TWM641300U - Cajon stand - Google Patents
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- TWM641300U TWM641300U TW111213548U TW111213548U TWM641300U TW M641300 U TWM641300 U TW M641300U TW 111213548 U TW111213548 U TW 111213548U TW 111213548 U TW111213548 U TW 111213548U TW M641300 U TWM641300 U TW M641300U
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- 238000010586 diagram Methods 0.000 description 3
- 238000009527 percussion Methods 0.000 description 3
- 239000002023 wood Substances 0.000 description 3
- 238000007373 indentation Methods 0.000 description 2
- 238000004904 shortening Methods 0.000 description 2
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Abstract
一種木箱鼓架,設有一呈長條狀的底板,且底板的兩端分別形成一前端與一後端,一前擋件設於前端,且前擋件面向後端的一側形成有一前擋面,一後擋件設於後端,後擋件設有一直立部,直立部設有貫通的一調整螺孔,一抵緊板具有一上緣與一下緣,以上緣樞接直立部,使下緣得以相對於直立部樞擺,抵緊板面向前端的一側形成有一後擋面,並以一調整栓螺設於調整螺孔中,調整栓的一端抵接於抵緊板相對於後擋面的另一面,使得抵緊板可被調整栓推動而樞擺。A wooden cajon stand, which is provided with a long bottom plate, and the two ends of the bottom plate respectively form a front end and a rear end, a front stopper is arranged on the front end, and a front stopper is formed on the side of the front stopper facing the rear end On the surface, a rear stopper is arranged at the rear end, the rear stopper is provided with an upright part, and the upright part is provided with an adjustment screw hole passing through, and an abutting plate has an upper edge and a lower edge, and the upper edge is pivoted to the upright part, so that The lower edge can pivot relative to the upright portion, and the side of the abutting plate facing the front end forms a rear stop surface, and an adjusting bolt is screwed in the adjusting screw hole, and one end of the adjusting bolt abuts against the abutting plate relative to the rear The other side of the retaining surface is such that the abutting plate can be pushed by the adjusting bolt to pivot.
Description
本創作係與木鼓箱的固定架有關,尤指一種能調整結構以配合多種不同尺寸之木鼓箱的的固定架。 This creation is related to the fixing frame of the wooden drum box, especially a fixing frame that can adjust the structure to match a variety of wooden drum boxes of different sizes.
樂團演奏音樂時,經常使用不同音色的樂器彼此組合以展現出多元而動聽的演出,其中,木箱鼓(俗稱:Cajon或者卡轟),是近幾年開始流行的打擊樂器,由於其自由度高且容易入手,相對適合初學者學習,加上打擊時可以製造出類似於爵士鼓的音色及節奏,同時因體積小而便於攜帶,使木箱鼓大受歡迎,經常出現在各大樂團的表演現場。木箱鼓物如其名,外觀類似一個木箱且具有一打擊面,而相對於打擊面的另一面則會有一個呈圓形的共鳴孔,讓聲音可以透過共鳴孔擴大及傳出。 When the orchestra plays music, it often uses instruments of different timbres to combine with each other to show a diverse and beautiful performance. Among them, the wooden box drum (commonly known as: Cajon or Cajon) is a percussion instrument that has become popular in recent years. Due to its degree of freedom High and easy to use, it is relatively suitable for beginners to learn. In addition, it can create a timbre and rhythm similar to jazz drums when struck. At the same time, it is easy to carry because of its small size, making the cajon very popular. Show scene. As the name suggests, the cajon looks like a wooden box and has a striking surface, and there is a circular resonance hole on the other side of the striking surface, so that the sound can be expanded and transmitted through the resonance hole.
