Yasumoto et al., 2021 - Google Patents
Resonant irregularities: sculpture creation through automatic changes due to machine performance limitsYasumoto et al., 2021
- Document ID
- 14209968479073025670
- Author
- Yasumoto M
- Ichikawa D
- Ito Y
- Publication year
- Publication venue
- International Conference on Human-Computer Interaction
External Links
Snippet
This research explored a method of creating three-dimensional art based on the concept of creating sculptures that are automatically generated by a machine without human intention. This is similar to glitch art, which is a type of media art. An analog real sculpture is captured …
- 238000000034 method 0 abstract description 21
Classifications
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/30—Information retrieval; Database structures therefor; File system structures therefor
- G06F17/30017—Multimedia data retrieval; Retrieval of more than one type of audiovisual media
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F17/00—Digital computing or data processing equipment or methods, specially adapted for specific functions
- G06F17/20—Handling natural language data
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06F—ELECTRICAL DIGITAL DATA PROCESSING
- G06F3/00—Input arrangements for transferring data to be processed into a form capable of being handled by the computer; Output arrangements for transferring data from processing unit to output unit, e.g. interface arrangements
-
- G—PHYSICS
- G06—COMPUTING; CALCULATING; COUNTING
- G06T—IMAGE DATA PROCESSING OR GENERATION, IN GENERAL
- G06T11/00—2D [Two Dimensional] image generation
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Wachowiak et al. | 3D scanning and replication for museum and cultural heritage applications | |
Kim et al. | Compositional 3D printing: expanding & supporting workflows towards continuous fabrication | |
US9817388B2 (en) | Method and apparatus for preserving structural integrity of 3-dimensional models when printing at varying scales | |
US20180015379A1 (en) | Method of creating a doll modeled after a baby | |
Flowers et al. | Rapid prototyping in technology education: rapid prototyping, while costly, can afford students a unique opportunity to bring their ideas to reality. | |
Keller | Introducing ZBrush 4 | |
KR102117592B1 (en) | Apparatus and method for integrated processing of modeling files for 3D printers | |
Yasumoto et al. | Resonant irregularities: sculpture creation through automatic changes due to machine performance limits | |
Hutson | Art in the Age of Virtual Reproduction | |
Bryant | Tinkercad for dummies | |
Bird et al. | Re-animating Greg Lynn's embryological house: A case study in digital design preservation | |
Harrod | Otherwise Unobtainable: The applied arts and the politics and poetics of digital technology | |
Walters et al. | New technologies for 3D realization in Art and Design practice | |
Papp et al. | 3D modeling and printing interpreted in terms of cognitive infocommunication | |
Tin | 3D scanning and visual dimension–Technological and creative evolution | |
Kiss | Sculptural Hybridization: Combining Digital Parametric Modeling and Manufacturing with Traditional Handcrafting Techniques | |
Yasumoto | Resonant Something: Glitch Art Method Using Generative AI | |
Junji | Investigation of a 3D printer | |
Finkelstein et al. | Macromedia Flash 8 for Dummies | |
Zeljkovic et al. | Development of distance learning concept with graphic machines working process visualization | |
Gillespie | User-appropriate viewer for high resolution interactive engagement with 3D digital cultural artefacts. | |
Kermanikian | Introducing Mudbox | |
Pereira et al. | Dialogues between AI and Painting:“Nobody Nowhere” by Gabriel Abrantes | |
Team | Adobe Flash CS4 Professional Classroom in a Book | |
Kuhn et al. | Digital sculpture: technical and aesthetic considerations applicable to current input and output modes of additive fabricated sculpture |