composer application also includes at least one music block of at least one type representing an audio loop or audio sample. The at least one music block is located within at least one bar of the at least one track.
  • FIGURE 1 is a block diagram of an electronic device including a midi-composer according to the present invention
  • FIGURE 2 illustrates examples of music block libraries for use with the user interface in accordance with a preferred embodiment of the present invention
  • FIGURE 3A is an exemplary view of a user interface for a midi-composer in accordance with a preferred embodiment of the present invention
  • FIGURE 3B is an exemplary view of the creation of a polyphonic audio signal using the user interface of FIGURE 3A
  • FIGURE 3C is an exemplary view of a completed polyphonic audio signal using the user interface of FIGURE 3A;
  • FIGURE 4 is a flow diagram illustrating generation of a polyphonic audio signal according to a preferred method of the present invention.
  • FIGURE 5 illustrates a block diagram of a mobile station incorporating the midi-composer according to the present invention.
  • FIGURE 1 an exemplary block diagram of an electronic device 10 including a midi-composer according to a preferred embodiment of the present invention is shown.
  • the electronic device may comprise a mobile telephone, computer, PDA, pager or any other device providing audio alerts.
  • the electronic device 10 enables a user to compose a customized polyphonic audio signal by utilizing a midi- composer application 20.
  • the midi-composer 20 allows a user to select, using a navigation tool 50, from prerecorded musical loops or samples 30 represented by music blocks 202, to compose the polyphonic audio signal.
  • the navigation tool 50 may comprise of a mouse, touch screen and joystick, etc.
  • the midi-composer application 20 enables presentation of a graphical user interface 300 on a display 302 of the electronic device 10.
  • a user browses through at least one music library 200 stored in a memory 40 to select a music block 202 of interest.
  • the selected music block 202 is placed by using a drag and drop operation, cut and paste operation, or other similar techniques, onto a particular location of the user interface 300 as may be more fully described in a moment.
  • the technique used to place a music block onto a location depends on the type of electronic device 10 used. For example, a computer may use a copy and paste operation, whereas a PDA may use a drag and drop operation.
  • the user may drag and drop, or copy and paste, one or more music blocks 202 at a time. The user continues to place music blocks 202 onto specific locations of the user interface 300 with the navigation tool 50 until the desired polyphonic audio signal is created.
  • Examples of music libraries 200 for use with a graphical user interface 300 of the midi-composer 20 is illustrated.
  • the music blocks 202 represent pre-recorded musical loops or samples 30 that can be melodies or other sounds from a variety of sources or instruments.
  • the musical loops or samples 30 can be divided into different music libraries 200 and presented to the user via the graphical user interface 300.
  • the music libraries 200 can be organized to correspond to the type of music loops or samples 30 stored therein.
  • a rhythm library 200A includes a variety of musical loops or samples 30 from drums, cymbals, maracas, or other rhythm instruments from which the user may select.
  • a bass library 200B includes a collection of bass loops or samples 30 prerecorded from, for instance, a bass guitar, piano bass, or tuba.
  • a accompaniment library 200C includes accompaniment loops or samples 30 pre-recorded from, for example, an electric or acoustic guitar, or a trumpet.
  • Each user can also create music loops or samples 30 of any recordable sound such as a melody including voice, piano, or trumpet, and store the music loops or samples 30 in solo blocks 202D.
  • the solo blocks 202D can be stored in a solo library 200D, and used to create or edit the polyphonic audio signal.
  • the music libraries 200 may also be purchased or loaded from alternate sources and have additional libraries such as jazz, symphony, dance, and other types of sounds.
  • the user browses through any of the music libraries 200 to select a music block 202 to insert into the polyphonic audio signal the user is creating or editing. For example, a user may want to compose an audio signal with a block 202A.
  • the user selects the rhythm library 200A using the navigation tool 50, and browses through rhythm blocks 202A comprising different ready-mixed sequenced loops or samples of drums, cymbals, or maracas.
  • the blocks 202 represent midi, wav, or files of other formats for storing audio files.
