Nikolai, 2016 - Google Patents
The camera-dancer: a dyadic approach to improvisationNikolai, 2016
View HTML- Document ID
- 12514106436843330317
- Author
- Nikolai J
- Publication year
- Publication venue
- The International Journal of Screendance
External Links
Snippet
How can the light-weight video camera in the hands of the improvising dancer, enhance compositional choices in moment-to-moment or retrospective decision-making in studio? I propose that the camera in the hands of the dancer moving and passing the camera …
- 230000002708 enhancing 0 abstract description 8
Classifications
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/02—Electrically-operated educational appliances with visual presentation of the material to be studied, e.g. using film strip
-
- G—PHYSICS
- G09—EDUCATION; CRYPTOGRAPHY; DISPLAY; ADVERTISING; SEALS
- G09B—EDUCATIONAL OR DEMONSTRATION APPLIANCES; APPLIANCES FOR TEACHING, OR COMMUNICATING WITH, THE BLIND, DEAF OR MUTE; MODELS; PLANETARIA; GLOBES; MAPS; DIAGRAMS
- G09B5/00—Electrically-operated educational appliances
- G09B5/06—Electrically-operated educational appliances with both visual and audible presentation of the material to be studied
- G09B5/065—Combinations of audio and video presentations, e.g. videotapes, videodiscs, television systems
-
- H—ELECTRICITY
- H04—ELECTRIC COMMUNICATION TECHNIQUE
- H04N—PICTORIAL COMMUNICATION, e.g. TELEVISION
- H04N7/00—Television systems
- H04N7/14—Systems for two-way working
- H04N7/15—Conference systems
Similar Documents
Publication | Publication Date | Title |
---|---|---|
Raheb et al. | Choreomorphy: A whole-body interaction experience for dance improvisation and visual experimentation | |
Mondloch | Screens: Viewing media installation art | |
Jacucci | Interaction as performance: cases of configuring physical interfaces in mixed media | |
Potter et al. | Finger flowment’and moving image language: Learning filmmaking with tablet devices | |
Zimmerman | Video Sketches: Exploring pervasive computing interaction designs | |
Crayton | Designing for immersive technology: Integrating art and STEM learning | |
Nikolai | The camera-dancer: a dyadic approach to improvisation | |
Popat et al. | Creating common ground: dialogues between performance and digital technologies | |
Whatley et al. | Interdisciplinary collaborations in the creation of digital dance and performance: A critical examination | |
Greenhalgh | Cinematography and camera crew: practice, process and procedure | |
Hösl | Understanding and designing for control in camera operation | |
Khalili | A design studio experiment: Pedagogy, digital storytelling, and atmosphere in architectural education | |
Piccirillo | The technological evolution of filmmaking and its relation to quality in cinema | |
Nikolai et al. | Stillness, breath and the spine-Dance performance enhancement catalysed by the interplay between 3D motion capture technology in a collaborative improvisational choreographic process | |
Sparacino et al. | Media Actors: Characters in Search of an Author | |
Mondada | Working with Video Data | |
Karreman | How does motion capture mediate dance? | |
Grobler | Narrative strategies in the creation of animated poetry-films | |
Beira | 3D (embodied) projection mapping and sensing bodies: a study in interactive dance performance | |
Bakk | VR as a narcissistic medium | |
Kwastek | Documenting interaction | |
Nicholas | A Dramaturgical Framework for Interactive Performance: Sensitizing Concepts at the Intersection of Performance and Technology | |
Matarazzo | What is animation? The ‘Six Blind Men and an Elephant’conundrum | |
Zhao | The Implementation of Long Take in AI Video: Technical Approaches and Aesthetic Exploration | |
Bevan et al. | From Virtual Production to ‘Integrated Production Technologies': The Development of The Void |