TWI648452B - Method for preservation of historical artifacts - Google Patents
Method for preservation of historical artifacts Download PDFInfo
- Publication number
- TWI648452B TWI648452B TW106127631A TW106127631A TWI648452B TW I648452 B TWI648452 B TW I648452B TW 106127631 A TW106127631 A TW 106127631A TW 106127631 A TW106127631 A TW 106127631A TW I648452 B TWI648452 B TW I648452B
- Authority
- TW
- Taiwan
- Prior art keywords
- mesh layer
- mesh
- preserving
- reinforced
- cultural
- Prior art date
Links
Landscapes
- Automatic Embroidering For Embroidered Or Tufted Products (AREA)
Abstract
一種文物保存方法,包含一加固步驟,該加固步驟係將一網層連接於一文物之一待加固部外圍,以藉由該網層保護該待加固部,且藉由網層觀看該待加固部,其中該文物為一織品或/及一繡品。 A method for preserving a cultural relic includes a reinforcement step of connecting a mesh layer to a periphery of a cultural relic to be secured by the mesh layer, and viewing the to-be-reinforced portion by the mesh layer Department, where the artifact is a fabric or / and an embroidery.
Description
本發明係關於一種文物保存方法,尤指織品或/及繡品之文物的保存方法。 The invention relates to a method for preserving cultural relics, in particular to a method for preserving cultural relics of fabrics or/and embroidery.
繡品文物中的繡旗為台灣傳統廟會等宗教活動中不可或缺的腳色,也因此台灣許多寺廟、軒社和陣頭皆藏有數量龐大且歷史悠久(大多是日治至戰後時期)的繡品文物。 The embroidered flag in the embroidered cultural relics is an indispensable role in religious activities such as traditional temple fairs in Taiwan. Therefore, many temples, shrines and ceremonies in Taiwan are possessed in a large number and have a long history (mostly from the Japanese to the post-war period). Embroidery artifacts.
這些繡品文物許多已破損脫落嚴重,但這些傷害的修復曠日耗時且須耗費大量精神、經費,並不容易快速招集足夠的修復人才、準備充裕經費等資源進行整批的文物修復維護,也不太容易有完善的典藏庫房來存放。因此,在這些文物可進行正式修復作業前,迫切需要有適合的暫時性加固之保存方法,避免繡品文物的繡線、配件等物件持續性的鬆落遺失。 Many of these embroidery artifacts have been damaged and severely damaged, but the repair of these injuries is time-consuming and requires a lot of mental and financial expenses. It is not easy to quickly recruit enough repair talents, prepare sufficient funds and other resources to carry out the whole batch of cultural relics repair and maintenance. It is also not easy to have a perfect collection of warehouses for storage. Therefore, before these cultural relics can be officially repaired, there is an urgent need for a suitable temporary reinforcement method to avoid the loss of the embroidery thread, accessories and other objects of the embroidery artifacts.
雖然目前建築彩繪、架上油畫、紙絹類書畫等文物修復上有所謂的「暫時性加固」技術,是針對文物顏料層有龜裂、起甲、剝落狀況,或者基底材出現破損、斷裂等劣化情形時,進行修復前的暫時性保護措施。惟目前針對織品或/及繡品的文物尚未有適合的暫時性加固的技術,而難以解決上述文物保存的困境。 Although there are so-called "temporary reinforcement" techniques for the restoration of cultural relics such as architectural paintings, oil paintings on shelves, paintings on paperboards, etc., there are cracks, nails, peeling, or damage or breakage of the base material. In the case of deterioration, temporary protection measures before repair are performed. However, the current cultural relics for fabrics or/and embroidery have not yet been suitable for temporary reinforcement techniques, and it is difficult to solve the predicament of preservation of the above-mentioned cultural relics.
爰此,本發明人為能較佳地保存織品或/及繡品文物,而提出一種文物保存方法,包含一加固步驟,該加固步驟係將一網層連接於一文物之一 待加固部外圍,以藉由該網層保護該待加固部,且藉由該網層觀看該待加固部,其中該文物為一織品或/及一繡品。 Accordingly, the present inventors have proposed a method for preserving cultural relics for better preservation of fabrics and/or embroidery artifacts, comprising a reinforcing step of connecting a mesh layer to one of the cultural relics. The periphery of the reinforcement portion is to protect the to-be-reinforced portion by the mesh layer, and the to-be-reinforced portion is viewed by the mesh layer, wherein the cultural relic is a fabric or/and an embroidery.