  • the music blocks 202 may comprise a single bar of music, or stretch over several bars.
  • a bar is a unit of time used in music, and therefore each music block may vary in the length of time that each particular music block 202 lasts.
  • the user browses the rhythm blocks 202A with the navigation tool 50 in order to highlight a specific rhythm block 202A.
  • the user highlights a specific rhythm block 202A by using the navigation tool 50 to move a cursor or marker to the specific music block 202 of interest.
  • the electronic device 10 outputs an audio signal to an audio component 60 to play the rhythm loop or sample represented by the rhythm block 202A.
  • the user hears the selected rhythm loop or sample 30 being played by the audio component 60.
  • the user can select the highlighted block 202A, for placement in the GUI 300 or navigate to a different block 202A to hear a different loop or sample.
  • the user selects a block by, for example, pressing a button on a joystick or mouse.
  • a copy of the selected block 202A is made in order to drag and drop, or copy and paste, the block 202A onto a location of the graphical user interface 300.
  • One music block 202 may be dragged and dropped, or copied and pasted, from the music library 200 to the graphical user interface 300 at a time, or alternatively, several music blocks 202 from a music library 200 can be selected and dropped onto the chosen location of the graphical user interface 300.
  • the user repeats the same process for browsing, selecting, and dropping any music block 202 from any of the music libraries 200 onto the graphical user interface 300.
  • the graphical user interface 300 of the midi-composer application 20 for creating or editing a polyphonic audio signal will be described.
  • the user drags and drops, or copies and pastes, the block 202 into a track 302.
  • a track is an allotted position to which music is recorded.
  • Several tracks may be layered together so that the tracks play at the same time, allowing, for example, a voice track to play at the same time as a accompaniment track.
  • the user also places the block at a particular bar 304.
  • the position of the music block 202 within the bar 304 indicates the point in time at which the block 202 is played.
  • the user can place a block 202 on any track 302 at any bar 304 using a navigation tool 50 to maneuver through the different tracks 302 and bars 304.
  • the user may create or edit a polyphonic audio signal with only one track 302, or optionally the user may layer two or more tracks (302A, 302B, 302C, 302D) on top of each other so that a plurality of sounds can be played at one time.
  • one track 302 is used for each music library 200, thereby simplifying the process of creating or editing the polyphonic audio signal.
  • each music library can be color coded to further simplify the process. For instance, one track 302A may be for the rhythm type of music blocks 202 and be colored red, another track 302B may be for the accompaniment type of music blocks 202 and be colored green, and other tracks 302 may be used for additional libraries 200 and be denoted by different colors.
  • the tracks 302 can be played at the same time to create the customized polyphonic audio signal.
  • a play button 306 may be pressed by the user to play the current music blocks 202 placed as they are presently arranged in the graphical user interface 300.
  • the user may also press a stop button 308 to cease playing of the music blocks 202.
  • the user may also navigate through the tracks 302 and bars 304 of the graphical user interface 300 by using a scrolling button
  • the forward button allows a user to scroll forward through the signal and the reverse button allows a user to scroll back through the signal.
  • a user may also choose a special music block 202 or specific location on the user interface 300 by pressing certain numbers on the keypad. For example, a user may choose a music block 202 with the label "58". The user then selects that particular music block 202 by pressing the numbers 5 and 8 on the keypad.
  • FIGURE 3B represents the graphical user interface 300 on which the user has begun to create or edit the polyphonic audio signal.
  • the user has selected two blocks 202A and drags and drops, or copies and pastes, them into a first track 302A.
  • the user has also chosen a bass block 202B to play at the second bar 304B concurrently with the second block 202A.
  • a accompaniment block 202C has been selected for the third bar 304C to play immediately after the concurrent block 202A and bass block 202B cease to play.
  • the user can continue to add or delete music blocks 202, or modify the placement of existing music blocks 202 on the tracks 302, until the user is satisfied with the polyphonic audio signal.
  • the finished polyphonic audio signal as shown in