演奏者演奏木箱鼓時,通常由演奏者踩踏一踏板,帶動與踏板連接的擊錘以敲打木箱鼓,如第8圖所示為我國第M570516號專利案所揭露之木箱鼓打擊裝置9,其揭露利用踏板機構91帶動擊錘機構92敲打木箱鼓93的技術手段,由於敲打木箱鼓41的動作相對簡單,演奏者選擇將演奏木箱鼓93的任務分配給足部進行,而非直接以手掌拍打木箱鼓93的打擊面,藉此,讓手部得分配演奏較複雜的樂器,通過與擊錘機構92分離設置的踏板機構91,演奏者得以在不變動擊錘921的位置下,根據個人的身型或腿長來決定踏板911的位置。
When the player plays the cajon, the player usually steps on a pedal to drive the hammer connected to the pedal to beat the cajon. As shown in Figure 8, the cajon percussion device disclosed in the Chinese Patent No. M570516 9. It discloses the technical means of using the
由於木箱鼓93的演奏中,擊錘921捶打在木箱鼓93上的落點顯著地影響發出的音色,因此,為避免演奏品質不如預期,木箱鼓93與對應之擊錘921的相對位置極其重要,如第8圖所示,演奏者以一只木箱鼓架94連接木箱鼓93與擊錘921,木箱鼓架94設有螺孔與對應的調整栓95,演奏者待裝設好木箱鼓93後,遂將調整栓95螺設於螺孔中,並由調整栓95的一端推抵迫緊木箱鼓93的外周面,以此固定木箱鼓93的位置,通過木箱鼓架94將木箱鼓93與擊錘921連接並加以固定,供演奏者得穩固兩者的相對位置,穩定木箱鼓93的演奏品質。
Because during the playing of the
惟,演奏者經常需要於不同展場之間奔波,於演出開始之前將木箱鼓架組裝完成並於演奏結束後拆除,由於習用木箱鼓架的組件相對笨重,使得重複組裝與搬運等過程較為麻煩費力,其次,木箱鼓具有多種不同尺寸的款式,不同尺寸的木箱鼓,其寬度差距甚至可達10公分以上,而當為切換尺寸不同之木箱鼓而調整鼓架時,旋轉調整栓的過程極其冗長且效率極低。 However, performers often need to travel between different exhibition venues. The wooden cajon stand is assembled before the performance starts and dismantled after the performance. Because the components of the conventional wooden cajon stand are relatively bulky, repeated assembly and handling processes It is troublesome and labor-intensive. Secondly, the cajon has many styles of different sizes. The width difference between cajons of different sizes can even reach more than 10 cm. The process of adjusting the bolt is extremely tedious and inefficient.
另一方面,如前所述,木箱鼓設有呈圓孔狀的一共鳴孔,讓聲音可以透過共鳴孔擴大及傳出,而在較寬敞的演奏展場(如;音樂廳、歌劇院)時,演奏者經常需要透過麥克風才將木箱鼓的聲音放大至足夠分貝,因此演奏者通常會將麥克風以一支撐架夾設於共鳴孔的內緣,使麥克風得正對共鳴孔進行收音。然而,將麥克風通過支撐架夾設於木箱鼓的共鳴孔內緣,會對木箱鼓的演奏品質產生影響,麥克風的支撐架會阻擋鼓聲的共鳴結構,進而導致音色出現落差,考量到習用之木箱鼓架的組裝過程費時耗力,及麥克風支撐架對音色的負面影響,因此,尚有改善的空間。 On the other hand, as mentioned earlier, the cajon is provided with a circular hole-shaped resonance hole, so that the sound can be enlarged and transmitted through the resonance hole, and in a relatively spacious performance venue (such as; a concert hall, an opera house, etc.) ), the player often needs to amplify the sound of the cajon to enough decibels through the microphone, so the player usually clamps the microphone on the inner edge of the resonance hole with a support frame, so that the microphone is directly facing the resonance hole for sound collection . However, clamping the microphone to the inner edge of the cajon's resonance hole through the support frame will affect the performance quality of the cajon. The support frame of the microphone will block the resonance structure of the drum sound, which will lead to a drop in tone. The assembly process of the conventional wooden cajon stand is time-consuming and labor-intensive, and the microphone support frame has a negative impact on the tone, so there is still room for improvement.
有鑑於此,如何改進上述問題即本創作所欲解決之首要課題。 In view of this, how to improve the above-mentioned problems is the primary issue that this creation intends to solve.
