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CN108022576A - 一种弦乐器同频加振扩声技术及共振喇叭在乐器上的应用 - Google Patents

一种弦乐器同频加振扩声技术及共振喇叭在乐器上的应用 Download PDF

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CN108022576A
CN108022576A CN201810031861.4A CN201810031861A CN108022576A CN 108022576 A CN108022576 A CN 108022576A CN 201810031861 A CN201810031861 A CN 201810031861A CN 108022576 A CN108022576 A CN 108022576A
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musical instrument
sound
pickup
equipment
sound pick
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黄世强
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Huizhou Debo Acoustics Co Ltd
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Huizhou Debo Acoustics Co Ltd
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Priority to CN201810031861.4A priority Critical patent/CN108022576A/zh
Publication of CN108022576A publication Critical patent/CN108022576A/zh
Priority to PCT/CN2018/114183 priority patent/WO2019137082A1/zh
Priority to US16/660,150 priority patent/US11308929B2/en
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    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00—Instruments in which the tones are generated by electromechanical means
    • G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
    • G10H3/181—Details of pick-up assemblies
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00—Instruments in which the tones are generated by electromechanical means
    • G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/24—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument incorporating feedback means, e.g. acoustic
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10D—STRINGED MUSICAL INSTRUMENTS; WIND MUSICAL INSTRUMENTS; ACCORDIONS OR CONCERTINAS; PERCUSSION MUSICAL INSTRUMENTS; AEOLIAN HARPS; SINGING-FLAME MUSICAL INSTRUMENTS; MUSICAL INSTRUMENTS NOT OTHERWISE PROVIDED FOR
    • G10D3/00—Details of, or accessories for, stringed musical instruments, e.g. slide-bars
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00—Instruments in which the tones are generated by electromechanical means
    • G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/143—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means characterised by the use of a piezoelectric or magneto-strictive transducer
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H3/00—Instruments in which the tones are generated by electromechanical means
    • G10H3/12—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument
    • G10H3/14—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means
    • G10H3/18—Instruments in which the tones are generated by electromechanical means using mechanical resonant generators, e.g. strings or percussive instruments, the tones of which are picked up by electromechanical transducers, the electrical signals being further manipulated or amplified and subsequently converted to sound by a loudspeaker or equivalent instrument using mechanically actuated vibrators with pick-up means using a string, e.g. electric guitar
    • G10H3/186—Means for processing the signal picked up from the strings
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
    • G10H2210/155—Musical effects
    • G10H2210/265—Acoustic effect simulation, i.e. volume, spatial, resonance or reverberation effects added to a musical sound, usually by appropriate filtering or delays
    • G10H2210/271—Sympathetic resonance, i.e. adding harmonics simulating sympathetic resonance from other strings
    • G—PHYSICS
    • G10—MUSICAL INSTRUMENTS; ACOUSTICS
    • G10H—ELECTROPHONIC MUSICAL INSTRUMENTS; INSTRUMENTS IN WHICH THE TONES ARE GENERATED BY ELECTROMECHANICAL MEANS OR ELECTRONIC GENERATORS, OR IN WHICH THE TONES ARE SYNTHESISED FROM A DATA STORE
    • G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
    • G10H2220/461—Transducers, i.e. details, positioning or use of assemblies to detect and convert mechanical vibrations or mechanical strains into an electrical signal, e.g. audio, trigger or control signal

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  • Engineering & Computer Science (AREA)
  • Physics & Mathematics (AREA)
  • Acoustics & Sound (AREA)
  • Multimedia (AREA)
  • Signal Processing (AREA)
  • Stringed Musical Instruments (AREA)
  • Electrophonic Musical Instruments (AREA)

Abstract

本发明公开了一种弦乐器同频加振扩声技术，包括乐器和拾音装置，所述拾音装置包括乐器加振组件，所述同频加振扩声技术为利用拾音装置并通过乐器加振组件对乐器本体进行共振加强的技术。所述乐器加振组件为一种被紧贴在乐器上并与功放电路相连接的共振喇叭。所述乐器为拾音器、吉他、尤克里里、小提琴、古琴、古筝和曼陀铃中的任意一种。本发明弦乐器同频加振扩声技术通过共振喇叭在乐器上的应用实现弦乐器的同频加振扩声，使弦乐器声音得到加强的同时，减轻乐器制造业对珍稀木材的依赖，对保护绿色森林，促进环保具有极大的作用。

