Bratus, 2024 - Google Patents
The Dylan Tapes: Friends, Players, and Lovers Talking Early Bob Dylan by Anthony ScadutoBratus, 2024
- Document ID
- 13450931394259953499
- Author
- Bratus A
- Publication year
- Publication venue
- Notes
External Links
Snippet
536 Notes, March 2024 in the Green Book (p. 217).“Well into the eighties, Sonny would carry some press clippings on tour in case he had any problems on the road with white people who didn't recognize him”(p. 593). In 1958, Rollins released Freedom Suite,“the first …
- 238000013459 approach 0 abstract description 4
Similar Documents
| Publication | Publication Date | Title |
|---|---|---|
| Foust | Online journalism: principles and practices of news for the Web | |
| Powers | Transcription techniques for the spoken word | |
| Atton | Popular music fanzines: Genre, aesthetics, and the “democratic conversation” | |
| Soffer | From textual orality to oral textuality: The case of voice queries | |
| Freund | Oral history as process-generated data | |
| Botstein | Music in History: The Perils of Method in Reception History: The Musical Quarterly; Notes from the Editor | |
| Camlot et al. | CanLit Across Media: Unarchiving the Literary Event | |
| Bratus | The Dylan Tapes: Friends, Players, and Lovers Talking Early Bob Dylan by Anthony Scaduto | |
| Rodgers | How art and research inform one another, or choose your own adventure | |
| Cavanaugh | Transcription as embodied entextualization: process, transformation, authority | |
| Fabian et al. | Ethnography | |
| Rosowsky | The role of Muslim devotional practices in the reversal of language shift | |
| Barda | Poetic Practice Gone Rogue: Inquiry, Document, and Making Public in France in the Age of Mediarchy | |
| Millar et al. | From Belfast to the Somme (and back again): loyalist paramilitaries, political song, and reverberations of violence | |
| Silver | ‘Astonished and Somewhat Terrified': The Preservation and Development of Aural Culture | |
| US9361295B1 (en) | Apparatus, method and graphical user interface for providing a sound link for combining, publishing and accessing websites and audio files on the internet | |
| Roach | Generative transcription: The interview in post-World War 2 anglophone African literary culture | |
| Mooney | For the Sake of the Song: Essays on Townes Van Zandt ed. by Ann Norton Holbrook and Daniel Beller-McKenna | |
| Hoek | Our proper business now is revolution: John Cage and the Beatles | |
| RICE et al. | TOOLS AND TECHNOLOGY | |
| Corry | “LADY U SEND ME YR MOVIE:” constructing Joanie 4 Jackie’s feminist distribution network | |
| Foster | Finding poetry in the sound archives: creatively repurposing oral histories for re-presentation and engagement | |
| Karamoutsiou | Not Just a Zine: the “Rollin Under” Zine and Thessaloniki’s DIY Music-making (1985–1990). Thessaloniki’s DIY Music Scene | |
| Yadav | ‘To delight and revel in trying to pull apart systems of authority:’a conversation with graphic novelist Orijit Sen | |
| Series | SAMPLING POLITICS TODAY |