本創作之目的之一在於提供一種木箱鼓架,其結構簡單,組裝容易,適合演奏者重複組裝,對經常在不同場合演奏的職業演奏家尤為適合,且演奏者為裝設不同尺寸之木箱鼓,旋轉螺栓使螺栓抵頂木箱鼓的過程能夠更快速地達成,具有放大螺設距離之功效,讓演奏者得更快速地固定木箱鼓。 One of the purposes of this creation is to provide a wooden cajon stand, which is simple in structure and easy to assemble, suitable for repeated assembly by players, especially suitable for professional players who often play on different occasions, and players need to install wooden boxes of different sizes. For the cajon, rotating the bolt makes the process of the bolt pressing against the wooden cajon more quickly, which has the effect of enlarging the distance of the screw, allowing the player to fix the cajon more quickly.
本創作之目的之二在於提供一種木箱鼓架,附設有用以連接麥克風支撐架的連接部,使得麥克風支撐架改成連接於木箱鼓架上而不再夾持於共鳴孔的內緣,藉此,避開麥克風對於木箱鼓演奏水準的負面影響,讓木箱鼓得演奏出完整的音色品質。 The second purpose of this creation is to provide a wooden cajon stand, which is attached with a connecting part for connecting the microphone support frame, so that the microphone support frame is changed to be connected to the wooden cajon stand instead of being clamped to the inner edge of the resonance hole. In this way, the negative impact of the microphone on the playing level of the cajon can be avoided, so that the cajon can be played with a complete sound quality.
為達前述之目的,本創作提供一種木箱鼓架,包含有:一底板,呈長條狀且底板的兩端分別形成有一前端與一後端;一前擋件,設於前端,且前擋件面向後端的一側形成有一前擋面;一後擋件,設於後端,後擋件設有一直立部,直立部設有貫通的一調整螺孔;一抵緊板,包含有一上緣與一下緣,以上緣樞接直立部,使下緣得以相對於直立部樞擺,抵緊板面向前端的一側形成有一後擋面;以及一調整栓,螺設於調整螺孔,且調整栓的一端抵接於抵緊板相對於後擋面的另一面,使抵緊板可被調整栓推動而樞擺。 In order to achieve the aforementioned purpose, this creation provides a wooden cajon stand, which includes: a bottom plate, which is elongated and has a front end and a rear end respectively at both ends of the bottom plate; A front retaining surface is formed on the side of the retaining member facing the rear end; a rear retaining member is arranged at the rear end, and the rear retaining member is provided with an upright portion, and the upright portion is provided with an adjusting screw hole through it; an abutment plate includes an upper The edge and the lower edge, the upper edge is pivotally connected to the upright portion, so that the lower edge can pivot relative to the upright portion, and the side of the abutment plate facing the front end forms a rear stop surface; and an adjusting bolt is screwed in the adjusting screw hole, and One end of the adjustment bolt abuts against the other surface of the abutment plate relative to the back stop surface, so that the abutment plate can be pushed by the adjustment bolt to pivot.
較佳地,後擋件設有俾供後端套接的一套接孔,使後擋件可滑動地套設於後端,後擋件還設有連通套接孔的一固定螺孔,而一螺栓螺設於固定螺孔,且螺栓的一端迫緊後端的外周面,以定位後擋件。 Preferably, the backstop is provided with a set of socket holes for the rear end to be socketed, so that the backstop is slidably sleeved on the rear end, and the backstop is also provided with a fixing screw hole communicating with the socket hole. And a bolt is screwed in the fixing screw hole, and one end of the bolt is pressed against the outer peripheral surface of the rear end to position the backstop.
較佳地,前擋件以螺接設置的方式連接前端,而前端具有至少二定位螺孔,至少二定位螺孔沿著底板的延伸方向以直線排列,俾供前擋件可藉由選擇其螺接位置,而調整該前擋面與該後擋面的距離。 Preferably, the front stop is connected to the front end in a screw-connected manner, and the front end has at least two positioning screw holes, and at least two positioning screw holes are arranged in a straight line along the extending direction of the bottom plate, so that the front stop can be selected by selecting its screwed position, and adjust the distance between the front block and the rear block.
較佳地,後擋面的下緣形成有一呈平滑的圓弧狀之抵緊部。 Preferably, a smooth arc-shaped abutting portion is formed on the lower edge of the rear stop surface.
較佳地,後端形成有一連接部,用以連接一麥克風的支撐架。 Preferably, a connecting portion is formed at the rear end for connecting to a support frame of a microphone.
