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US3853031A - Flat-top guitar anti-warping device - Google Patents

Flat-top guitar anti-warping device Download PDF

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US3853031A
US3853031A US00467962A US46796274A US3853031A US 3853031 A US3853031 A US 3853031A US 00467962 A US00467962 A US 00467962A US 46796274 A US46796274 A US 46796274A US 3853031 A US3853031 A US 3853031A
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bridge
strings
fingerboard
guitar
hole
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C Williams
H Dewitt
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    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10DSTRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D1/00General design of stringed musical instruments
    • G10D1/04Plucked or strummed string instruments, e.g. harps or lyres
    • G10D1/05Plucked or strummed string instruments, e.g. harps or lyres with fret boards or fingerboards
    • G10D1/08Guitars

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  • One section of the device at one end thereof has a bridgeengageable surface and another section has a fingerboard-engageable surface at the opposite end of the device, and a quick acting manually actuatable element between said sections extends them longitudinally of the device from 21 released retracted position to react between said bridge and fingerboard to relieve the top of the guitar from tension applied thereto from the strings through the bridge when the guitar is not in use.
  • the thickness of the device is less than the space between the strings and the top or sound board thus enabling the device to remain in extended position on the top to effect muting of the sound, when desired, without interfering with the playing.
  • One of the objects of this invention is the provision of a simple anti-warping device, adapted to be quickly removably installed in a position on the sound table of a flat-top guitar, and manually actuated to relieve the tension of the strings on the sound table without loosening the strings, thereby preventing warpage of the sound table during the time period between playing sessions.
  • Another object of the invention is the provision of a simple device that is quickly removably installed on a flat-top guitar during storage periods that will maximal sively restore a warped sound table to substantially normal condition.
  • a still further object of the invention is the provision of a device having the foregoing objects, that, when installed on the guitar, will have a muting effect on the sound, but will not interfere in any way with playing of the instrument, and which device may be instantly removed to again transmit full tension of the strings to the sound table, and the full tone of the sounds.
  • An additional object is the provision of a method of preventing warpage of a fiat-top guitar, the strings of which have been tensioned and tuned, and without interfering with the normal playing of the guitar, by transmitting tension of the strings on the sound table, from the table to the rigid fingerboard carrying the frets.
  • FIG. 1 is a fragmentary top plan view of the portion of a flat-top guitar showing the terminal end portion of the fingerboard, and the bridge, with the device of this invention in position between the strings and the top of the guitar, taking the tension of the strings normally transmitted to the top;
  • FIG. 2 is an enlarged top plan view of the antiwarping device shown in FIG. 1 separate from the guitar, with the actuating lever also indicated in loosened position;
  • FIG. 3 is an edge elevation view of the device of FIG. 2;
  • FIG. 4 is an enlarged fragmentary view along line 4-4 of FIG. I, with the sound table shown in crosssection;
  • FIG. 5 is an enlarged cross-sectional view along line 5-5 of FIG. I;
  • FIG. 6 is a plan view of a modification of the form shown in FIGS. 1-5;
  • FIG. 7 is an edge view of the form shown in FIG. 6;
  • FIG. 8 is an enlarged, fragmentary sectional view along line 88 of FIG. 6;
  • FIG. 9 is an enlarged, fragmentary elevational view of the tensioning lever as seen from line 99 of FIG. 6.
  • Section I may be a generally rectangular, elongated strip.
  • section 1 The flat lower side of section 1 is covered with felt 3, or the like, which covering extends at 4 over the end of section 1 that will engage the lower terminal end of the fingerboard 5 of the guitar when the device is in operative position on the guitar (FIG. 1). When in such operative position, section 1 will extend across the sound hole 6 in the sound table 7, and the terminal lower end of the fingerboard 5 will be adjacent one side of the sound hole.
  • the felt-covered end of section 1 will have the same, or substantially the same horizontally extending con tour as the end of the fingerboard it is adapted to engage, which contour may, in some instances, be curved to follow the circular contour of the sound hole. Also, in many instances, the lower terminal end of the fingerboard terminates short of the sound hole, in which case one end of the section I will rest on the portion of the sound table adjoining the end of the fingerboard.
  • section 1 The end portion of section 1 that is opposite the fingerboard-engageable end, is formed with a parallelsided slot 8 extending longitudinally of section I and opening outwardly of said opposite end.
  • the opposedly facing sides of slot 8 have parallel ribs 9 (FIG. 5) projecting toward each other and extending longitudinally of said slot.
  • Section 2 is formed with an elongated tongue 10 that extends into slot 8 longitudinally of the latter. Opposite sides of tongue are recessed at 11 (FIG. 5) to slidably fit on ribs 9, whereby section 2 will be slidably supported on section I for reciprocable movement longitudinally of the latter.
  • the main body of section 2 that is outwardly of the outwardly opening end of slot 8, may be rectangular and of substantially the same width as the length of the slotted terminal end of section 1.
  • the lower surface of section 2 is covered with felt 12 or the like, which material extends over the free outer end of section 2 at 13.
  • the end of section 2 at 13 is adapted to engage the slide of bridge 14 of the guitar that faces the terminal lower end of the fingerboard 5.
  • Bridge 14 is spaced from the sound hole 6 so that the section 2 and the slotted end portion of section I will usually be supported on the portion of the sound table between sound hole 6 and the bridge 14.
  • a machine screw 15 is threadedly supported within the end of tongue 10 at the closed end of slot 8.
  • the screw may be adjusted longitudinally of tongue I0 so its head 16 will project different distances from the tongue toward the closed end of slot 8.
  • a lever arm 17 extends into section I from and through one side edge of the latter within a flat-sided passageway 18 formed in said section (FIG. 3).
  • One end portion of said lever 17 projects from section 1 and is formed with a finger-engageable element 19, and the other end of the arm 17 is formed with a cam portion 20 having an arcuately extending cam surface 21 cccentrically positioned relative to the axis of a pivot 22 (FIG. 3) supporting the lever arm for rotation.
