[go: up one dir, main page]

Bloomberg, 2014 - Google Patents

Hyperproduction: an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time …

Bloomberg, 2014

View PDF
Document ID
18072830297455317256
Author
Bloomberg B
Publication year

External Links

Snippet

Hyperproduction is a conceptual framework and a software toolkit which allows producers to specify a descriptive computational model and consequently an abstract state for a live experience through traditional operating paradigms such as mixing audio, operation of …
Continue reading at dspace.mit.edu (PDF) (other versions)

Classifications

    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B5/00Electrically-operated educational appliances
    • G09B5/06Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
    • G09B5/065Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
    • GPHYSICS
    • G11INFORMATION STORAGE
    • G11BINFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
    • G11B27/00Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
    • G11B27/02Editing, e.g. varying the order of information signals recorded on, or reproduced from, record carriers
    • G11B27/031Electronic editing of digitised analogue information signals, e.g. audio or video signals
    • GPHYSICS
    • G11INFORMATION STORAGE
    • G11BINFORMATION STORAGE BASED ON RELATIVE MOVEMENT BETWEEN RECORD CARRIER AND TRANSDUCER
    • G11B27/00Editing; Indexing; Addressing; Timing or synchronising; Monitoring; Measuring tape travel
    • G11B27/10Indexing; Addressing; Timing or synchronising; Measuring tape travel
    • G11B27/34Indicating arrangements
    • GPHYSICS
    • G09EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
    • G09BEDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
    • G09B5/00Electrically-operated educational appliances
    • G09B5/08Electrically-operated educational appliances providing for individual presentation of information to a plurality of student stations
    • GPHYSICS
    • G10MUSICAL INSTRUMENTS; ACOUSTICS
    • G10HELECTROPHONIC MUSICAL INSTRUMENTS
    • G10H1/00Details of electrophonic musical instruments
    • G10H1/0033Recording/reproducing or transmission of music for electrophonic musical instruments
    • G10H1/0041Recording/reproducing or transmission of music for electrophonic musical instruments in coded form
    • G10H1/0058Transmission between separate instruments or between individual components of a musical system
    • HELECTRICITY
    • H04ELECTRIC COMMUNICATION TECHNIQUE
    • H04NPICTORIAL COMMUNICATION, e.g. TELEVISION
    • H04N21/00Selective content distribution, e.g. interactive television, VOD [Video On Demand]
    • H04N21/20Servers specifically adapted for the distribution of content, e.g. VOD servers; Operations thereof
    • H04N21/23Processing of content or additional data; Elementary server operations; Server middleware

Similar Documents

Publication Publication Date Title
Kaltenbrunner et al. The reactable*: A collaborative musical instrument
CN101803336B (en) Technique for allowing the modification of the audio characteristics of items appearing in an interactive video using RFID tags
US5790124A (en) System and method for allowing a performer to control and interact with an on-stage display device
Sheppard et al. Advancing interactive collaborative mediums through tele-immersive dance (TED) a symbiotic creativity and design environment for art and computer science
US20210194942A1 (en) System, platform, device, and method for spatial audio production and virtual reality environment
Michaud Locating liveness in holographic performances: Technological anxiety and participatory fandom at Vocaloid concerts
Rossetti et al. Live Electronics, Audiovisual Compositions, and Telematic Performance: Collaborations During the Pandemic
Bloomberg Making Musical Magic Live
GB2592473A (en) System, platform, device and method for spatial audio production and virtual rality environment
Mills Telematics, art and the evolution of networked music performance
Bloomberg Hyperproduction: an audio-centric framework for the abstract modeling of live performance to guide audience attention and perspective using connected real-time systems
Wagner et al. Introducing the zirkonium MK2 system for spatial composition
Marasco Bendit_I/O: A System for Extending Mediated and Networked Performance Techniques to Circuit-Bent Devices
Collins et al. klipp av: Live algorithmic splicing and audiovisual event capture
Pocius Expanding spatialization tools for various DMIs
McCarthy Live Visuals: Technology and Aesthetics
Walter et al. kompost* klang* küche*: Telematic WORLDing with Glitch
Marasco et al. Connecting web audio to cyber-hacked instruments in performance
Cook Telematic music: History and development of the medium and current technologies related to performance
Birringer Interacting
Torpey et al. Powers live: a global interactive opera simulcast
Hughes The Augmented Stage: A Practice-Based Investigation of Mixed Reality in Live Performance
Wang Telematic Performance in Electronic Dance Music (EDM)
Herder et al. The helical keyboard: perspectives for spatial auditory displays and visual music
Camacho et al. Distributed Performance as Systems of Mutual Care