進一步地說,連接部為一凹口,而支撐架的一端形成有一連接端,連接端設有一螺紋段且螺設一迫緊件,螺紋段嵌設於凹口中,使螺紋段跟迫緊件從兩側迫緊後端,以此連接支撐架的連接端與後端的凹口,更詳細地說,支撐架包含呈長桿狀的一第一支架、一第二支架與一第三支架,第二支架分別以兩端樞接第一支架與第三支架,連接端位於第一支架未與第二支架樞接的另一端,第三支架未與第二支架樞接的另一端用以連接麥克風座,第二支架由平行排列地二懸臂所組成,二懸臂之間形成有一容置空間,第一支架與第三支架得相對於第二支架樞轉並容設於容置空間。 Further, the connecting portion is a notch, and one end of the support frame is formed with a connecting end, the connecting end is provided with a threaded section and a pressing piece is screwed, and the threaded section is embedded in the notch, so that the threaded section and the pressing piece are separated from each other. Both sides tighten the rear end, so as to connect the connection end of the support frame and the notch at the rear end. More specifically, the support frame includes a first bracket, a second bracket and a third bracket in the shape of a long rod. The two brackets are pivotally connected to the first bracket and the third bracket at both ends, the connection end is located at the other end of the first bracket not pivotally connected to the second bracket, and the other end of the third bracket not pivotally connected to the second bracket is used to connect the microphone The second support is composed of two cantilever arms arranged in parallel, and an accommodating space is formed between the two cantilever arms. The first support and the third support are pivoted relative to the second support and accommodated in the accommodating space.
本創作之上述目的與優點,不難從以下所選用實施例之詳細說明與附圖中獲得深入了解。 The above-mentioned purposes and advantages of this creation are not difficult to obtain a deep understanding from the detailed description and accompanying drawings of the following selected embodiments.
1:木箱鼓架 1:cajon stand
10:底板 10: Bottom plate
11:前端 11: front end
111:定位螺孔 111: positioning screw hole
12:後端 12: Backend
121:連接部 121: connection part
122:凹口 122: notch
20:前擋件 20: Front block
21:前擋面 21: Front face
22:擊錘連接部 22: Hammer connection
30:後擋件 30: Backstop
31:套接孔 31: socket hole
32:固定螺孔 32: Fixing screw hole
33:直立部 33: upright part
331:調整螺孔 331: Adjustment screw hole
40:抵緊板 40: Clamping plate
41:上緣 41: upper edge
411:樞接部 411: pivot joint
42:下緣 42: lower edge
43:後擋面 43: Rear face
431:抵緊部 431: Clamping part
50:調整栓 50: Adjustment bolt
60:支撐架 60: support frame
61:第一支架 61: First bracket
611:連接端 611: connection end
612:螺紋段 612: thread segment
613:迫緊件 613: Urgent parts
62:第二支架 62: Second bracket
621:懸臂 621: Cantilever
622:容置空間 622:Accommodating space
63:第三支架 63: The third bracket
7:木箱鼓 7:cajon
8:麥克風座 8: Microphone stand
9:木箱鼓打擊裝置 9: Cajon percussion device
91:踏板機構 91: pedal mechanism
911:踏板 911: Pedal
92:擊錘機構 92: Hammer Mechanism
921:擊錘 921: Hammer
93:木箱鼓 93:cajon
94:木箱鼓架 94:cajon stand
95:調整栓 95: Adjustment bolt
D1:第一距離 D1: first distance
D2:第二距離 D2: second distance
第1圖為本創作之第一實施例的立體圖;第2圖為本創作之第一實施例的剖面分解圖;第3圖為本創作與木箱鼓及麥克風組合的示意圖;第4圖為本創作中後擋件的作動示意圖; 第5圖為本創作之的支撐架的立體圖;第6圖為本創作的支撐架收納時的示意圖;第7圖為本創作之第二實施例的側視圖;第8圖為前案之木箱鼓打擊裝置的立體圖。 Figure 1 is a perspective view of the first embodiment of this creation; Figure 2 is a cross-sectional exploded view of the first embodiment of this creation; Figure 3 is a schematic diagram of the combination of this creation with a cajon and microphone; Figure 4 is Schematic diagram of the movement of the backstop in this creation; Figure 5 is a perspective view of the support frame of this creation; Figure 6 is a schematic diagram of the support frame of this creation when it is stored; Figure 7 is a side view of the second embodiment of this creation; Figure 8 is the wood of the previous case A perspective view of a cajon striking device.