  • the axis of said pivot is slightly offset to one side of a line parallel with the central longitudinal axis of section 1 so as to hold the sections 1, 2 in extended position when the lever arm is in the full line position shown in FIGS. 1, 2, as will be described.
  • the sections 1, 2 will be releasably locked in extended position due to the offset of pivot 22 relative to the longitudinal axis of sections 1, 2 on which the axis of screw 15 is positioned.
  • the spacing between the lower end of the fingerboard 5 and the bridge 14 may vary in different models and in the guitars of different makers. Where such variations are within the range of efficient adjustments of the screw 15, the length of the device may be changed to suit the variation. It is obvious that the lengths of sections 1, 2 may be longer or shorter to suit abnormally great or abnormally small spacings between the fingerboard and the bridge.
  • the section 1 is of greater width intermediate its end portions. This not only strengthens the section at one side of the pivot 22 where the strain on the device is greatest when it is actuated to relieve the tension of the strings on the top 7, but it enables the forming of a shoulder 25 facing toward the fingerboard.
  • This shoulder provides a surface adapted to be engaged by the thumb of a hand with the forefinger engaging the element 19 on the outer end of the lever arm 17 when the arm is in position 23 to facilitate application of the necessary force to swing the lever to the full line position for applying pressure against the bridge to relieve the tension of the strings on the sound table. It may be noted that this tension may be approximately 480 pounds.
  • the device is of less thickness than the space between the strings and the sound table thus leaving the strings free for manipulation by a player in the normal manner, whereby the guitar may be played while the device is in tension-relieving position.
  • the tone is muted when the guitar is played while the device is in this position, which efiect is highly desirable in many instances.
  • FIG. 4 clearly shows the manner in which the tensioning of the strings applies a warping force on the sound table.
  • the degree of movement of the section 2 against the bridge is normally quite small, being only sufficient to prevent warpage of the sound table during the periods of time between sessions of use when the strings heretofore must be loosened to prevent such warpage. in instances where permanent warpage has occured, it has been found that such warpage may ultimately be partially, if not wholly, corrected by the consistent use of the device during storage periods.
  • FIG. 4 shows a string held to the bridge by a peg
  • NYLON strings on classical guitars may be tied or connected to the bridge in one of several conventional ways, each of which transmits the tension of the strings to the sound table in the same manner.
  • the device as shown and described prevents tilting of the bridge and lifting or distortion of the sound table. Also, the classical guitar does not usually have a truss rod in the neck. and the use of the present device relieves the tension on the neck where it usually warps.
  • the strings extend over the usual nut (not shown) that is at the outer end of the fingerboard 5, and then successively over the frets 27 on said fingerboard, the sound hole 6, and a portion of the sound table 7, to and over saddle portion 28 of the bridge 14 to the points of securement of the strings to the bridge.
  • the anti-warping device shown in FIGS. 6-9 comprises a member 30 and a member 31 respectively adapted to engage the terminal end of the fingerboard on a flat-top guitar and the bridge, the same as sections 1, 2.
  • Members 30, 31 are elongated in the direction of their fingerboard and bridge engageable surfaces, and their correspondingly positioned ends are connected by a pair of toggle arms generally designated 32 and 33.
  • the adjacent ends of the arms 32 are pivotally connected by pivots 34 to an internally threaded sleeve 35 having lugs 36 projecting from opposite sides for the pivotal connections.
  • Sleeve 35 is threadedly supported on one end portion of a rod 37 for movement longitudinally of the rod upon rotation of the latter.
  • arms 32 are pivotally connected by pivots 39 to one of the correspondingly positioned ends of members 30, 31.
  • arms 33 are pivotally connected by pivots 40 to a sleeve 41 that is supported on the end of rod 37 opposite sleeve 35 for reciprocable sliding movement on said rod longitudinally of the latter. Lugs e. said force being insufficient to alter the tuning of said strings relative to each other.
  • Sleeves 41 hence movement of in its top and a fingerboard rigid with said top having the sleeves toward each other will effect movement of the members 30, 31 away from each other while movement of the sleeves away from each other will effect movement of the members 30, 31 away from each other.
  • the end of rod 37 supporting sleeve 41 projects outwardly of said sleeve, and carries the tensioning element generally designated 44 thereon.
  • This element is a lever arm 45 that performs the same function as lever arm 17, as will be seen.
  • Arm 45 is pivotally connected at one end to the outwardly projecting end of rod 37 by a pivot 46.
  • Said end of arm 45 may be in the form of a clevis-like cam 47 between which the projecting end of the rod 37 projects, the opposite sides of the cam 47 having corresponding cam surfaces 48 extending arcuately about the axis of pivot 46 and eccentrically of said axis. These surfaces slidably engage the axially facing surface of sleeve 41.
  • the members 30, 31 in extended position, as they would be when the device is positioned on a guitar in the same position as the device of FIG. 1, and when the arm is swung along path (FIG. 6) to a position at the opposite side of pivot 46, the members 30, 31 will be in a tension-releasing position 50 indicated in dot-dash lines.
  • the rod 37 may be rotated about its axis relative to sleeve 35 to vary the pressure applied by members 30. 31 when in an operative position.
  • manually actuatable means intermediate said members operatively connected with said members and movable in a direction for moving said members from said retracted position to said extended position when said members are in said operative position, thereby relieving said top of said warping tension.
  • said first member and said second member being in one plane and being ofa thickness less than the spacing between the top and the lengths of the strings of a standard flat-top guitar between such terminal end of the fingerboard and the bridge, whereby said members may be spaced below said strings when in said extended position to permit playing of said quitar.
  • first member and second member being in the said plane and telescopically connected for said movement from retracted position to extended position and vice versa;
  • said manually actuatable element including a cam rotatably supported on said first member
  • said means for regulating said degree of pressure being a cam-engaging piece supported on said second member for movement to different distances from said cam for varying the degree of extensible movement of said second member relative to said first member upon actuation of said cam.
  • said manually actuable means including a cam supported for rotation relative to said members having a finger-engageable lever arm connected therewith for rotating said cam, and