進一步,該網層介於15丹尼至30丹尼之間。 Further, the mesh layer is between 15 Danny and 30 Danny.
進一步,該網層為一網紗。 Further, the mesh layer is a mesh.
進一步,該網層的面積略大於該待加固部。 Further, the area of the mesh layer is slightly larger than the portion to be strengthened.
進一步,該網層藉由一縫合手段可拆地結合於該文物。 Further, the mesh layer is detachably coupled to the cultural relics by a stitching means.
進一步,該縫合手段為大針疏縫。 Further, the suturing means is a large needle sparse.
進一步,該縫合手段所使用之縫線的材質為聚酯纖維單絲線。 Further, the material of the suture used in the suturing means is a polyester fiber monofilament thread.
進一步,該網層及該縫線的顏色與該待加固部的顏色相同或相近。 Further, the color of the mesh layer and the suture is the same as or similar to the color of the portion to be strengthened.
進一步,該加固步驟中並以大針疏縫之縫合手段使複數縫線結合該網層與該待加固部。 Further, in the reinforcing step, a plurality of sutures are combined with the mesh layer and the portion to be reinforced by means of stitching with a large needle.
本發明亦為一種文物保存方法,包含一加固步驟,該加固步驟係將一網層藉由一縫合手段可拆地結合於一文物,以藉由該網層保護該文物之一待加固部,且藉由網層觀看該待加固部;其中該文物為一織品或/及一繡品,該網層為聚酯纖維六角形網紗,該網層介於15丹尼至30丹尼之間,該縫合手段為大針疏縫,該縫合手段所使用之縫線的材質為聚酯纖維單絲線,該網層及該縫線的顏色與該待加固部的顏色相同或相近。 The present invention is also a method for preserving cultural relics, comprising a reinforcing step of detachably bonding a mesh layer to a cultural relic by means of a suture to protect one of the cultural relics to be reinforced by the mesh layer. And viewing the to-be-reinforced portion by a mesh layer; wherein the cultural relic is a fabric or/and an embroidery, the mesh layer is a polyester fiber hexagonal mesh, and the mesh layer is between 15 Danny and 30 Danny. The suturing means is a large needle sulcus. The suture used in the suturing means is made of a polyester fiber monofilament thread, and the color of the mesh layer and the suture is the same as or similar to the color of the portion to be reinforced.
根據上述技術特徵可達成以下功效: According to the above technical features, the following effects can be achieved:
1.利用網層固定在文物的待加固部外圍,可防止繡線、金屬蔥線、副料(金屬環、鏡片、綴珠、翎毛、皮毛等)等物件繼續磨損、掉落,即便有鬆脫的物件,也可被包覆在網層內,不會再掉落、遺失。 1. Use the mesh layer to be fixed on the periphery of the cultural relics to be strengthened, to prevent the embroidery thread, metal onion line, auxiliary material (metal ring, lens, beaded, bristles, fur, etc.) from continuing to wear and fall, even if there is loose The removed objects can also be wrapped in the mesh layer and will not fall or be lost.
2.利用網層的透明性,可讓文物在正式進入修復前,仍可供後人觀看、研究繡品文物上的資訊。 2. Using the transparency of the network layer, the cultural relics can still be viewed and studied by the posterity before the official entry into the restoration.
3.網層較佳的是採用網紗,可輔助加強文物基底的強度,避免文物自身重量(特別是立體繡會運用棉花堆出立體造型、重量更重)所造成的拉伸變形和撕裂破損,也可避免織品/繡品文物纖維磨損、弱化、脆化、鈎紗、斷裂、鬆脫、缺失、破洞等情況繼續惡化,而且網紗材質柔軟、輕薄,也不致損傷文物表面。 3. The mesh layer is preferably made of mesh yarn, which can help strengthen the strength of the cultural relic base and avoid the tensile deformation and tear caused by the weight of the cultural relics (especially the three-dimensional embroidery will use the three-dimensional shape and weight of the cotton). Damage, it can also avoid fabrics, embroidery, fabrics, abrasion, weakening, embrittlement, hooking, breaking, loosening, missing, holes and other conditions continue to deteriorate, and the mesh material is soft, light and thin, and does not damage the surface of cultural relics.