請參閱第1至4圖,所示者為本創作提供之木箱鼓架1,用以連接木箱鼓7以及麥克風座8,木箱鼓架1包含有一底板10、一前擋件20、一後擋件30、一抵緊板40、一調整栓50以及一支撐架60,其中:底板10,呈長條狀且底板10的兩端分別形成一前端11與一後端12,前端11設有三個定位螺孔111,三定位螺孔111沿底板10的延伸方向以直線排列,而後端12形成有一連接部121,於本實施例中為一個凹口122,用以連接支撐架60。
Please refer to Figures 1 to 4, which show the
前擋件20,設於前端11,且前擋件20面向後端12的一側形成有一前擋面21,於本實施例中,前擋件20以螺接設置的方式連接前端11,且根據木箱鼓7之尺寸決定所要螺接的定位螺孔111,使前擋件20螺接固定於前端11的不同處,此外,前擋件20還往前延伸形成有用以連接擊錘機構的一擊錘連接部22,由於擊錘機構為本領域之具有通常知識者所熟悉,於此容不贅述。
The
後擋件30,設有供後端12套接的一套接孔31,使後擋件30可滑動地套設於後端12,後擋件30設有連通套接孔31的一固定螺孔32,將後擋件30沿著後端12移動後,以螺栓螺設於固定螺孔32中且螺栓的一端迫緊後端12的周
面,藉此固定後擋件30於後端12的相對位置。此外,後擋件30還設有一直立部33,且直立部33設有貫穿的一調整螺孔331。
The
抵緊板40包含有一上緣41與一下緣42,抵緊板40的上緣41延伸形成有一樞接部411,抵緊板40以上緣41的樞接部411樞接於直立部33上,使下緣42得相對於直立部33樞擺,抵緊板40面向前端11的一側形成有一後擋面43,木箱鼓7即是設置於前擋件20的前擋面21以及抵緊板40的後擋面43之間,值得一提的是,考量到木箱鼓之材質為講求音色表現以及打擊時的手感,通常硬度不如實木一般堅硬扎實,因此,於本實施例中,後擋面43的下緣形成有一呈平滑的圓弧狀之抵緊部431,當後擋面43以其下緣的抵緊部431頂抵於木箱鼓7的外周面時,圓弧狀的抵緊部431較銳角更不易在木箱鼓7的外周面留下壓痕。
The
調整栓50,螺設於直立部33的調整螺孔331中,當演奏者裝設好木箱鼓7後,開始將調整栓50從調整螺孔331中鎖入,由於調整栓50的一端頂抵於抵緊板40相對於後擋面43的另一面,並使抵緊板40被調整栓50推動而樞擺,進而使抵緊板40上的後擋面43抵緊於木箱鼓7的外周面。
The
以上為本創作之木箱鼓架1的部分結構說明,以下將針對實際組裝過程進行說明:首先,根據木箱鼓7的尺寸決定前擋件20所螺接的定位螺孔111,木箱鼓7的尺寸愈大,需要選擇距離後端12愈遠的定位螺孔111,接著,待前擋件20螺接於底板10之後,將欲裝設的木箱鼓7置放於前擋件20與後擋件30之間,並將木箱鼓推抵至前擋件20的前擋面21,然後,推動後擋件30沿著後端12直線移動,當後擋件30抵頂木箱鼓7時,將螺栓螺設於固定螺孔32中,並以螺栓的一端迫緊後端12的外周面,使後擋件30相對於後端12的位置被固定,再來,
開始鎖緊螺設於調整螺孔331中的調整栓50,直至調整栓50一端頂抵於抵緊板40相對於後擋面43的另一面,讓抵緊板40被調整栓50推動而樞擺,最後,持續地鎖緊調整栓50直至抵緊部431抵緊木箱鼓7的外周面,如此一來,木箱鼓7被固定於前擋件20與後擋件30兩者之間,順帶一題,由於抵緊部431呈平滑的圓弧狀,即使抵緊部431緊迫壓於木箱鼓7的外周面,也不易造成壓痕。
The above is a partial structural description of the
更詳細地說,請參閱第4圖,當演奏者鎖緊調整栓50,由調整栓50的一端推抵抵緊板40,使抵緊板40開始相對於直立部33樞擺,其重點在於:本創作之木箱鼓架1採用抵緊板40的抵緊部431來抵緊木箱鼓7,而非習用技術之調整栓50,起初,抵緊部431抵靠於直立部33,隨後,隨調整栓50螺旋推進,開始相對於直立部33樞擺,其中,調整栓50從直立部33為起點向木箱鼓7前進有一第一距離D1,而抵緊板40樞擺使得抵緊部431移動一第二距離D2,如第4圖所示,藉由抵緊板40相對於直立部33樞擺而讓第二距離D2得以被放大,其放大程度則與抵緊板40的長度呈正相關,如此一來,組裝時,將調整栓50鎖設前進第一距離D1,而抵緊部431實際前進較長的第二距離D2,使得抵緊部431能較快地抵緊木箱鼓7,以此,使固定木箱鼓7的過程更快速,改善以往固定木箱鼓7過程冗長費力的缺點。
In more detail, please refer to Figure 4. When the player locks the
請再參考第3、5、6圖,前述說明僅針對本創作之木箱鼓架1如何固定木箱鼓7進行詳述,而本創作還具有連接麥克風座8之功效,其詳細說明如下:如第4圖所示,支撐架60包含呈長桿狀的一第一支架61、一第二支架62與一第三支架63,第二支架62分別以兩端樞接第一支架61與第三支架63,而第一支架61未與第二支架62樞接的另一端形成有一連接端611,於本實施