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  • Acoustics & Sound (AREA)
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Abstract

An anti-warping device of a length to extend between the terminal end of the fingerboard at one side of the sound hole in the flat top or sound table of a classical or acoustical guitar, and the bridge secured on said top spaced from the opposite side of said hole. One section of the device at one end thereof has a bridge-engageable surface and another section has a fingerboardengageable surface at the opposite end of the device, and a quick acting manually actuatable element between said sections extends them longitudinally of the device from a released retracted position to react between said bridge and fingerboard to relieve the top of the guitar from tension applied thereto from the strings through the bridge when the guitar is not in use. The thickness of the device is less than the space between the strings and the top or sound board thus enabling the device to remain in extended position on the top to effect muting of the sound, when desired, without interfering with the playing.

Description

United States Patent 1191 DeWitt et al.
[ Dec. 10, 1974 FLAT-TOP GUITAR ANTl-WARPING DEVICE [76] Inventors: Herman W. Dewitt, 916 Chestnut St.; Connie E. Williams, 1180 Lytle Rd., both of Yuba City, Calif. 9599] [22] Filed: May 8, 1974 211 App]. No.: 467,962
[52] US. Cl. 84/267, 84/453 [51] Int. Cl. GlOd l/08 [58] Field of Search 84/267, 453, 173, 290, 84/29l [56] References Cited UNITED STATES PATENTS 1,352,442 9/1920 Floresco 84/453 Primary Examiner-Richard B. Wilkinson Assistant Examiner-John F. Gonzales Attorney, Agent, or Firm-Townsend and Townsend [57] ABSTRACT An anti-warping device of a length to extend between the terminal end of the fingerboard at one side of the sound hole in the flat top or sound table of a classical or acoustical guitar, and the bridge secured on said top spaced from the opposite side of said hole. One section of the device at one end thereof has a bridgeengageable surface and another section has a fingerboard-engageable surface at the opposite end of the device, and a quick acting manually actuatable element between said sections extends them longitudinally of the device from 21 released retracted position to react between said bridge and fingerboard to relieve the top of the guitar from tension applied thereto from the strings through the bridge when the guitar is not in use. The thickness of the device is less than the space between the strings and the top or sound board thus enabling the device to remain in extended position on the top to effect muting of the sound, when desired, without interfering with the playing.
10 Claims, 9 Drawing Figures FLAT-TOP GUITAR ANTI-WARPING DEVICE SUMMARY OF THE INVENTION This invention has application to flat-top classic/- flamenco guitars and to flat-top steel-string guitars not having tailpieces or truss rods to take the tensions of the strings. The designation flat-top" hereinafter applies to guitars of the foregoing types, in both of which the bridge is glued to the upper face of the top or sound table, although in some instances it is bolted, resulting in the tensioned strings applying a tilting or lifting force to the bridge that is transferred to the sound table, causing warpage of the latter unless the tension on the bridge is relieved during storage between daily or nightly periods of performance. This means tuning down the strings, requiring retuning for use, a time consuming task frequently neglected with the result that the warpage becomes permanent.
One of the objects of this invention is the provision of a simple anti-warping device, adapted to be quickly removably installed in a position on the sound table of a flat-top guitar, and manually actuated to relieve the tension of the strings on the sound table without loosening the strings, thereby preventing warpage of the sound table during the time period between playing sessions.
Another object of the invention is the provision of a simple device that is quickly removably installed on a flat-top guitar during storage periods that will progres sively restore a warped sound table to substantially normal condition.
A still further object of the invention is the provision of a device having the foregoing objects, that, when installed on the guitar, will have a muting effect on the sound, but will not interfere in any way with playing of the instrument, and which device may be instantly removed to again transmit full tension of the strings to the sound table, and the full tone of the sounds.
An additional object is the provision of a method of preventing warpage of a fiat-top guitar, the strings of which have been tensioned and tuned, and without interfering with the normal playing of the guitar, by transmitting tension of the strings on the sound table, from the table to the rigid fingerboard carrying the frets.
Other objects and advantages will appear in the description and in the drawings.
DESCRIPTION OF DRAWINGS FIG. 1 is a fragmentary top plan view of the portion of a flat-top guitar showing the terminal end portion of the fingerboard, and the bridge, with the device of this invention in position between the strings and the top of the guitar, taking the tension of the strings normally transmitted to the top;
FIG. 2 is an enlarged top plan view of the antiwarping device shown in FIG. 1 separate from the guitar, with the actuating lever also indicated in loosened position;
FIG. 3 is an edge elevation view of the device of FIG. 2;
FIG. 4 is an enlarged fragmentary view along line 4-4 of FIG. I, with the sound table shown in crosssection;
FIG. 5 is an enlarged cross-sectional view along line 5-5 of FIG. I;
FIG. 6 is a plan view of a modification of the form shown in FIGS. 1-5;