4.可採用結構強度佳的聚酯纖維六角形網紗,以進一步增進加強文物基底強度的效果。 4. The polyester fiber hexagonal mesh with good structural strength can be used to further enhance the effect of strengthening the strength of the cultural relic base.
5.網層可藉由縫合手段結合於文物上,以便後續拆除。 5. The mesh layer can be bonded to the cultural relics by means of stitching for subsequent removal.
6.縫合手段可為大針疏縫,而方便後續移除。 6. The suturing means can be a large needle sparse seam, which is convenient for subsequent removal.
7.縫線及網層的顏色可與該待加固部的顏色相同或相近,而不容易影響觀看效果。 7. The color of the suture and the mesh layer may be the same as or similar to the color of the portion to be reinforced, and the viewing effect is not easily affected.
8.可更一步以大針疏縫之縫合手段使複數縫線結合該網層與該待加固部,以便於針對特定部位進行補強保護。 8. Further, a plurality of stitches can be combined with the mesh layer and the portion to be reinforced by means of stitching of large needles to facilitate reinforcement protection for a specific portion.
9.利用網紗及大針疏縫的方式進行暫時性加固,成本費用低廉(大約只有繡品文物修復費用的百分之一),且方法簡易而易於實施,因此能有效率地對織品或/及繡品之文物進行搶救保存,是相當可行且值得推廣的技術,可解決台灣長期以來未能妥善保存珍貴繡品文化資產的問題。 9. Temporary reinforcement by means of mesh and large needle sulphide, low cost (about 1% of the cost of restoration of embroidery artifacts), and the method is simple and easy to implement, so it can efficiently fabricate or / and the preservation of the cultural relics of the embroidery is a very feasible and worthwhile promotion technology, which can solve the problem that Taiwan has not properly preserved the precious cultural assets of the embroidery for a long time.
(1)(1A)(1B)‧‧‧網層 (1) (1A) (1B) ‧ ‧ network layer
(11)‧‧‧縫線 (11)‧‧‧ stitches
(2)‧‧‧文物 (2) ‧ ‧ cultural relics
(21)‧‧‧待加固部 (21) ‧‧‧Beside the reinforcement
(211)‧‧‧立體繡區域 (211)‧‧‧Three-dimensional embroidery area
(S01)‧‧‧決定文物之待加固部 (S01) ‧‧‧Determining the Department of Cultural Relics to be Reinforced
(S02)‧‧‧準備網紗 (S02)‧‧‧Preparation of mesh
(S03)‧‧‧設置網紗 (S03)‧‧‧Set mesh
(S04)‧‧‧固定網紗 (S04)‧‧‧Fixed mesh
(S05)‧‧‧檢視加固狀況 (S05) ‧ ‧ inspection reinforcement
[第一圖]係本發明實施例整體之照片。 [First figure] is a photograph of the entire embodiment of the present invention.
[第二圖]係本發明實施例之局部放大照片一。 [Second Picture] is a partial enlarged photograph of the embodiment of the present invention.
[第三A圖]係本發明實施例網紗採用15丹尼之照片。 [Third A] A photograph of 15 denier is used for the mesh of the embodiment of the present invention.
[第三B圖]係本發明實施例網紗採用30丹尼之照片。 [Third B] A photo of 30 denier is used for the mesh of the embodiment of the present invention.
[第四圖]係本發明實施例之流程方塊示意圖。 [Fourth figure] is a schematic block diagram of a flow of an embodiment of the present invention.
[第五圖]係本發明實施例之局部放大照片二。 [Fifth Figure] is a partial enlarged photograph of the embodiment of the present invention.
[第六圖]係本發明實施例之局部放大照片三。 [Sixth Drawing] is a partial enlarged photograph of the embodiment of the present invention.
綜合上述技術特徵,本發明文物保存方法的主要功效將可於下述實施例清楚呈現。 In combination with the above technical features, the main effects of the method for preserving the cultural relics of the present invention will be clearly shown in the following embodiments.