例中,為配合後端12的凹口122,支撐架60的一端形成有一連接端611,連接端611設有一螺紋段612且螺設一迫緊件613,螺紋段612嵌設於凹口122,使螺紋段612跟迫緊件613從兩側迫緊後端12,以此連接支撐架60的連接端611與後端12的凹口122,第三支架63未與第二支架62樞接的另一端則用以連接麥克風座8,如此一來,藉由支撐架60連接底板10的後端12與麥克風座8,讓麥克風座8無須組設於共鳴孔的內緣,以此避免干擾木箱鼓7中的共鳴結構。
Please refer to Figures 3, 5, and 6 again. The foregoing description only details how to fix the
進一步地說,第二支架62是由平行排列地二懸臂621所組成,二懸臂621之間形成有一容置空間622,當演奏者搬運木箱鼓架1時,可將第一支架61以及第三支架63相對於第二支架62樞轉,使第一支架61與第三支架63容設於容置空間622,讓本創作中支撐架60還具有收納體積小之功效。
Further, the
通過本創作之木箱鼓架1,演奏者於裝設不同尺寸的木箱鼓7時擁有兩種調整方式,首先,本創作設置多個定位螺孔111,讓演奏者針對木箱鼓7的尺寸決定螺接的定位螺孔111,以此先對前擋件20與後擋件30之間的距離做較大幅度地調整,接著,由於後擋件30可滑動地設於後端12,將後擋件30沿著後端12方向往木箱鼓7推進直至後擋面43的抵緊部431抵頂木箱鼓7,使演奏者可再針對木箱鼓7的尺寸誤差進行較小幅度的細部微調,最後再透過調整栓50頂抵抵緊板40,使抵緊部431緊迫壓於木箱鼓7的外周面,以此固定木箱鼓7,使本創作得對應不同尺寸的木箱鼓7,且組裝時推進調整栓50前進第一距離D1,則抵緊部431實則前進較長的第二距離D2,使得抵緊部431能較快地抵緊木箱鼓7,以此,使固定木箱鼓7的過程更快速,改善以往固定木箱鼓7過程冗長費力的缺點,使本創作具有縮短鎖緊時間之功效。
Through the cajon stand 1 of this creation, the player has two adjustment methods when installing the
此外,搬運本創作之木箱鼓架1時,可以先將前擋件20與後擋件30各自先行拆除,待抵達演奏現場後再透過螺栓進行組裝,且支撐架60於收納時,亦可以將第一支架61與第三支架63樞轉置入容置空間622中,使本創作還具有方便收納及搬運之功效。
In addition, when transporting the cajon stand 1 of this creation, the
請再參考第7圖,為本創作之木箱鼓架1的第二實施例,為方便說明,其中結構相似之元件均參考本創作之第一實施例進行編號,本創作之第二實施例之結構與第一實施例大致相同,其差別僅在於:前擋件20是由底板10的前端11延伸而一體地形成,前擋件20設有前擋面21以及擊錘連接部22,前擋件20以前擋面21從一側抵頂木箱鼓7,同時,以擊錘連接部22連接擊錘結構,讓木箱鼓7與擊錘結構的相對位置得以保持固定,其餘元件如後擋件30、抵緊板40及調整栓50均與第一實施例之結構相同,而同樣地,後端12也可以裝設麥克風座8的支撐架60。
Please refer to Figure 7 again, which is the second embodiment of the cajon stand 1 of this creation. For the convenience of description, the components with similar structures are numbered with reference to the first embodiment of this creation, and the second embodiment of this creation The structure is roughly the same as that of the first embodiment, the only difference being that the
通過本創作之木箱鼓架1的第二實施例中,後擋件30、抵緊板40與調整栓50彼此之間互相作動,讓演奏者以後擋件30可滑動的設置配合木箱鼓7的寬度進行調整,且組裝時推進調整栓50前進第一距離D1,則抵緊部431實則前進較長的第二距離D2,使得抵緊部431能較快地抵緊木箱鼓7,以此,使固定木箱鼓7的過程更快速,改善以往固定木箱鼓7過程冗長費力的缺點,使本創作之木箱鼓架1的第二實施例同樣具有縮短鎖緊時間之功效。