FIG. 7 is an edge view of the form shown in FIG. 6;
FIG. 8 is an enlarged, fragmentary sectional view along line 88 of FIG. 6; and
FIG. 9 is an enlarged, fragmentary elevational view of the tensioning lever as seen from line 99 of FIG. 6.
DETAILED DESCRIPTION OF INVENTION The device illustrated in FIGS. 1-5 comprises two main body sections 1, 2. Section I may be a generally rectangular, elongated strip.
The flat lower side of section 1 is covered with felt 3, or the like, which covering extends at 4 over the end of section 1 that will engage the lower terminal end of the fingerboard 5 of the guitar when the device is in operative position on the guitar (FIG. 1). When in such operative position, section 1 will extend across the sound hole 6 in the sound table 7, and the terminal lower end of the fingerboard 5 will be adjacent one side of the sound hole.
The felt-covered end of section 1 will have the same, or substantially the same horizontally extending con tour as the end of the fingerboard it is adapted to engage, which contour may, in some instances, be curved to follow the circular contour of the sound hole. Also, in many instances, the lower terminal end of the fingerboard terminates short of the sound hole, in which case one end of the section I will rest on the portion of the sound table adjoining the end of the fingerboard.
The end portion of section 1 that is opposite the fingerboard-engageable end, is formed with a parallelsided slot 8 extending longitudinally of section I and opening outwardly of said opposite end. The opposedly facing sides of slot 8 have parallel ribs 9 (FIG. 5) projecting toward each other and extending longitudinally of said slot. Section 2 is formed with an elongated tongue 10 that extends into slot 8 longitudinally of the latter. Opposite sides of tongue are recessed at 11 (FIG. 5) to slidably fit on ribs 9, whereby section 2 will be slidably supported on section I for reciprocable movement longitudinally of the latter.
The main body of section 2 that is outwardly of the outwardly opening end of slot 8, may be rectangular and of substantially the same width as the length of the slotted terminal end of section 1. The lower surface of section 2 is covered with felt 12 or the like, which material extends over the free outer end of section 2 at 13. The end of section 2 at 13 is adapted to engage the slide of bridge 14 of the guitar that faces the terminal lower end of the fingerboard 5. Bridge 14 is spaced from the sound hole 6 so that the section 2 and the slotted end portion of section I will usually be supported on the portion of the sound table between sound hole 6 and the bridge 14.
A machine screw 15 is threadedly supported within the end of tongue 10 at the closed end of slot 8. Thus, the screw may be adjusted longitudinally of tongue I0 so its head 16 will project different distances from the tongue toward the closed end of slot 8.
A lever arm 17 extends into section I from and through one side edge of the latter within a flat-sided passageway 18 formed in said section (FIG. 3). One end portion of said lever 17 projects from section 1 and is formed with a finger-engageable element 19, and the other end of the arm 17 is formed with a cam portion 20 having an arcuately extending cam surface 21 cccentrically positioned relative to the axis of a pivot 22 (FIG. 3) supporting the lever arm for rotation. The axis of said pivot is slightly offset to one side of a line parallel with the central longitudinal axis of section 1 so as to hold the sections 1, 2 in extended position when the lever arm is in the full line position shown in FIGS. 1, 2, as will be described.
When lever arm 17 is rotated about pivot 22 to the position 23, indicated in dot-dash lines in FIG. 2, the section 20 will be released for movement from an extended position as seen in FIGS. 1, 2 to a retracted position in which the device may be readily positioned between the terminal lower end of the fingerboard 5 and the bridge 14 (FIG. 1). Upon then swinging the lever arm 17 to the full line position of FIGS. 1, 2 the cam surface 20 will react against the head 16 of screw to move section 2 to extended position in which the thrust on section 2 will be sufficient to transmit the tension of the tuned strings 24 from the sound table to the bridge thereby relieving the sound table of the warping strain thereon.
The sections 1, 2 will be releasably locked in extended position due to the offset of pivot 22 relative to the longitudinal axis of sections 1, 2 on which the axis of screw 15 is positioned.
The spacing between the lower end of the fingerboard 5 and the bridge 14 may vary in different models and in the guitars of different makers. Where such variations are within the range of efficient adjustments of the screw 15, the length of the device may be changed to suit the variation. It is obvious that the lengths of sections 1, 2 may be longer or shorter to suit abnormally great or abnormally small spacings between the fingerboard and the bridge.
As seen in FIG. 2 the section 1 is of greater width intermediate its end portions. This not only strengthens the section at one side of the pivot 22 where the strain on the device is greatest when it is actuated to relieve the tension of the strings on the top 7, but it enables the forming of a shoulder 25 facing toward the fingerboard. This shoulder provides a surface adapted to be engaged by the thumb of a hand with the forefinger engaging the element 19 on the outer end of the lever arm 17 when the arm is in position 23 to facilitate application of the necessary force to swing the lever to the full line position for applying pressure against the bridge to relieve the tension of the strings on the sound table. It may be noted that this tension may be approximately 480 pounds.