Description

一种弦乐器同频加振扩声技术及共振喇叭在乐器上的应用
技术领域
本发明涉及乐器拾音技术领域，具体为一种弦乐器同频加振扩声技术。
背景技术
目前市面上常见的弦乐器，便如吉他、尤克里里、小提琴、古琴、古筝等都是利用乐器本身的共振腔体对乐器的拨弦音进行腔体的共振原理，便弦音变得更强、更容易被人的听觉感知和识别。
但是受制于乐器本身的材料物性，所有这种利用乐器音腔、音桶进行弦音加强的乐器的原声音量都不会特别大，对于一些不具备外接音箱进行扩音的场合，利用乐器的原声进行表演时，往往因为音量太小，离演奏者距离稍远的听众无法听清演奏者所表演的音乐，让精彩的表演大打折扣。
为了解决这种弊端，世界上几乎所有的乐器制造商都竭力追求用更好更珍稀的木材用在乐器制造上，企图通过一些共振更好的珍稀木材来增强乐器的音量和声音质量。这样做的结果是：一方面，乐器制造商尝试用各种已知的名贵珍稀木材用在乐器制造上，但是对乐器本身的声音共振增强起到的作用甚微；另一方面，在乐器声音得不到明显优化的情况下，众多的乐器制造商仍然追求更珍稀高端的木材用于乐器制造。这样做的结果直接导接各种珍稀木材被过度砍伐，乐器比较常用的相思木、玫槐木、黑檀、紫檀均在全球范围内遭到了毁灭性的砍伐，被列入国际公约的保护名单，被限制交易进出口。
发明内容
本发明提供了一种使乐器声音得到加强的同时，减轻乐器制造业对珍稀木材依赖的弦乐器同频加振扩声技术。
本发明可以通过以下技术方案来实现：
一种弦乐器同频加振扩声技术，包括乐器和拾音装置，所述拾音装置包括乐器加振组件，所述同频加振扩声技术为利用拾音装置并通过乐器加振组件对乐器本体进行共振加强的技术。所述乐器加振组件为一种被紧贴在乐器上并与功放电路相连接的共振喇叭。本发明弦乐器同频加振扩声技术利用拾音装置并通过共振喇叭对乐器本体进行共振加强实现乐器的加声技术，使乐器声音得到加强的同时，减轻乐器制造业对珍稀木材的依赖程度，对保护绿色森林，促进全球范围内的环保，特别是对各种常用于乐器制造的珍稀木材有极大的保护作用。
进一步地，所述乐器为拾音器、吉他、尤克里里、小提琴、古琴、古筝和曼陀铃中的任意一种。即本发明弦乐器同频加振扩声技术可应用在拾音器上，为利用拾音装置并通过共振喇叭对乐器进行同步加振的拾音器；可应用在吉他上，为利用拾音装置并通过共振喇叭对本体进行共振加强的吉他；可应用在尤克里里上，为利用拾音装置并通过共振喇叭对本体进行共振加强的尤克里里；可应用在小提琴上，为利用拾音装置并通过共振喇叭对本体进行共振加强的小提琴；可应用在古琴上，为利用拾音装置并通过共振喇叭对本体进行共振加强的古琴；可应用在古筝上，为利用拾音装置并通过共振喇叭对本体进行共振加强的古筝；可应用在曼陀铃上，为利用拾音装置并通过共振喇叭对本体进行共振加强的曼陀铃；可应用在任一乐器上，为利用拾音装置并通过共振喇叭对本体进行共振加强的乐器。
上述弦乐器同频加振扩声技术中的拾音装置，所述拾音装置包括声音拾取组件、声音处理电路、共振喇叭和供电设备，所述声音拾取组件包括拾音主体和安装在拾音主体上的拾音件，所述拾音主体内设有声音处理电路，所述共振喇叭、拾音件和供电设备分别通过电线与声音处理电路相连接。所述拾音件为线圈感应拾音、麦克风拾音、压电拾音条拾音和贴片压电陶瓷蜂鸣片拾音中的一种或两种或者多种。所述声音处理电路包括音量调节单元、音色处理单元、功放电路、稳压电路、混响模块和效果模块，上述各单元和/或模块电性连接。所述音量调节单元用于对乐器拾音信号进行音量调节，所述音色处理单元对乐器拾音信号进行音色处理，所述稳压电路起到电压增强及稳压的作用，混响模块使乐器出声具有混响效果。所述混响模块为一种或多种可调可选的混响控制模块。所述效果模块为一种或多种可调可选的音效控制模块。所述供电设备为一个与声音处理电路相连接的电源装置，负责为声音电路和乐器加振组件提供电源。
上述拾音装置在乐器上的应用，所述乐器利用拾音装置并通过共振喇叭对乐器本体进行共振加强，所述共振喇叭紧贴在乐器面板表面，将共振喇叭应用在乐器上，实现对乐器声音的加强。由于共振喇叭没有箱体驻波，所以各种声乐原汁原味足，各频段音质极为清晰。而且共振喇叭还具有一个独特的特性——穿透性，即是共振喇叭可以通过介质面把音效穿过介质，达到介质的另一面也可以收听到乐曲，使介质两边的听众均能听到悠扬的乐曲。本发明弦乐器同频加振扩声技术利用拾音装置并通过共振喇叭对乐器本体进行共振加强实现乐器的加声技术，使乐器声音得到加强的同时，减轻乐器制造业对珍稀木材的依赖程度，对保护绿色森林，促进全球范围内的环保，特别是对各种常用于乐器制造的珍稀木材有极大的保护作用。本发明通过直接拾取乐器本身演奏声音，并通过共振喇叭使乐器本身的共振得到增强，使乐器本身发出的声音更强，同时搭载了常用的音量、音色调整功能，并特别加载数字混响模块和效果模块，具有很好的实用性和广阔的市场销售前景，能创造很好的经济效益。
本发明弦乐器同频加振扩声技术，具有如下的有益效果：
第一、使乐器声音得到加强，采用共振喇叭紧贴在乐器面板表面的技术方案，通过拾音装置拾取乐器本身演奏声音，并通过共振喇叭使乐器本身的共振得到增强，使乐器本身发出的声音更强；
第二、促进环保，采用共振喇叭紧贴在乐器面板表面的技术方案，使乐器声音得到加强的同时，有效减轻乐器制造业对珍稀木材的依赖程序，对保护绿色森林，促进全球范围内的环保，特别是对各种常用于乐器制造的珍稀木材有极大的保护作用；