In the second embodiment of the cajon stand 1 of the present invention, the
惟以上實施例之揭示僅用以說明本創作,並非用以限制本創作,舉凡等效元件之置換仍應隸屬本創作之範疇。 However, the disclosure of the above embodiments is only used to illustrate this creation, not to limit this creation, and any replacement of equivalent components should still fall within the scope of this creation.
綜上所述,可使熟知本領域技術者明瞭本創作確可達成前述目的,實已符合專利法之規定,爰依法提出申請。 To sum up, those skilled in the art can understand that this creation can indeed achieve the above-mentioned purpose, and it actually complies with the provisions of the Patent Law, so they should file an application according to the law.
1:木箱鼓架 1:cajon stand
10:底板 10: Bottom plate
11:前端 11: front end
111:定位螺孔 111: positioning screw hole
12:後端 12: Backend
121:連接部 121: connection part
122:凹口 122: notch
20:前擋件 20: Front block
22:擊錘連接部 22: Hammer connection
30:後擋件 30: Backstop
31:套接孔 31: socket hole
33:直立部 33: upright part
40:抵緊板 40: Clamping plate
41:上緣 41: upper edge
411:樞接部 411: pivot joint
42:下緣 42: lower edge
43:後擋面 43: Rear face
431:抵緊部 431: Clamping part
Claims (8)
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| TW111213548U TWM641300U (en) | 2022-12-08 | 2022-12-08 | Cajon stand |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| TW111213548U TWM641300U (en) | 2022-12-08 | 2022-12-08 | Cajon stand |
Publications (1)
| Publication Number | Publication Date |
|---|---|
| TWM641300U true TWM641300U (en) | 2023-05-21 |
Family
ID=87382356
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| TW111213548U TWM641300U (en) | 2022-12-08 | 2022-12-08 | Cajon stand |
Country Status (1)
| Country | Link |
|---|---|
| TW (1) | TWM641300U (en) |
Cited By (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| TWI842260B (en) * | 2022-12-08 | 2024-05-11 | 億斌工業股份有限公司 | Wooden drum stand |
-
2022
- 2022-12-08 TW TW111213548U patent/TWM641300U/en unknown
Cited By (1)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| TWI842260B (en) * | 2022-12-08 | 2024-05-11 | 億斌工業股份有限公司 | Wooden drum stand |
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