  • FIGURE 3C the user has selected a plurality of music blocks 202, some one bar long, others two bars long.
  • the user can also create a bar 304K that does not play any music.
  • the user may scroll through the entire polyphonic audio signal to ensure correctness and make any modifications.
  • the polyphonic audio signal Once the polyphonic audio signal has been created or edited, the user may save the audio signal. Then the user may select the customized audio signal as the default setting for alerts such as an incoming call.
  • the polyphonic audio signal may also be transmitted to another device via the Internet, Bluetooth protocols, or other similar means of transmission.
  • a user can browse through a variety of music blocks 202 and listen to each music block 202 until a particular music block 202 of interest is discovered.
  • the user selects the music block of interest.
  • the particular music block 202 is selected with the navigation tool 50, for example a joystick or mouse.
  • the navigation tool 50 for example a joystick or mouse.
  • the button on the joystick or the mouse is pressed, the chosen music block 202 is highlighted.
  • the user can listen to the highlighted music block 202 to determine if the highlighted music block 202 is, in fact, the music block 202 the user wants to select.
  • the music block 202 can be selected by pressing the button on the joystick or mouse again. If it is determined that the highlighted music block 202 is not wanted, then the user may simply continue to browse the music blocks 202 with the joystick.
  • the preferred embodiment implements a joystick or mouse as the navigation tool, keypad buttons, a stylus, or a variety of other navigation tools may be used as well.
  • the user may select a music block 202 by pressing a stylus to the desired music block 202.
  • the user may also maneuver through the music blocks 202 by using keypad buttons .
  • the user may drag and drop, or copy and paste, the music block 202 into a track 302 at step 408.
  • the preferred embodiment of the present invention positions the music block 202 onto the track 302 by first making a copy of the selected music block 202.
  • the copied music block 202 floats at the end of a marker depicting the position of the joystick on a screen of the electronic device.
  • the floating music block 202 is then dragged, or copied and pasted, onto the track 302 by maneuvering the joystick to position the music block 202 at the desired location.
  • the music block 202 is dropped onto the track 302 by releasing the button on the joystick or mouse again. It should be realized that use of a drag and drop operation is merely intended to be exemplary and other methods for transferring a copy of a music block into the graphical user interface, such as a copy and paste technique, may be used.
  • the procedure is ended at step 412. If, for example, the user wishes to add another music block 202 at step 410, then the procedure is repeated starting over at step 402. The user may select as many music blocks 202 and tracks 302 as desired to complete the polyphonic signal.
  • FIGURE 5 depicts a block diagram of a mobile station 500 incorporating a preferred embodiment of the present invention.
  • a user browses, using the navigation tool 50 or eypad 502, through at least one music library 200 or music block 202 stored in the memory 40.
  • the music libraries 200 and/or music blocks 202 are displayed to the user on a screen 504 of the mobile station 500.
  • the user drags, or copies and pastes, the music block 202 on to a track of a graphical user interface 300 which is generated onto a screen 504 by the midi-composer application 20 and displayed on the screen 504.
  • the polyphonic audio signal is stored in the memory 40, and a default flag is set at the CPU 506 causing the polyphone audio signal to be played upon the occurrence of specified events such as an incoming call .
  • the next occurrence of the specified event will actuate the new customized audio signal which is played through the speaker 60.
  • the preferred embodiment illustrates a navigation tool 50 in addition to a keypad 502, those skilled in the art will understand that the keypad 502 may function as the navigation tool 50, and therefore, the navigation tool 50 would be unnecessary.
  • the mobile station 500 may also have the ability to record and store self-made audio loops or samples.
  • the mobile station 500 may also include an audio sampler 508 for receiving audio signals.
  • the self-made audio signals can be stored in the memory 40 in a solo library 200D or elsewhere.
  • the midi- composer application 20 can then create music blocks 202 for the self-made audio signals so that the user can incorporate the solo blocks 202 into the polyphonic audio signal .