in FIG. 4 it is seen that the device is of less thickness than the space between the strings and the sound table thus leaving the strings free for manipulation by a player in the normal manner, whereby the guitar may be played while the device is in tension-relieving position. The tone is muted when the guitar is played while the device is in this position, which efiect is highly desirable in many instances.
FIG. 4 clearly shows the manner in which the tensioning of the strings applies a warping force on the sound table. The degree of movement of the section 2 against the bridge is normally quite small, being only sufficient to prevent warpage of the sound table during the periods of time between sessions of use when the strings heretofore must be loosened to prevent such warpage. in instances where permanent warpage has occured, it has been found that such warpage may ultimately be partially, if not wholly, corrected by the consistent use of the device during storage periods.
While FIG. 4 shows a string held to the bridge by a peg, it is to be understood that NYLON strings on classical guitars may be tied or connected to the bridge in one of several conventional ways, each of which transmits the tension of the strings to the sound table in the same manner.
From the foregoing, it is seen that the device as shown and described prevents tilting of the bridge and lifting or distortion of the sound table. Also, the classical guitar does not usually have a truss rod in the neck. and the use of the present device relieves the tension on the neck where it usually warps.
in operation, when the device is in the position shown in FIG. I, and the lever 17 is swung from position 23 (FIG. 2) toward the full line position, the player can readily determine the correct adjustment of the screw 15 as the tone of the strings would be higher if the pressure were so sufficient to tilt the bridge in a direction opposite to the direction of the pull of the strings. Except in the case where the sound table is permanently warped, and an attempt is being made to gradually correct such warpage, the pressure applied by the device should be substantially only enough for the device to take the tension that normally would be taken by the sound table.
It has been found that the use of the device on flattop guitars displayed for sale enables the merchant to show and to demonstrate immediately, any of many different pre-tuned models, and to insure against warpage of their sound tables over a long period of time and under favorable conditions. Heretofore, this has not been possible.
In a conventional fiat-top guitar the strings are secured at one of their ends to a tuning machine on a peg head (not shown) that is at the outer end of the neck 26, a portion of the latter being shown in FIG. I.
From the tuning machine, which generates the tension, the strings extend over the usual nut (not shown) that is at the outer end of the fingerboard 5, and then successively over the frets 27 on said fingerboard, the sound hole 6, and a portion of the sound table 7, to and over saddle portion 28 of the bridge 14 to the points of securement of the strings to the bridge.
The anti-warping device shown in FIGS. 6-9 comprises a member 30 and a member 31 respectively adapted to engage the terminal end of the fingerboard on a flat-top guitar and the bridge, the same as sections 1, 2. Members 30, 31 are elongated in the direction of their fingerboard and bridge engageable surfaces, and their correspondingly positioned ends are connected by a pair of toggle arms generally designated 32 and 33. The adjacent ends of the arms 32 are pivotally connected by pivots 34 to an internally threaded sleeve 35 having lugs 36 projecting from opposite sides for the pivotal connections. Sleeve 35 is threadedly supported on one end portion of a rod 37 for movement longitudinally of the rod upon rotation of the latter.
The outer ends of arms 32 are pivotally connected by pivots 39 to one of the correspondingly positioned ends of members 30, 31.
The adjacent ends of arms 33 are pivotally connected by pivots 40 to a sleeve 41 that is supported on the end of rod 37 opposite sleeve 35 for reciprocable sliding movement on said rod longitudinally of the latter. Lugs e. said force being insufficient to alter the tuning of said strings relative to each other.
3. A device for relieving the tension of a set of tensioned strings on a flat-top guitar having a sound hole members 32 t Sleeves 41 hence movement of in its top and a fingerboard rigid with said top having the sleeves toward each other will effect movement of the members 30, 31 away from each other while movement of the sleeves away from each other will effect movement of the members 30, 31 away from each other.
The end of rod 37 supporting sleeve 41 projects outwardly of said sleeve, and carries the tensioning element generally designated 44 thereon. This element is a lever arm 45 that performs the same function as lever arm 17, as will be seen.
Arm 45 is pivotally connected at one end to the outwardly projecting end of rod 37 by a pivot 46. Said end of arm 45 may be in the form of a clevis-like cam 47 between which the projecting end of the rod 37 projects, the opposite sides of the cam 47 having corresponding cam surfaces 48 extending arcuately about the axis of pivot 46 and eccentrically of said axis. These surfaces slidably engage the axially facing surface of sleeve 41. in the full line position of the arm 45 the members 30, 31 are in extended position, as they would be when the device is positioned on a guitar in the same position as the device of FIG. 1, and when the arm is swung along path (FIG. 6) to a position at the opposite side of pivot 46, the members 30, 31 will be in a tension-releasing position 50 indicated in dot-dash lines.