請先參閱第一圖及第二圖,係揭示本發明實施例保存方法,用於藉由一網層(1)保護一文物(2),該網層(1)於本實施例為一網紗,該文物(2)為一織品或/及一繡品。該文物保存方法包含一加固步驟,該加固步驟係將一網層(1)連接於一文物(2)之一待加固部(21)外圍,以藉由該網層(1)保護該待加固部(21)。藉此,一方面可防止繡線、金屬蔥線、副料(金屬環、鏡片、綴珠、翎毛、皮毛等)等物件繼續磨損、掉落,即便有鬆脫的物件,也可被包覆在網層內,不會再掉落、遺失。另一方面,可藉由該網層(1)觀看該待加固部(21),以便研究繡品文物上的資訊或者研究如何進行修復等。此外,該網層(1)亦可避免織品/繡品文物纖維磨損、弱化、脆化、鈎紗、斷裂、鬆脫、缺失、破洞等情況繼續惡化,而採用網紗材質之網層(1)質地柔軟、輕薄,也可避免網層(1)損傷文物表面。 Referring to the first and second figures, a method for saving an embodiment of the present invention is disclosed for protecting a cultural relic (2) by a network layer (1). The network layer (1) is a network in this embodiment. Yarn, the artifact (2) is a fabric or / and an embroidery. The method for preserving the cultural relic includes a reinforcement step of connecting a mesh layer (1) to a periphery of a relic (21) of a cultural relic (2) to protect the reinforcement to be reinforced by the mesh layer (1) Department (21). Therefore, on the one hand, it can prevent the embroidery thread, the metal onion line, the auxiliary material (metal ring, lens, beaded, bristles, fur, etc.) from continuing to wear and fall, and even if there are loose objects, it can be covered. In the network layer, it will not fall and be lost. On the other hand, the to-be-reinforced portion (21) can be viewed by the mesh layer (1) to study information on the embroidery artifact or to study how to repair it. In addition, the mesh layer (1) can also avoid abrasion, weakening, embrittlement, hooking, breaking, loosening, missing, and holes of the fabric/embroidery fabric, and the mesh layer of the mesh material is used. 1) The texture is soft and light, and the mesh layer (1) can be avoided to damage the surface of the cultural relics.
詳細而言,該網紗例如可採用結構強度佳的聚酯纖維六角形網紗。該網層(1)介於15丹尼至30丹尼之間〔丹尼(D;Denier)為纖維的線密度單位〕,15丹尼之網層(1A)所呈現之透明度(如第三A圖所示)優於30丹尼之網層(1B)(如第三B圖所示)。但可採用20丹尼,以兼具較佳的透視效果及強度。 In detail, the mesh yarn may be, for example, a polyester fiber hexagonal mesh yarn having a good structural strength. The mesh layer (1) is between 15 Danny and 30 Danny (Danier is the linear density unit of the fiber), and the transparency of the 15 Danny mesh layer (1A) (such as the third Figure A shows better than 30 Danny's mesh layer (1B) (as shown in Figure B). However, 20 Danny can be used to have better perspective effect and strength.
續請參閱第四圖搭配第一圖及第二圖,詳細而言,該加固步驟包含: Continue to refer to the fourth figure with the first figure and the second figure. In detail, the reinforcement step includes:
決定文物之待加固部(S01):先檢視文物(2)的劣化狀況,決定需要暫時性加固範圍的前述待加固部(21)。 Determining the cultural relics to be reinforced (S01): First, the deterioration condition of the cultural relics (2) is examined, and the to-be-reinforced portion (21) requiring a temporary reinforcement range is determined.
準備網紗(S02):裁切比前述待加固部(21)面積略大的前述網紗,並將該網紗染製與前述文物(2)相同或相近之顏色,避免觀看效果。 Preparing the mesh (S02): cutting the aforementioned mesh slightly larger than the area to be reinforced (21), and dyeing the mesh with the same or similar color as the aforementioned object (2) to avoid the viewing effect.