Landscapes

  • Engineering & Computer Science (AREA)
  • Physics & Mathematics (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Theoretical Computer Science (AREA)
  • Electrophonic Musical Instruments (AREA)
  • Auxiliary Devices For Music (AREA)

Abstract

L'invention a trait à une technique de création de signaux audio de dispositifs de télécommunication pouvant être mise en oeuvre rapidement sans que l'utilisateur ait nécessairement des connaissances de la théorie musicale. Une application de compositeur midi comprend une interface utilisateur graphique conçue pour aider un utilisateur dans la création d'un signal audio polyphonique. Ladite interface utilisateur graphique comporte au moins une piste destinée à recevoir au moins un bloc de musique et une pluralité de mesures à l'intérieur de la ou des pistes, ce qui permet de mettre en correspondance le ou les blocs de musique avec une période de temps sélectionnée. Le ou les blocs de musique comprennent au moins un type de bloc de musique représentant un échantillon ou une boucle audio.
PCT/EP2002/010682 2001-10-19 2002-09-24 Compositeur midi Ceased WO2003036613A1 (fr)

Priority Applications (2)

Application Number Priority Date Filing Date Title
AT02785130T ATE515764T1 (de) 2001-10-19 2002-09-24 Midi-komponiervorrichtung
EP02785130A EP1436802B1 (fr) 2001-10-19 2002-09-24 Composeuse midi

Applications Claiming Priority (6)

Application Number Priority Date Filing Date Title
US34694501P 2001-10-19 2001-10-19
US34377501P 2001-10-19 2001-10-19
US60/343,775 2001-10-19
US60/346,945 2001-10-19
US10/143,665 US7735011B2 (en) 2001-10-19 2002-05-08 Midi composer
US10/143,665 2002-05-08

Publications (1)

Publication Number Publication Date
WO2003036613A1 true WO2003036613A1 (fr) 2003-05-01

Family

ID=27385964

Family Applications (1)

Application Number Title Priority Date Filing Date
PCT/EP2002/010682 Ceased WO2003036613A1 (fr) 2001-10-19 2002-09-24 Compositeur midi

Country Status (3)

Country Link
EP (1) EP1436802B1 (fr)
AT (1) ATE515764T1 (fr)
WO (1) WO2003036613A1 (fr)

Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2007053917A3 (fr) * 2005-11-14 2007-06-28 Continental Structures Sprl Procede de composition d’une œuvre musicale par un non-musicien
WO2008072143A1 (fr) * 2006-12-12 2008-06-19 Koninklijke Philips Electronics N.V. Système de composition musicale et procédé permettant de commander une génération de composition musicale
WO2009115641A1 (fr) * 2008-03-19 2009-09-24 Pore Oy Procédé de création d'une composition sonore, composition sonore, programme informatique qui met en application le procédé ainsi que service fourni dans un réseau d'informations
EP2495720A1 (fr) * 2011-03-02 2012-09-05 YAMAHA Corporation Génération de sons par combinaison de matériaux sonores
WO2016026755A1 (fr) * 2014-08-21 2016-02-25 Wire Swiss Gmbh Systèmes, procédés et dispositifs pour la génération de sons de notification
CN116597797A (zh) * 2023-04-26 2023-08-15 腾讯音乐娱乐科技（深圳）有限公司 歌曲改编方法、计算机设备和存储介质

Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0726559A2 (fr) * 1995-02-13 1996-08-14 Yamaha Corporation Processeur de signal audio pour déduire sélectivement une voix harmonique à partir de voix polyphoniques
US5886274A (en) * 1997-07-11 1999-03-23 Seer Systems, Inc. System and method for generating, distributing, storing and performing musical work files
WO2001061682A1 (fr) * 2000-02-21 2001-08-23 Yamaha Corporation Telephone portatif equipe d'une fonction de composition
WO2002077585A1 (fr) * 2001-03-26 2002-10-03 Sonic Network, Inc. Systeme et procede de creation et d'arrangement musicaux

Family Cites Families (2)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US5728962A (en) * 1994-03-14 1998-03-17 Airworks Corporation Rearranging artistic compositions
TW495735B (en) * 1999-07-28 2002-07-21 Yamaha Corp Audio controller and the portable terminal and system using the same

Patent Citations (4)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
EP0726559A2 (fr) * 1995-02-13 1996-08-14 Yamaha Corporation Processeur de signal audio pour déduire sélectivement une voix harmonique à partir de voix polyphoniques
US5886274A (en) * 1997-07-11 1999-03-23 Seer Systems, Inc. System and method for generating, distributing, storing and performing musical work files
WO2001061682A1 (fr) * 2000-02-21 2001-08-23 Yamaha Corporation Telephone portatif equipe d'une fonction de composition
WO2002077585A1 (fr) * 2001-03-26 2002-10-03 Sonic Network, Inc. Systeme et procede de creation et d'arrangement musicaux