第三、具有很好的经济效益，采用共振喇叭紧贴在乐器面板表面的技术方案，使乐器声音得到加强的同时，使乐器制造业减轻了珍稀木材的依赖和砍伐，有效降低了乐器的原料成本和制造成本，具有广阔的市场销售前景和很好的经济效益。
附图说明
附图1为本发明弦乐器同频加振扩声技术中将拾音装置安装在乐器上的分解示意图；
附图2为本发明弦乐器同频加振扩声技术中将拾音装置安装在乐器上的立体图；
附图3为本发明弦乐器同频加振扩声技术中将拾音装置安装在乐器上的主视图；
附图4为本发明弦乐器同频加振扩声技术中拾音装置的分解示意图。
具体实施方式
为了使本技术领域的人员更好地理解本发明的技术方案，下面结合实施例及附图对本发明产品作进一步详细的说明。
如图1至图4所示，一种弦乐器同频加振扩声技术，包括乐器和拾音装置，所述拾音装置包括乐器加振组件，所述同频加振扩声技术为利用拾音装置并通过乐器加振组件对乐器本体9进行共振加强的技术。所述乐器加振组件为一种被紧贴在乐器上并与功放电路相连接的共振喇叭7。本发明弦乐器同频加振扩声技术利用拾音装置并通过共振喇叭7对乐器本体9进行共振加强实现乐器的加声技术，使乐器声音得到加强的同时，减轻乐器制造业对珍稀木材的依赖程度，对保护绿色森林，促进全球范围内的环保，特别是对各种常用于乐器制造的珍稀木材有极大的保护作用。具体地，所述乐器为拾音器、吉他、尤克里里、小提琴、古琴、古筝和曼陀铃中的任意一种。即本发明弦乐器同频加振扩声技术可应用在拾音器上，为利用拾音装置并通过共振喇叭7对乐器进行同步加振的拾音器；可应用在吉他上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的吉他；可应用在尤克里里上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的尤克里里；可应用在小提琴上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的小提琴；可应用在古琴上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的古琴；可应用在古筝上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的古筝；可应用在曼陀铃上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的曼陀铃；可应用在任一乐器上，为利用拾音装置并通过共振喇叭7对本体9进行共振加强的乐器。
如图4所示，上述弦乐器同频加振扩声技术中的拾音装置，所述拾音装置包括声音拾取组件、声音处理电路6、共振喇叭7和供电设备8，所述声音拾取组件包括拾音主体1和安装在拾音主体1上的拾音件，所述拾音主体1内设有声音处理电路6，所述共振喇叭7、拾音件和供电设备8分别通过电线与声音处理电路6相连接。所述拾音件可以为线圈感应拾音3、麦克风拾音2、压电拾音条拾音4和贴片压电陶瓷蜂鸣片拾音5中的一种或两种或者多种。本实施例中的是集合了上述4种拾音件，其中，麦克风拾音2安装在拾音主体1一侧，线圈感应拾音3、压电拾音条拾音4和贴片压电陶瓷蜂鸣片拾音5分别通过电线与声音处理电路6相连接。所述声音处理电路6包括音量调节单元、音色处理单元、功放电路、稳压电路、混响模块和效果模块，上述各单元和/或模块电性连接。所述音量调节单元用于对乐器拾音信号进行音量调节，所述音色处理单元对乐器拾音信号进行音色处理，所述稳压电路起到电压增强及稳压的作用，混响模块使乐器出声具有混响效果。所述混响模块为一种或多种可调可选的混响控制模块。所述效果模块为一种或多种可调可选的音效控制模块。所述供电设备8为一个与声音处理电路6相连接的电源装置，负责为声音电路和乐器加振组件提供电源。
如图1至图4所示，上述拾音装置在乐器上的应用，所述乐器利用拾音装置并通过共振喇叭7对乐器本体9进行共振加强，所述共振喇叭7紧贴在乐器面板表面，将共振喇叭7应用在乐器上，实现对乐器声音的加强。由于共振喇叭7没有箱体驻波，所以各种声乐原汁原味足，各频段音质极为清晰。而且共振喇叭7还具有一个独特的特性——穿透性，即是共振喇叭7可以通过介质面把音效穿过介质，达到介质的另一面也可以收听到乐曲，使介质两边的听众均能听到悠扬的乐曲。本发明弦乐器同频加振扩声技术利用拾音装置并通过共振喇叭7对乐器本体9进行共振加强实现乐器的加声技术，使乐器声音得到加强的同时，减轻乐器制造业对珍稀木材的依赖程度，对保护绿色森林，促进全球范围内的环保，特别是对各种常用于乐器制造的珍稀木材有极大的保护作用。本发明通过直接拾取乐器本身演奏声音，并通过共振喇叭7使乐器本身的共振得到增强，使乐器本身发出的声音更强，同时搭载了常用的音量、音色调整功能，并特别加载数字混响模块和效果模块，具有很好的实用性和广阔的市场销售前景，能创造很好的经济效益。
以上所述，仅为本发明的较佳实施例而已，并非对本发明作任何形式上的限制；凡本行业的普通技术人员均可按说明书附图所示和以上所述而顺畅地实施本发明；但是，凡熟悉本专业的技术人员在不脱离本发明技术方案范围内，可利用以上所揭示的技术内容而作出的些许更动、修饰与演变的等同变化，均为本发明的等效实施例；同时，凡依据本发明的实质技术对以上实施例所作的任何等同变化的更动、修饰与演变等，均仍属于本发明的技术方案的保护范围之内。