設置網紗(S03):若懸掛式的文物(2),在前述網紗欲結合於該文物(2)之前,先讓前述網紗的經緯向與該文物(2)的懸掛方向相同,以便於在結合後可提供較佳的支撐效果,避免該文物(2)在懸掛時因為自身重量(特別是立體繡會運用棉花堆出立體造型、重量更重)造成的基底過度拉伸變形和撕裂破損。 Setting the mesh (S03): if the hanging artifact (2), before the mesh is to be combined with the cultural object (2), the latitude and longitude of the mesh is the same as the hanging direction of the cultural object (2), so that In combination, it can provide better support effect, avoiding excessive stretching deformation and tearing of the substrate caused by the weight of the cultural relic (2) due to its own weight (especially, the three-dimensional embroidery will use the cotton to form a three-dimensional shape and heavier weight). Cracked and damaged.
固定網紗(S04):依照該待加固部(21)外圍的顏色選擇適合的縫線(11),該縫線(11)例如可為聚酯纖維單絲線。接著藉由該縫線(11)以一縫合手段將前述網紗固定於該文物(2)上。該縫合手段例如為大針疏縫,而方便後續移除。續請進一步搭配第五圖,詳細而言,可先沿該待加固部(21)中的立體繡區域(211)的輪廓外圍,以大針疏縫之縫合手段進行固定該待加固部(21)與前述網紗;另請進一步搭配第六圖,其他織品和平繡部分,則可採宮格方式〔間隔地縫設有垂直、水平的縫線(11)〕之縫合手段(例如為大針疏縫)進行固定該待加固部(21)與前述網紗。接著沿該待加固部(21)外圍,以大針疏縫(針距例如可為1-2公分)之縫合手段進行固定該文物(2)與前述網紗,再裁去多餘的前述網紗。藉此,由於大針疏縫之縫合手段簡易而易於實施,故能有效率地對織品或/及繡品之文物進行搶救保存。 Fixed mesh (S04): A suitable stitch (11) is selected according to the color of the periphery of the portion to be reinforced (21), and the stitch (11) may be, for example, a polyester fiber monofilament. The mesh is then fixed to the artifact (2) by a stitching means by means of the stitching (11). The suturing means is, for example, a large needle sparse seam, which facilitates subsequent removal. Continue to further match the fifth figure. In detail, the to-be-reinforced portion may be fixed by the stitching means of the large needle and the sparse stitching along the contour periphery of the three-dimensional embroidery area (211) in the to-be-reinforced portion (21). ) and the above-mentioned mesh; please further match the sixth picture, the other fabrics and the embroidered part, the sewing method can be adopted (the vertical and horizontal stitches (11) are separated at intervals) (for example, large needles) The basting is performed to fix the portion to be reinforced (21) and the mesh. Then, along the periphery of the to-be-reinforced portion (21), the relic (2) and the mesh are fixed by a suture means with a large needle sew (the stitch length is, for example, 1-2 cm), and then the excess mesh is cut. . Thereby, since the stitching means for the large needle sew is simple and easy to implement, the fabric or/and the artifact of the embroidery can be efficiently rescued and stored.
檢視加固狀況(S05):可再額外針對脆弱或鬆脫之處,局部針縫補強結構。 View reinforcement status (S05): Additional weakness or looseness can be applied to the local stitch reinforcement structure.
綜合上述實施例之說明,當可充分瞭解本發明之操作、使用及本發明產生之功效,惟以上所述實施例僅係為本發明之較佳實施例,當不能以此限定本發明實施之範圍,即依本發明申請專利範圍及發明說明內容所作簡單的等效變化與修飾,皆屬本發明涵蓋之範圍內。 In view of the foregoing description of the embodiments, the operation and the use of the present invention and the effects of the present invention are fully understood, but the above described embodiments are merely preferred embodiments of the present invention, and the invention may not be limited thereto. Included within the scope of the present invention are the scope of the present invention.