The rod 37 may be rotated about its axis relative to sleeve 35 to vary the pressure applied by members 30. 31 when in an operative position.
in both forms of the invention it is seen that there is a cam-follower for each cam that is given a linear movement upon rotation of the cam by actuation of the cam lever, and the follower in each instance is connected with the fingerboard-engaging member and with the bridge-engaging member to effect movement of said members from retracted position to extended pressure-applying position.
We claim:
1. The method of releasing the tension of a set of tuned strings on a flat-top guitar having a sound hole in its top and a bridge at one side of said hole rigidly secured on said top to which one of the ends of said strings are secured, and a fingerboard rigid with said top having a terminal end facing said bridge at the side of said hole opposite the latter with the set of tuned and tensioned strings extending over said hole and supported by said bridge in a position spaced over said top and fingerboard, comprising the steps of:
a. applying an expanding force between said terminal end of said fingerboard and said bridge in the direction of the length of said strings in sufficient strength to relieve the tension transmitted from said set of strings by said bridge to said top and thereby transmitting said tension to said fingerboard;
b. said expanding force being applied in the direction of said strings; and
c. releasably holding said force in tension-relieving condition during the storage period when said guitar is not being played.
2. in the method as defined in claim I:
d. said force being in a plane spaced below said set of strings and in a plane parallel therewith: and
a terminal end adjacent one side of said hole and a bridge secured on said top adjacent the side of said hole opposite said terminal end supporting said strings in a position extending across said hole and spaced above said hole, top and fingerboard, comprising;
a. a first member and a second member adapted to be supported in an operative position between said terminal end and said bridge with said first member having a surface facing said terminal end and said second member having a surface facing said bridge;
b. supporting means supporting said members for movement from a retracted position with said surfaces out of pressure-applying relation to said terminal end and said bridge, to an extended position with surfaces in pressure-applying relation to said terminal end and bridge for relieving said top from warping tension transmitted to said top through said bridge;
c. manually actuatable means intermediate said members operatively connected with said members and movable in a direction for moving said members from said retracted position to said extended position when said members are in said operative position, thereby relieving said top of said warping tension.
4. in a device as defined in claim 3:
d. means for regulating the degree of said movement from said retracted position to said extended position.
5. [n a device as defined in claim 3:
d. said first member and said second member being in one plane and being ofa thickness less than the spacing between the top and the lengths of the strings of a standard flat-top guitar between such terminal end of the fingerboard and the bridge, whereby said members may be spaced below said strings when in said extended position to permit playing of said quitar.
6. In a device as defined in claim 5:
e. said first member and second member being in the said plane and telescopically connected for said movement from retracted position to extended position and vice versa;
f. said manually actuatable element including a cam rotatably supported on said first member; and
g. said means for regulating said degree of pressure being a cam-engaging piece supported on said second member for movement to different distances from said cam for varying the degree of extensible movement of said second member relative to said first member upon actuation of said cam.
7. in a device as defined in claim 3:
d. said manually actuable means including a cam supported for rotation relative to said members having a finger-engageable lever arm connected therewith for rotating said cam, and
e. a cam follower in engagement with said cam supported for linear movement in one direction upon rotation of said cam and under the influence of said rotation, and
7 8 f. means connecting said follower with said members storage of said guitar between playing sessions to for moving them from said retracted position to prevent warpage of said top under such tension; said expanded position upon said rotation of said d Cam y f P sald level" c. finger engageable means connected with said man- In combination wlth a fiattop havmg a top ually actuable means for actuating the latter to formed with a sound hole and having a fingerboard and a bridge at opposite sides of said hole rigid relative to said top with a set of strings secured to and supported uitar by said bridge in a position extending across said hole g and spaced above the latter and above said finger- 10 combmzinon as defined m board: d. said body being spaced below said strings when in pressure applying position to enable playing said apply said pressure and for retracting said body to relieve said pressure to remove said body from said a. an extensible and retractible body removably positioned on said top below said strings and extending guitar between i fi b d and said bridge; 10. In a combination as defined in claim 8:
b. manually actuable means on said body for extendmeans QPBFHUVeIY Connecled with Sald manually ing it into pressure transmitting engagement with uatfl lc means for regulating the pressure efsaid fingerboard and said bridge for taking tension fected by actuation thereof. of said strings when the strings are tuned, during

