Rowe et al., 2004 - Google Patents
The Technophobe and the Madman: an Internet2 distributed musicalRowe et al., 2004
View PDF- Document ID
- 18256511197006410731
- Author
- Rowe R
- Rolnick N
- Publication year
- Publication venue
- ICMC
External Links
Snippet
This paper reports on the composition, technology, and performance of The Technophobe and the Madman, a collaborative work commissioned by the New York State Council on the Arts and performed simultaneously at Rensselaer Polytechnic Institute and New York …
- 230000002452 interceptive 0 abstract description 5
Classifications
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H1/00—Details of electrophonic musical instruments
- G10H1/0033—Recording/reproducing or transmission of music for electrophonic musical instruments
- G10H1/0041—Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
- G10H1/0058—Transmission between separate instruments or between individual components of a musical system
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04L—TRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION
- H04L65/00—Network arrangements or protocols for real-time communications
- H04L65/60—Media handling, encoding, streaming or conversion
- H04L65/601—Media manipulation, adaptation or conversion
- H04L65/604—Media manipulation, adaptation or conversion at the destination
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2240/00—Data organisation or data communication aspects, specifically adapted for electrophonic musical tools or instruments
- G10H2240/171—Transmission of musical instrument data, control or status information; Transmission, remote access or control of music data for electrophonic musical instruments
- G10H2240/281—Protocol or standard connector for transmission of analog or digital data to or from an electrophonic musical instrument
- G10H2240/295—Packet switched network, e.g. token ring
- G10H2240/305—Internet or TCP/IP protocol use for any electrophonic musical instrument data or musical parameter transmission purposes
-
- G—PHYSICS
- G10—MUSICAL INSTRUMENTS; ACOUSTICS
- G10H—ELECTROPHONIC MUSICAL INSTRUMENTS
- G10H2210/00—Aspects or methods of musical processing having intrinsic musical character, i.e. involving musical theory or musical parameters or relying on musical knowledge, as applied in electrophonic musical tools or instruments
- G10H2210/155—Musical effects
- G10H2210/265—Acoustic effect simulation, i.e. volume, spatial, resonance or reverberation effects added to a musical sound, usually by appropriate filtering or delays
- G10H2210/295—Spatial effects, musical uses of multiple audio channels, e.g. stereo
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04L—TRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION
- H04L65/00—Network arrangements or protocols for real-time communications
- H04L65/40—Services or applications
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04L—TRANSMISSION OF DIGITAL INFORMATION, e.g. TELEGRAPHIC COMMUNICATION
- H04L29/00—Arrangements, apparatus, circuits or systems, not covered by a single one of groups H04L1/00 - H04L27/00 contains provisionally no documents
- H04L29/02—Communication control; Communication processing contains provisionally no documents
- H04L29/06—Communication control; Communication processing contains provisionally no documents characterised by a protocol
- H04L29/0602—Protocols characterised by their application
- H04L29/06027—Protocols for multimedia communication
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04R—LOUDSPEAKERS, MICROPHONES, GRAMOPHONE PICK-UPS OR LIKE ACOUSTIC ELECTROMECHANICAL TRANSDUCERS; DEAF-AID SETS; PUBLIC ADDRESS SYSTEMS
- H04R2227/00—Details of public address [PA] systems covered by H04R27/00 but not provided for in any of its subgroups
- H04R2227/003—Digital PA systems using, e.g. LAN or internet
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N7/00—Television systems
- H04N7/14—Systems for two-way working
- H04N7/15—Conference systems
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Rottondi et al. | An overview on networked music performance technologies | |
US20120050456A1 (en) | System and method for producing a performance via video conferencing in a network environment | |
Sawchuk et al. | From remote media immersion to distributed immersive performance | |
Carôt et al. | Network music performance-problems, approaches and perspectives | |
Wilson | Aesthetic and technical strategies for networked music performance | |
Carôt et al. | Results of the fast-music project—five contributions to the domain of distributed music | |
US20140064519A1 (en) | Distributed, self-scaling, network-based architecture for sound reinforcement, mixing, and monitoring | |
JP2009535988A (en) | System and method for processing data signals | |
Chafe | Living with net lag | |
US11800177B1 (en) | Systems and methods for synchronizing remote media streams | |
Kapur et al. | Interactive Network Performance: a dream worth dreaming? | |
Cáceres et al. | Playing the network: the use of time delays as musical devices | |
Vieira et al. | Sunflower: an environment for standardized communication of IoMusT | |
Moir et al. | Real-Time, Remote, Interactive Recording Sessions: Music Production Without Boundaries | |
Chew et al. | Segmental tempo analysis of performances in user-centered experiments in the distributed immersive performance project | |
Rowe et al. | The Technophobe and the Madman: an Internet2 distributed musical | |
Barbosa et al. | Public Sound Objects: A shared musical space on the web | |
Rowe | Real time and unreal time: Expression in distributed performance | |
Bauer et al. | Musicians’ binaural headphone monitoring for studio recording | |
Akoumianakis et al. | The MusiNet project: Towards unraveling the full potential of Networked Music Performance systems | |
Grimm | Interactive low delay music and speech communication via network connections (OVBOX) | |
Kleimola | Latency issues in distributed musical performance | |
Alexandraki | Experimental investigations and future possibilities in network-mediated folk music performance | |
Ritsch | ICE-towards distributed networked computermusic ensemble | |
Amarie et al. | Live Feedback for Immersive Music Performances-A Case Study |