Claims (10)

1.一种弦乐器同频加振扩声技术，包括乐器和拾音装置，其特征在于：所述拾音装置包括乐器加振组件，所述同频加振扩声技术为利用拾音装置并通过乐器加振组件对乐器本体进行共振加强的技术。
2.根据权利要求1所述的弦乐器同频加振扩声技术，其特征在于：所述乐器加振组件为一种被紧贴在乐器上并与功放电路相连接的共振喇叭。
3.根据权利要求1或2所述的弦乐器同频加振扩声技术，其特征在于：所述乐器为拾音器、吉他、尤克里里、小提琴、古琴、古筝和曼陀铃中的任意一种。
4.权利要求1至4任一项权利要求所述的拾音装置，其特征在于：所述拾音装置还包括声音拾取组件、声音处理电路和供电设备，所述声音拾取组件包括拾音主体和安装在拾音主体上的拾音件，所述拾音主体内设有声音处理电路，所述拾音件和供电设备分别通过电线与声音处理电路相连接。
5.权利要求4所述的拾音装置，其特征在于：所述拾音件为线圈感应拾音、麦克风拾音、压电拾音条拾音和贴片压电陶瓷蜂鸣片拾音中的一种或两种或者多种。
6.根据权利要求5所述的拾音装置，其特征在于：所述声音处理电路包括音量调节单元、音色处理单元、功放电路、稳压电路、混响模块和效果模块，上述各单元和/或模块电性连接。
7.根据权利要求6所述的拾音装置，其特征在于：所述混响模块为一种或多种可调可选的混响控制模块。
8.根据权利要求7所述的拾音装置，其特征在于：所述效果模块为一种或多种可调可选的音效控制模块。
9.根据权利要求8所述的拾音装置，其特征在于：所述供电设备为一个与声音处理电路相连接的电源装置，负责为声音电路和乐器加振组件提供电源。
10.权利要求4至9任一项权利要求所述拾音装置在乐器上的应用，其特征在于：所述乐器利用拾音装置并通过共振喇叭对乐器本体进行共振加强，所述共振喇叭紧贴在乐器面板表面，将共振喇叭应用在乐器上，实现对乐器声音的加强。
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