Claims (10)

1. The method of releasing the tension of a set of tuned strings on a flat-top guitar having a sound hole in its top and a bridge at one side of said hole rigidly secured on said top to which one of the ends of said strings are secured, and a fingerboard rigid with said top having a terminal end facing said bridge at the side of said hole opposite the latter with the set of tuned and tensioned strings extending over said hole and supported by said bridge in a position spaced over said top and fingerboard, comprising the steps of: a. applying an expanding force between said terminal end of said fingerboard and said bridge in the direction of the length of said strings in sufficient strength to relieve the tension transmitted from said set of strings by said bridge to said top and thereby transmitting said tension to said fingerboard; b. said expanding force being applied in the direction of said strings; and c. releasably holding said force in tension-relieving condition during the storage period when said guitar is not being played.
2. In the method as defined in claim 1: d. said force being in a plane spaced below said set of strings and in a plane parallel therewith: and e. said force being insufficient to alter the tuning of said strings relative to each other.
3. A device for relieving the tension of a set of tensioned strings on a flat-top guitar having a sound hole in its top and a fingerboard rigid with said top having a terminal end adjacent one side of said hole and a bridge secured on said top adjacent the side of said hole opposite said terminal end supporting said strings in a position extending across said hole and spaced above said hole, top and fingerboard, comprising; a. a first member and a second member adapted to be supported in an operative position between said terminal end and said bridge with said first member having a surface facing said terminal end and said second member having a surface facing said bridge; b. supporting means supporting said members for movement from a retracted position with said surfaces out of pressure-applying relation to said terminal end and said bridge, to an extended position with surfaces in pressure-applying relation to said terminal end and bridge for relieving said top from warping tension transmitted to said top through said bridge; c. manually actuatable means intermediate said members operatively connected with said members and movable in a direction for moving said members from said retracted position to said extended position when said members are in said operative position, thereby relieving said top of said warping tension.
4. In a device as defined in claim 3: d. means for regulating the degree of said movement from said retracted position to said extended position.
5. In a device as defined in claim 3: d. said first member and said second member being in one plane and being of a thickness less than the spacing between the top and the lengths of the strings of a standard flat-top guitar between such terminal end of the fingerboard and the bridge, whereby said members may be spaced below said strings when in said extenDed position to permit playing of said quitar.
6. In a device as defined in claim 5: e. said first member and second member being in the said plane and telescopically connected for said movement from retracted position to extended position and vice versa; f. said manually actuatable element including a cam rotatably supported on said first member; and g. said means for regulating said degree of pressure being a cam-engaging piece supported on said second member for movement to different distances from said cam for varying the degree of extensible movement of said second member relative to said first member upon actuation of said cam.
7. In a device as defined in claim 3: d. said manually actuable means including a cam supported for rotation relative to said members having a finger-engageable lever arm connected therewith for rotating said cam, and e. a cam follower in engagement with said cam supported for linear movement in one direction upon rotation of said cam and under the influence of said rotation, and f. means connecting said follower with said members for moving them from said retracted position to said expanded position upon said rotation of said cam by actuation of said lever.
8. In combination with a flat-top guitar having a top formed with a sound hole and having a fingerboard and a bridge at opposite sides of said hole rigid relative to said top with a set of strings secured to and supported by said bridge in a position extending across said hole and spaced above the latter and above said fingerboard: a. an extensible and retractible body removably positioned on said top below said strings and extending between said fingerboard and said bridge; b. manually actuable means on said body for extending it into pressure transmitting engagement with said fingerboard and said bridge for taking tension of said strings when the strings are tuned, during storage of said guitar between playing sessions to prevent warpage of said top under such tension; and c. finger engageable means connected with said manually actuable means for actuating the latter to apply said pressure and for retracting said body to relieve said pressure to remove said body from said guitar.
9. In a combination as defined in claim 8: d. said body being spaced below said strings when in pressure applying position to enable playing said guitar.
10. In a combination as defined in claim 8: d. means operatively connected with said manually actuatable means for regulating the pressure effected by actuation thereof.
US00467962A 1974-05-08 1974-05-08 Flat-top guitar anti-warping device Expired - Lifetime US3853031A (en)

