[go: up one dir, main page]

Cireddu, 2023 - Google Patents

Reflecting on Participation through Livestreaming Music Events in Times of Pandemic.

Cireddu, 2023

Document ID
3659209534939916444
Author
Cireddu F
Publication year
Publication venue
Journal of World Popular Music

External Links

Snippet

In January 2020, the beginning of the Covid-19 pandemic led to the interruption of a high number of aggregation-based human activities, such as in-presence live music concerts. One temporary alternative to the problem was the organization of livestreaming music …
Continue reading at search.ebscohost.com (other versions)

Classifications

    • GPHYSICS
    • G11INFORMATION STORAGE
    • G11BINFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
    • G11B27/00Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
    • G11B27/10Indexing; Addressing; Timing or synchronising; Measuring tape travel
    • G11B27/102Programmed access in sequence to addressed parts of tracks of operating record carriers
    • G11B27/105Programmed access in sequence to addressed parts of tracks of operating record carriers of operating discs

Similar Documents

Publication Publication Date Title
McHugh The power of podcasting: Telling stories through sound
Barker Crash, theatre audiences, and the idea of ‘liveness’
Baade et al. Music and the broadcast experience: Performance, production, and audiences
d’Hoop et al. ‘The game is on!’Eventness at a distance at a livestream concert during lockdown
Brown et al. Voicing the Cinema: Film Music and the Integrated Soundtrack
Nguyen Audiences' engagement with twitter and facebook live during classical music performances: community and connectivity through live listening experiences
Bradshaw et al. “Exiled music herself, pushed to the edge of existence”: The experience of musicians who perform background music
Bouckaert Virtual reality as new concert space
Cireddu Reflecting on Participation through Livestreaming Music Events in Times of Pandemic.
Patsiaoura Transcending distinctions between religious and secular musicianship: Nigerian Pentecostals across popular performance settings
Morgan-Ellis Mediated community singing
Schürmer The Extensions of Opera: Radio, Internet, and Immersion
Irina The spell of live performance: HD opera and liveness today
Hayashi Musicking, discourse, and identity in participatory media fandom
Wellink Slow Listening: Streaming Services, the Attention Economy, and Conscious Music Consumption
Dilokkunanant Strategies for classical music audiences: an exploration of existing practices used by western European art music organizations
Le Bouteiller Singing and playing music through mobile applications: Smule, a new music experience
Barber Radio Art: A (mass) Medium Becomes An (artistic) Medium.
Szabo Pacifica Radio’s Music from the Hearts of Space and the Ambient Sound of California’s New Age
Peralta Latinx Waves in K-pop
Tan et al. Narrowcasting into the infinite margins: internet sonorities of transient Indonesian domestic workers in Singapore
Price et al. Radio drama as a tool for activism in South Africa: The case of Plague in the Time of King Kapital and Queen Corona
Anacin ‘Can You Hear Me? Are We Live Yet?’: An Autoethnography of Online Live Music Performances Amid the Covid-19 Pandemic
Rendell In awe of scores and roars: Audience phenomenological fragmentation between screen and soundtrack
Finchum-Sung Taming the Miles: Reshaping Musics Social and Connective Capacities in a Virtual Space