Claims (10)
Priority Applications (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| TW106127631A TWI648452B (en) | 2017-08-15 | 2017-08-15 | Method for preservation of historical artifacts |
Applications Claiming Priority (1)
| Application Number | Priority Date | Filing Date | Title |
|---|---|---|---|
| TW106127631A TWI648452B (en) | 2017-08-15 | 2017-08-15 | Method for preservation of historical artifacts |
Publications (2)
| Publication Number | Publication Date |
|---|---|
| TWI648452B true TWI648452B (en) | 2019-01-21 |
| TW201910587A TW201910587A (en) | 2019-03-16 |
Family
ID=65803920
Family Applications (1)
| Application Number | Title | Priority Date | Filing Date |
|---|---|---|---|
| TW106127631A TWI648452B (en) | 2017-08-15 | 2017-08-15 | Method for preservation of historical artifacts |
Country Status (1)
| Country | Link |
|---|---|
| TW (1) | TWI648452B (en) |
Citations (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN1590606A (en) * | 2003-09-03 | 2005-03-09 | 南亚塑胶工业股份有限公司 | Polyester fiber with no white powder in weaving and good shape throwing and its preparation method |
| CN101440546A (en) * | 2008-12-29 | 2009-05-27 | 浙江理工大学 | Preparation of silk weaving material for reinforcement protection of decayed silk cultural relics |
| CN102348841A (en) * | 2009-03-11 | 2012-02-08 | 东丽株式会社 | Liquid crystal polyester fibers and method for producing the same |
-
2017
- 2017-08-15 TW TW106127631A patent/TWI648452B/en active
Patent Citations (3)
| Publication number | Priority date | Publication date | Assignee | Title |
|---|---|---|---|---|
| CN1590606A (en) * | 2003-09-03 | 2005-03-09 | 南亚塑胶工业股份有限公司 | Polyester fiber with no white powder in weaving and good shape throwing and its preparation method |
| CN101440546A (en) * | 2008-12-29 | 2009-05-27 | 浙江理工大学 | Preparation of silk weaving material for reinforcement protection of decayed silk cultural relics |
| CN102348841A (en) * | 2009-03-11 | 2012-02-08 | 东丽株式会社 | Liquid crystal polyester fibers and method for producing the same |
Also Published As
| Publication number | Publication date |
|---|---|
| TW201910587A (en) | 2019-03-16 |
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| US7467593B2 (en) | Embroidered emblem for securing to a first fabric | |
| TWI648452B (en) | Method for preservation of historical artifacts | |
| CN113481668B (en) | Rapid embroidery method utilizing split-joint and splicing of embroidery pieces | |
| US20190218693A1 (en) | Continuous strand weaving hexagon pin looms and methods of use | |
| JP2000045147A (en) | Reinforced fabric | |
| Amin | The documentation and treatment of a Coptic child's tunic in Egypt | |
| Yvanez et al. | Cultural interconnections: textile craft and burial practices in Early Medieval Sudan. | |
| Carrlee et al. | CHILKAT BLANKET RESTORATION: A CASE STUDY IN ALASKA NATIVE AUTHORITY IN MUSEUM CONSERVATION. | |
| Yvanez et al. | Unravelling the threads of the Nubian Openworks. New inquiries on a unique textile tradition from Meroitic Sudan (c. 350 BCE–350 CE) | |
| Xia | History of Ancient Chinese Sericulture: Mulberry Trees, Silkworms, Silk Fibers and Textiles | |
| CN106757886A (en) | A kind of embroidering method using fluff fabric as bed material | |
| Ringgaard | The church cap and the crypt cap: Early modern knitted fragments found in Denmark. | |
| Kite | The Conservation of the Jesse Cope | |
| Trupin | Flag Conservation Then and Now (2003) | |
| JP3582991B2 (en) | Bias weave weave | |
| US2343184A (en) | Method of side weaving fabric | |
| JP3673790B2 (en) | Stripping method and stripped cloth | |
| Walker | Technical Analysis, Cultural Context and Conservation of a Twentieth-Century Andean Woven Textile | |
| Bayer | Preserving and displaying archaeological garments via pressure mounting | |
| Flury-Lemberg | The Invisible Mending of the Shroud, the Theory and the Reality. | |
| Vuori et al. | Conservation of a military tunic including the use of guide threads for positioning repairs | |
| Colburn | A Double-Headed Eagle Embroidery: Analysis and Conservation | |
| Grčević | Conservation & restoration work in the Textile Preparation Workshop in 2014/2015 | |
| Sherbring | Grapes & Roses Cushion Cover LACMA M. 88.102. | |
| Osmond et al. | The adhesive treatment of an early nineteenth-century straw-embroidered silk net dress |