Cited By (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
WO2007053917A3 (fr) * 2005-11-14 2007-06-28 Continental Structures Sprl Procede de composition d’une œuvre musicale par un non-musicien
WO2008072143A1 (fr) * 2006-12-12 2008-06-19 Koninklijke Philips Electronics N.V. Système de composition musicale et procédé permettant de commander une génération de composition musicale
WO2009115641A1 (fr) * 2008-03-19 2009-09-24 Pore Oy Procédé de création d'une composition sonore, composition sonore, programme informatique qui met en application le procédé ainsi que service fourni dans un réseau d'informations
EP2495720A1 (fr) * 2011-03-02 2012-09-05 YAMAHA Corporation Génération de sons par combinaison de matériaux sonores
JP2012194525A (ja) * 2011-03-02 2012-10-11 Yamaha Corp 発音制御装置、特定装置、発音制御システム、プログラムおよび発音制御方法
US8921678B2 (en) 2011-03-02 2014-12-30 Yamaha Corporation Generating tones by combining sound materials
WO2016026755A1 (fr) * 2014-08-21 2016-02-25 Wire Swiss Gmbh Systèmes, procédés et dispositifs pour la génération de sons de notification
CN116597797A (zh) * 2023-04-26 2023-08-15 腾讯音乐娱乐科技（深圳）有限公司 歌曲改编方法、计算机设备和存储介质

Also Published As

Publication number Publication date
ATE515764T1 (de) 2011-07-15
EP1436802B1 (fr) 2011-07-06
EP1436802A1 (fr) 2004-07-14

Similar Documents

Publication Publication Date Title
US7735011B2 (en) Midi composer
EP1736961B1 (fr) Système et procédé de création de sonnerie améliorées pour téléphone mobile
US20010047717A1 (en) Portable communication terminal apparatus with music composition capability
US20100228791A1 (en) Electronic Device Having Music Database And Method Of Forming Music Database
EP1436802B1 (fr) Composeuse midi
JP4340809B2 (ja) 移動体通信端末、および、プログラム
US20080060501A1 (en) Music data processing apparatus and method
JPH0411288A (ja) 楽曲検索機能付きカラオケ装置
KR20030029503A (ko) 사운드 믹서를 구비한 무선 이동 통신 핸드세트와 방법
JP3724410B2 (ja) 携帯端末における楽曲編集装置及び携帯端末で利用する楽曲編集プログラム
JP2001318677A (ja) 携帯電話機
JP3974069B2 (ja) 合唱曲や重唱曲を処理するカラオケ演奏方法およびカラオケシステム
JP3812984B2 (ja) カラオケ端末装置
US6147292A (en) Data-setting system and method, and recording medium
JP3509601B2 (ja) 楽音発生装置
KR20070039692A (ko) 음악 생성, 반주 및 녹음 기능을 구비한 이동통신 단말기
JP3620467B2 (ja) 通信端末
JP3852427B2 (ja) コンテンツデータ処理装置及びプログラム
JP2548723Y2 (ja) 楽音再生装置
JP4356509B2 (ja) 演奏制御データ編集装置およびプログラム
JPH0764545A (ja) 作曲装置
JP2003099045A (ja) 自動作曲プログラム
KR100620973B1 (ko) 음원데이타 출력시스템
JP2006337702A (ja) カラオケサービス方法およびカラオケシステム
JP2006030538A (ja) 楽曲データ編集・再生装置およびそれを用いた携帯情報端末

Legal Events

Date Code Title Description
AK Designated states

Kind code of ref document: A1

Designated state(s): AE AG AL AM AT AU AZ BA BB BG BR BY BZ CA CH CN CO CR CU CZ DE DK DM DZ EC EE ES FI GB GD GE GH GM HR HU ID IL IN IS JP KE KG KP KR KZ LC LK LR LS LT LU LV MA MD MG MK MN MW MX MZ NO NZ OM PH PL PT RO RU SD SE SG SI SK SL TJ TM TN TR TT TZ UA UG US UZ VC VN YU ZA ZM ZW

AL Designated countries for regional patents

Kind code of ref document: A1

Designated state(s): GH GM KE LS MW MZ SD SL SZ TZ UG ZM ZW AM AZ BY KG KZ MD RU TJ TM AT BE BG CH CY CZ DE DK EE ES FI FR GB GR IE IT LU MC NL PT SE SK TR BF BJ CF CG CI CM GA GN GQ GW ML MR NE SN TD TG

121 Ep: the epo has been informed by wipo that ep was designated in this application
DFPE Request for preliminary examination filed prior to expiration of 19th month from priority date (pct application filed before 20040101)
WWE Wipo information: entry into national phase

Ref document number: 2002785130

Country of ref document: EP

WWP Wipo information: published in national office

Ref document number: 2002785130

Country of ref document: EP

NENP Non-entry into the national phase

Ref country code: JP

WWW Wipo information: withdrawn in national office

Country of ref document: JP

WWE Wipo information: entry into national phase

Ref document number: 13143665

Country of ref document: US