Diapoulis et al., 2023 - Google Patents
Reproducible Musical Analysis of Live Coding Performances Using Information Retrieval: A Case Study on the Algorave 10th AnniversaryDiapoulis et al., 2023
View PDF- Document ID
- 3613931612978705596
- Author
- Diapoulis G
- Carlé M
- Publication year
- Publication venue
- Proceedings of the 7th International Conference on Live Coding (ICLC 2023)
External Links
Snippet
We present a reproducible music information retrieval (MIR) study on 133 performances from the 10th anniversary of Algorave. Our aim in this paper is to provide a reproducible framework for computational analysis of musical performances. Here, we present a tool for …
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/031—Musical analysis, i.e. isolation, extraction or identification of musical elements or musical parameters from a raw acoustic signal or from an encoded audio signal
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
- G10H1/0058—Transmission between separate instruments or between individual components of a musical system
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/101—Music Composition or musical creation; Tools or processes therefor
- G10H2210/151—Music Composition or musical creation; Tools or processes therefor using templates, i.e. incomplete musical sections, as a basis for composing
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0008—Associated control or indicating means
- G10H1/0025—Automatic or semi-automatic music composition, e.g. producing random music, applying rules from music theory or modifying a musical piece
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/36—Accompaniment arrangements
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
- G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
- G10H2240/295—Packet switched network, e.g. token ring
- G10H2240/305—Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/121—Musical libraries, i.e. musical databases indexed by musical parameters, wavetables, indexing schemes using musical parameters, musical rule bases or knowledge bases, e.g. for automatic composing methods
- G10H2240/131—Library retrieval, i.e. searching a database or selecting a specific musical piece, segment, pattern, rule or parameter set
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/075—Musical metadata derived from musical analysis or for use in electrophonic musical instruments
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/3074—Audio data retrieval
- G06F17/30743—Audio data retrieval using features automatically derived from the audio content, e.g. descriptors, fingerprints, signatures, MEP-cepstral coefficients, musical score, tempo
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L25/00—Speech or voice analysis techniques not restricted to a single one of groups G10L15/00-G10L21/00
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2220/00—Input/output interfacing specifically adapted for electrophonic musical tools or instruments
- G10H2220/005—Non-interactive screen display of musical or status data
- G10H2220/011—Lyrics displays, e.g. for karaoke applications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L17/00—Speaker identification or verification
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10L—SPEECH ANALYSIS OR SYNTHESIS; SPEECH RECOGNITION; SPEECH OR VOICE PROCESSING; SPEECH OR AUDIO CODING OR DECODING
- G10L21/00—Processing of the speech or voice signal to produce another audible or non-audible signal, e.g. visual or tactile, in order to modify its quality or its intelligibility
- G10L21/003—Changing voice quality, e.g. pitch or formants
- G10L21/007—Changing voice quality, e.g. pitch or formants characterised by the process used
- G10L21/013—Adapting to target pitch
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media
-
- G—PHYSICS
- G11—INFORMATION STORAGE
- G11B—INFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
- G11B27/00—Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Lerch | An introduction to audio content analysis: Music Information Retrieval tasks and applications | |
Lima et al. | A survey of music visualization techniques | |
Hu et al. | Cross-dataset and cross-cultural music mood prediction: A case on western and chinese pop songs | |
Tzanetakis | Manipulation, analysis and retrieval systems for audio signals | |
Leman et al. | Prediction of musical affect using a combination of acoustic structural cues | |
EP3759706B1 (en) | Method, computer program and system for combining audio signals | |
Verfaille et al. | Mapping strategies for gestural and adaptive control of digital audio effects | |
Rocha et al. | Segmentation and timbre-and rhythm-similarity in Electronic Dance Music | |
Xambó et al. | Music information retrieval in live coding: a theoretical framework | |
Howard et al. | Four-part choral synthesis system for investigating intonation in a cappella choral singing | |
Lemaitre et al. | Vocal imitations of basic auditory features | |
Lerch | Audio content analysis | |
Schuller et al. | Music theoretic and perception-based features for audio key determination | |
Diapoulis et al. | Reproducible Musical Analysis of Live Coding Performances Using Information Retrieval: A Case Study on the Algorave 10th Anniversary | |
Carpentier et al. | Predicting timbre features of instrument sound combinations: Application to automatic orchestration | |
Schreiber | Data-driven approaches for tempo and key estimation of music recordings | |
Paiva | Melody detection in polyphonic audio | |
Pardo | Finding structure in audio for music information retrieval | |
Franklin | PnP maxtools: Autonomous parameter control in MaxMSP utilizing MIR algorithms | |
Padi et al. | Segmentation of continuous audio recordings of Carnatic music concerts into items for archival | |
Roberts et al. | A time-scale modification dataset with subjective quality labels | |
Mehrabi et al. | Vocal imitation for query by vocalisation | |
Reale | The Calculus of Finite (Metric) Dissonances | |
Scherbaum et al. | Novel representations of traditional Georgian vocal music in times of online access | |
Sharma et al. | An efficient approach using LPFT for the karaoke formation of musical song |