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Cited By (6)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US4206678A (en) * 1977-11-29 1980-06-10 Antonio Espinos Guerrero Introduced in the mechanical and functional structure of stringed instruments
US5260505A (en) * 1992-01-06 1993-11-09 Kendall Donald W Reversing and preventing warpage in stringed musical instruments
US20080190263A1 (en) * 2007-02-13 2008-08-14 Darren Drew Sound board support system
US7462767B1 (en) * 2005-06-10 2008-12-09 Swift Dana B Stringed musical instrument tension balancer
US20130098222A1 (en) * 2011-01-11 2013-04-25 Frank Sanns, Jr. Acoustic string tension compensating method and apparatus
US20140102279A1 (en) * 2012-10-12 2014-04-17 Lars Otto Jensen Device for producing percussive sounds

Citations (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1352442A (en) * 1919-03-10 1920-09-14 Floresco Silvio Means and method of treating stringed instruments to improve quality of tone

Patent Citations (1)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US1352442A (en) * 1919-03-10 1920-09-14 Floresco Silvio Means and method of treating stringed instruments to improve quality of tone

Cited By (8)

* Cited by examiner, † Cited by third party
Publication number Priority date Publication date Assignee Title
US4206678A (en) * 1977-11-29 1980-06-10 Antonio Espinos Guerrero Introduced in the mechanical and functional structure of stringed instruments
US5260505A (en) * 1992-01-06 1993-11-09 Kendall Donald W Reversing and preventing warpage in stringed musical instruments
US7462767B1 (en) * 2005-06-10 2008-12-09 Swift Dana B Stringed musical instrument tension balancer
US20080190263A1 (en) * 2007-02-13 2008-08-14 Darren Drew Sound board support system
US20130098222A1 (en) * 2011-01-11 2013-04-25 Frank Sanns, Jr. Acoustic string tension compensating method and apparatus
US8969692B2 (en) * 2011-01-11 2015-03-03 Frank Sanns, Jr. Acoustic string tension compensating method and apparatus
US20140102279A1 (en) * 2012-10-12 2014-04-17 Lars Otto Jensen Device for producing percussive sounds
US8907201B2 (en) * 2012-10-12 2014-12-09 Lars Otto Jensen Device for producing percussive sounds

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